Kiki la petite sorcière

Having already been familiar with and a great admirer of some of Miyazaki's other Ghibli films, including Princess Mononoke, I turned to Kiki's Delivery Service on the recommendation of someone who suggested it as "light-hearted" fun. Being an eighteen-year-old male, I didn't think it would be much more than that—a guilty pleasure to indulge in once in a while, something I could watch and then say, "Aw, what a cute film!" But Kiki's Delivery Service is so much more than "light-hearted fun." For one, it is a beautifully animated work of cinematic art, with Miyazaki's usual flair for gorgeous landscapes and astonishing detail. As in his recent films Princess Mononoke and Spirited Away, Miyazaki's brush paints a beautiful world.

There is not much to be said about the plot itself: Kiki is a 13-year-old witch who has just left home to begin a year of training on her own, and she moves to a seaside European town, befriends a husband and wife baker, and sets up a flying delivery service.

What sets Kiki's Delivery Service apart from many of Miyazaki's other works is the personal, rather than epic, nature of the story. It wonderfully captures the day-to-day life of an aspiring 13-year-old girl moving into the life of a bustling town. While there is plenty to please the thrill-seeking adventurous spirit, the film's real beauty lies in its ability to portray the more introverted aspects of life. Most Western animated cinema centers around loud, pop-influenced music and a bad-guy-fighting action-oriented plot, but Kiki's Delivery Service has a charming and understated musical score, and lacks a traditional antagonist. Life isn't all excitement and fighting bad guys—something that this film seems to get across more than any Disney, Pixar, Fox, or other Western animated film I've ever seen. In fact, the doldrums of life are what form the heart of this film, as Kiki finds that she begins to lose her witch's abilities and can no longer fly.

Kiki's Delivery Service is a masterpiece, one of my all-time favorite films, and Kiki's search for the heart within herself is a tale that adults may appreciate more than their children. Indeed, Kiki is one of the most appealing characters that Miyazaki ever brought to life, which is certainly saying something. One of Miyazaki's great arts is in never talking down to his audience, and this fantastic story is no exception.

i've only seen the dub, but I must say this movie is superb, fantastic, wonderful and worthy of all the praise it gets. it's heartfelt, funny, and all in all a wonderful movie. the plot, characters, everything about this movie is perfect. it makes me feel oh so good when i watch it. I honestly see nothing wrong with this movie, not a thing. it's quite possibly the greatest coming of age story ever. This movie is too damn good for a review written by me out of complete bordem, so i'll end it by saying if you can a copy, dub or subtitled, rent/buy/steal it. i don't think you'll be disaponited. So go on and get a copy before I beat you. GO NOW.

The film is again a treat for animation lovers. It is very nice in every sense. In the middle though I felt that everything is happening nicely and so it felt like monotonous. But I must say that the film delivers a very important message in the end, which is the essence of the whole film. The supporting characters are all very nicely inserted. What I liked the most in the film was the positive vibes all the time of viewing which makes an optimistic environment around you. And the character faces trouble also, but in such a way that you will never feel angered on any character. The antagonist type thing is not present in the film and that is an important reason why I felt nice during watching it. The film teaches you about hope and self-belief.

"A must watch for everyone."

Another great Miyazaki film. A young witch, with a good heart, leaves her mom and dad on her 13th birthday with her black cat, as all witches are supposed to do to complete her training and make it on her own. She looks for a city in need of a witch and finds a city near an ocean. She meets some other good hearted people who help her along the way.

There really isn't a villain in the movie and it's mainly a slice of life type of film. In the end of the film it all comes together and she performs a heroic act.

I tried to watch the dubbed version. Dunst was fine, but I just couldn't stand Garofolo and Hartman. So set the DVD audio to the original Japanese soundtrack and used English subtitles.

If you watch the dubbed version. Turn on the subtitles and you will see all the additional dialog they added. They just couldn't help padding their roles, especially Hartman.

First of all, 10 points to Ghibli for Variety. Producing this and 'Grave of the Fireflies' inside a year of each other would be like Disney doing 'Mary Poppins' and 'Judgement at Nuremberg' back to back.

Words that spring to mind after watching Kiki include 'delightful', 'light', 'bouyant', and so forth. It's obvious Miyazaki has refined his craft considerably from the early movies, which somehow seemed a bit... I don't know - stuttery. Kiki, though just flows effortlessly. Combine this with the beautiful use of lighting and colour to produce that summertime, Mediterranean sort of feel, and Kiki is a movie that is just thoroughly uplifting, never getting bogged down in complexities or dark intrigues.

Unfortunately - and this is the only thing holding it back from 4 stars from me - what it does get slightly bogged down in, is its own lightness. There were just a few sections where the lack of a villain, of any real action, of anything other than people being nice to each other, took the top 10% off what was otherwise a masterful movie. I suppose there were a few other flaws, too: some characters and situations which came into it were just not developed at all. And there was one moment that teetered on real poignancy - the old dog with what he thought was a stuffed toy - but it sort of didn't happen. Also allowing the cat - sorry, forgotten his name - to drop out of proceedings for most of the latter half the film, definitely removed a spark from the film (I can't believe I just complained about the LACK of a comic sidekick)

BTW, as someone who lives in Tasmania, which is allegedly the inspiration for much of the setting of this film, please come here by all means, but don't expect it to look like that. The bakery in Ross (central Tasmania) which supposedly inspired the one in the film is in one of the few Tasmanian towns that you _can't_ see the ocean from, and the general look of the movie is distinctly southern European, though I guess some of the rural shots look a bit Tasmanian.

Whatever the case, Miyazaki's attention to detail is, as usual, stunning. The town may have been cobbled together from his favourite bits of Italy, France, Tasmania and wherever else, but its nothing less than a labour of love nonetheless.

Anyway, 8 out of 10.