With only six months left of his sentence, inmate Frank Leone is transferred from a minimum security prison to a maximum security prison by a vindictive warden.With only six months left of his sentence, inmate Frank Leone is transferred from a minimum security prison to a maximum security prison by a vindictive warden.With only six months left of his sentence, inmate Frank Leone is transferred from a minimum security prison to a maximum security prison by a vindictive warden.
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"You won't break me."
So his minor prison sentence turns into a big one, although one that he spends at a comfortable minimum security joint with all kinds of perks, including weekends and conjugals and even friendships with the guards. His release is approaching when suddenly he is awakened in the middle of the night and taken to a brutal, maximum-security prison where he is to spend the rest of his sentence. It's called a "routine transfer," although he has done nothing to deserve such an upgrade in security status and even his wife is not informed of what happened to him.
Ultimately he learns that he is being transferred to the prison of Warden Drumgoole (Donald Sutherland at his creepy best), who was in charge of the prison that Leone escaped from, which in turn made it into the papers and ruined Drumgoole's career. Now he has his chance for revenge, and he plans to arrange for Leone to spend the rest of his life in this prison.
The movie carelessly glosses over the ease with which Drumgoole plucks Leone out of his own prison with no explanation to those in charge there, and the conflict immediately switches to Leone trying to survive in this violent prison and stay out of trouble so he doesn't screw up his chances of getting released on time so he can go back to his family.
Drumgoole pulls out all the stops in violating the law that his institution is designed to uphold so that he can keep this one guy down, and Leone faces all manner of challenges ranging from shank-laden inmates to one of his inmate buddies who steals the Mustang they've all restored together and tears all over the prison yard doing doughnuts.
The movie is definitely entertaining although there are times when the cheese factor is through the roof, such as the spray paint fight and the downright school-girlish friendship that Leone forms with a small group of other inmates. On the other hand, it also has a much wider target audience than your average prison movie, and it manages to generally avoid most of the gaping pitfalls that prison movies are in danger of falling into when they shoot for a wide audience. There's nothing realistic about it, but for good Stallone entertainment, this is not a bad way to follow up the massive success of the Rambo and Rocky films.
Also keep your eye out for a young Tom Sizemore, but be advised that the movie features violence, unnecessary cheesiness and may leave you with an overwhelming desire to go out and get some doughnuts
Leone had been sentenced to Treadmore Prison after beating the punks that hit his mentor and friend that taught him his profession of auto mechanic. When his mentor was dying, he asked permission to Drumgoole to go to visit his friend but the request was denied. Leone fled from Treadmore and his lawyer went to the press to expose Drumgoole's behavior. The result was Leone in a minimum security prison and Drumgoole sent to Gateway. Now the warden is seeking revenge and will do anything to keep Leone behind bars.
"Lock up" is an entertaining prison drama full of action with Sylvester Stallone after the successful Rambo trilogy. The story is flawed and shallow, and the viewer shall not think how a prisoner is transferred the way Frank Leone is and his lawyer simply does not exist in the story. The characters are not well developed and there is no explanation for the sadistic behavior of the prison guards. However this type of movie is not to think and entertains. My vote is six.
Title (Brazil): "Condenação Brutal" ("Brutal Conviction")
Frank Leone (Sylvester Stallone) only has a few weeks to go before being released from prison, he is no hard core offender, he is a loving man and is ready for a new life with his gorgeous girlfriend Melissa (Darlanne Fluegel). During the night he is whisked away to a maximum security prison on the orders of a sadistic warden out for revenge because Leone was the only man to have ever escaped from his prison, thus setting in motion the wheels of revenge.
We then follow Leone as he is pushed to the limits by crazy warden Drumgoole (Donald Sutherland) and all the sadistic guards under his command. He also enlists the help of resident inmate beefcake Chink Weber (Sonny Landham), and they all in turn try to break Leone at all costs to ensure that he never leaves prison again. There certainly is nothing here that hasn't been done before in the prison film genre, and only an idiot would expect anything other than the ending we get, but this is a Stallone movie and it's full of guts, testo macho action, and it should be noted that Sly here puts some depth to the character of Leone. He garners our sympathy quite quickly, and considering the bloke is built like the proverbial brick outhouse, it's quite an achievement.
The supporting players are a mixed bunch, this is Tom Sizemore's first motion picture and he does really well with the character of Dallas, Sonny Landham is his usual scary menacing self, whilst Frank McRae as Eclipse does just enough right to make his mark. So it's something of a surprise to me that the best actor on show is actually the film's weak link. Donald Sutherland does overplay it to the point that he goes beyond pantomime villain, it's a real teeth itching performance that he would only outdo with the dreadful Jamie Lee Curtis starrer, Virus, 10 years later, but in a film with such primal fun/action intentions, it doesn't ruin the film and leaves it all told as a fine genre piece.
No awards here for sure, but when I watch a film about a man played by Sly Stallone in prison then I think I know what to expect, and it delivers all that I hoped for, so hooray for the beefcake I say. 7/10
Did you know
- TriviaDirector John Flynn has said of this movie, in a 2005 interview with Harvey F. Chartrand for Shock Cinema: "Haute Sécurité (1989) is a strange lesson in how Hollywood movies are made. Stallone had a 'window' which means the guy was available for a certain window of time. Larry Gordon [Lawrence Gordon] had a terrible script set in a prison. Stallone calls James Woods and asks if I'm any good as a director. Woods says yeah, he's a good director and you ought to work with him. So we have a director and a star, but no script. All we have is a theme - a guy escaping from prison. So we hire Jeb Stuart, who was then one of the hottest writers in Hollywood, to rewrite the script and we go off looking for prison locations. Now we have a star, a theme, a shooting date, a budget, a studio, but we still have no script. So we all go back to New York City, and move into a hotel where Larry 'tortures' Jeb and Henry Rosenbaum into writing a script in record time. Meanwhile, I'm going around scouting prisons. We finally found one in Rahway, New Jersey. Jeb and Henry were writing the script as we were making the movie. New pages would come in every day. There was one day when I was on the third tier of a cell-block in Rahway Penitentiary and I had nothing to shoot. I had my movie star, all these extras and a great location - and the pages were on their way. So we sat around and bullshitted with the prisoners. Stallone is a smart guy and a very underrated actor. If I ever needed a better line, he'd come up with one. Stallone is a really hard worker. I had no problem whatsoever with him".
- GoofsWhen Frank Leone is quickly forced out of his tiny jail cell his pants are not on, but as he appears out of the cell his pants are on.
- Quotes
Eclipse, Dallas, others: [after the re-building of the Mustang] When we're in a sober mood, we worry, work and think. When we're in a drunken mood, we gamble, play and drink. But when our moods are over, when our time is come to pass, we hope they bury us upside down, so the warden can kiss our ass!
Dallas: Amen!
- ConnectionsFeatured in Chuck Norris vs. Communism (2015)
- SoundtracksVEHICLE
Written by Jim Peterik
Performed by The Ides of March
Courtesy of Warner Bros. Records, Inc.
by arrangement with Warner Special Products
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Details
Box office
- Budget
- $24,000,000 (estimated)
- Gross US & Canada
- $22,099,847
- Opening weekend US & Canada
- $6,025,520
- Aug 6, 1989
- Gross worldwide
- $22,099,847
- Runtime
- 1h 49m(109 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1