Moontrap
- 1988
- Tous publics
- 1h 32m
IMDb RATING
4.8/10
4.1K
YOUR RATING
NASA finds remains of an ancient humanoid race on the Moon that left behind deadly robots.NASA finds remains of an ancient humanoid race on the Moon that left behind deadly robots.NASA finds remains of an ancient humanoid race on the Moon that left behind deadly robots.
James A. Courtney
- Lieutenant
- (as James Courtney)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This movie is what I call "Cheap Sci-Fi": a garage sale script, minimal special effects, and a great leap of faith to justify the story.
The premise is that there was a previous technological civilization on Earth (of course, this is never really explained), and they've left deadly robots on the moon. Not to be outdone, Earth sends a team of astronauts on a search and destroy mission.
Of course, the fact that it would be safer to leave them there, with the lunar gulf separating us is never mentioned! That would invalidate the whole movie, wouldn't it?
Jason & Ray (Koenig & Campbell) awaken a woman (Leigh Lombardi) in suspended animation whose role is wasted on a pointless T&A scene and the obligatory screams of fright. But don't despair, Koenig's real-life wife, Judy Levitt, shows up to save the plight of women on the screen by piloting a space shuttle, armed with missiles (did the producer have something against the peaceful uses of space?).
Most sad are the scientific errors which plague the script (be sure to click on the "goofs") and show that quick profits, not accuracy, were the driving force behind this flick.
Ironically enough, although the movie's a lost cause, the soundtrack by Joseph Lo Duca is superb, and a good premonition of his later work. Even more ironic is the fact that Lo Duca went on to write soundtracks for shows like Xena and Hercules, in which Bruce Campbell would have recurring roles.
Moontrap? Moon-trash would be a better title!
The premise is that there was a previous technological civilization on Earth (of course, this is never really explained), and they've left deadly robots on the moon. Not to be outdone, Earth sends a team of astronauts on a search and destroy mission.
Of course, the fact that it would be safer to leave them there, with the lunar gulf separating us is never mentioned! That would invalidate the whole movie, wouldn't it?
Jason & Ray (Koenig & Campbell) awaken a woman (Leigh Lombardi) in suspended animation whose role is wasted on a pointless T&A scene and the obligatory screams of fright. But don't despair, Koenig's real-life wife, Judy Levitt, shows up to save the plight of women on the screen by piloting a space shuttle, armed with missiles (did the producer have something against the peaceful uses of space?).
Most sad are the scientific errors which plague the script (be sure to click on the "goofs") and show that quick profits, not accuracy, were the driving force behind this flick.
Ironically enough, although the movie's a lost cause, the soundtrack by Joseph Lo Duca is superb, and a good premonition of his later work. Even more ironic is the fact that Lo Duca went on to write soundtracks for shows like Xena and Hercules, in which Bruce Campbell would have recurring roles.
Moontrap? Moon-trash would be a better title!
Wacky, gory, and strangely humorous, "Moontrap" is one of those low budget films that forces its way into your heart. You just can't help but watch all of "Moontrap" once you accidentally run into it when channel surfing. Cheesy, and almost parodoxial of contemporary space action movies, "Moontrap" plays out into a required viewing B-movie for any one remotely interested in sci-fi. The plot is simple and standard issue: Walter Koenig is Col. Jason Grant (a.k.a., Pavel Chekov), a single-parent, astronaut burn-out who brings home an alien artifact. When NASA's computers find out that hostile alien life originated in the Moon's Prometheus Crater, Col. Grant is sent with a special team to eliminate an army of football-shaped alien eggs in stasis. One can pretty much guess what happens, and this basically makes "Moontrap" a space slasher film. All in all an incredibly stupid film, but well worth viewing. Very similar to "Virus" in some respects.
Astronauts Jason Grant (Walter Koenig of 'Star Trek' fame) and Ray Tanner (Bruce "Ash" Campbell) discover some ancient alien artifacts in the vicinity of the moon. Among them are an alien corpse (that turns out to be 14,000 years old), and an object somewhat resembling one of the eggs from the "Alien" franchise. When the object and the corpse merge into a menacing cyborg, our heroes are motivated to make a return trip to the moon to see what else is out there. They're in for some more discoveries. This time, one of them is a very human looking female named Mera (lovely Leigh Lombardi).
Director Robert Dyke and screenwriter Tex Ragsdale try not to overstate matters. Basically, Jason has to figure out for himself what the story is, and expresses it out loud just to make sure that we get it. Dyke does a creditable job of working with an obviously very limited budget, but establishes a fairly grim atmosphere right from the start. The practical special effects are actually pretty damn good considering the constraints. Joseph LoDuca composed a decent enough score. While Dyke and Ragsdale are to be commended for creating a serious mood, they don't hesitate to insert a little levity here and there. As can be expected, the swaggering Campbell does have his moments. There's just a little bit of gore, but folks looking for exploitable elements will be pleased to see that Lombardi and an exotic dancer both bare their breasts. The dialogue isn't always so hot, but the performances are fine from the two leads, and they do create some chemistry. It IS nice to see veteran Koenig in a top billed hero role.
Be sure to wait through the closing credits for a little bit of an epilogue.
"Moontrap" is decent, deliberately paced entertainment that may have some appeal for lovers of sci-fi / horror combos.
Six out of 10.
Director Robert Dyke and screenwriter Tex Ragsdale try not to overstate matters. Basically, Jason has to figure out for himself what the story is, and expresses it out loud just to make sure that we get it. Dyke does a creditable job of working with an obviously very limited budget, but establishes a fairly grim atmosphere right from the start. The practical special effects are actually pretty damn good considering the constraints. Joseph LoDuca composed a decent enough score. While Dyke and Ragsdale are to be commended for creating a serious mood, they don't hesitate to insert a little levity here and there. As can be expected, the swaggering Campbell does have his moments. There's just a little bit of gore, but folks looking for exploitable elements will be pleased to see that Lombardi and an exotic dancer both bare their breasts. The dialogue isn't always so hot, but the performances are fine from the two leads, and they do create some chemistry. It IS nice to see veteran Koenig in a top billed hero role.
Be sure to wait through the closing credits for a little bit of an epilogue.
"Moontrap" is decent, deliberately paced entertainment that may have some appeal for lovers of sci-fi / horror combos.
Six out of 10.
This isn't a classic by any means. But it is fun to watch! It has a very good SciFi premise, the acting is good, and the cinematography is good. I really thought the special effects were outstanding for a small budget flick. The dialog suffers a little/lot here and there but is passable. While the movie itself doesn't make the "A List" there are two or three scenes that are kind of classic and make the whole thing worthwhile. If you like the B flicks then this one is a must! I would love to see a big budget remake. Grab some popcorn and load it up, you'll be glad you did!
The good? Effects and props... and Koenig.
The bad? Everything else.
Apart from its value as 80s nostalgia, there's not much to see. The 1950s did this type of stuff much better.
It would have made a good TV movie, though.
The bad? Everything else.
Apart from its value as 80s nostalgia, there's not much to see. The 1950s did this type of stuff much better.
It would have made a good TV movie, though.
Did you know
- TriviaBecause the "moondust" was actually quick-set concrete powder, there was always a sign at the set proclaiming "No Liquids!"
- GoofsThe full Earth is visible from the sunlit lunar surface, which is impossible.
- Quotes
Col. Jason Grant: A base! It is a god-damned base and we're being invited in.
Ray Tanner: Yeah, but who's throwin' the party?
- Crazy creditsNear the end of the closing credits, audio is heard of Jason speaking to a NASA official about any possible debris of the spacecraft possibly falling to Earth.
- Alternate versionsThe Japanese VHS runs a little bit longer than the North American version, but mostly features extended dialogue between Jason and his son.
- ConnectionsEdited from Apollo 11 Moon Landing (1969)
- SoundtracksGotta Get Next to You
Music by Joseph LoDuca (as Joe Lo Duca)
Lyrics by Rita Cox
Performed by Michael Nehra
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