Le cavalier masqué

I loved this movie growing up, it was a lot of fun and always amusing to know you were a fan of Hugh Grant before he became famous ;) This movie was released as "SilverBlade" in Australia where I grew up and first saw it, and it wasn't until I came to the United States that I found out it had another name. So if there are any Aussies out there wondering if this is the same movie - it is - I have seen both SilverBlade and The Lady & The Highwayman and they are exactly the same.

A great movie. This movie was filmed before anyone knew who Hugh Grant was. Great performances by Oliver Reed, Michael York, and of course the red-headed vixen, Emma Samms. Lysette Anthony was the perfect touch. A must see, but you do have to look for it. This movie is a hard one to find.

it is a love story which succeeds in it's attempt to create suspense--will true love be victorious? or will it be a tragedy? The suspense is intermingled with completely unintentional comic relief. It stars Hugh Grant before he became the bumbling fool in so many other movies.

This movie is amazingly funny because of its lack of trying to be so. It was not meant to be a comedy, but the one-liners will be recited by its audiences for years after viewing. It was a truly valuable find in our campus library movie collection.

Please trust me and rent this movie!!! You will never forget this experience!

"Based on the best-selling novel by Barbara Cartland, this colorful adventure epic of 17th century English gentry stars Hugh Grant as an aristocrat forced to become a swashbuckling 'Highwayman' after falling in love with a beautiful girl (Lysette Anthony) he has sworn to protect from the evil Cromwell. Fate drives them together, but their passion may be doomed when they are accused of crimes by their enemies (Emma Samms, Oliver Reed), and both face execution," according to the DVD sleeve notes.

Romantic historical fiction made tediously for television.

DVD sleeve comments to the contrary, this film stars Ms. Anthony. She is at her most beautiful, and performs her role well. Anthony had just disrobed for "Playboy" (December 1988), and would go directly to the 1990 revival of "Dark Shadows" (as Angelique). At the time a bigger star, Ms. Samms (Holly from "General Hospital") and future movie star Mr. Grant are also looking good. "The Lady and the Highwayman" is mainly watchable for prettily presenting these three with veterans.

***** The Lady and the Highwayman (1/22/89) John Hough ~ Lysette Anthony, Hugh Grant, Emma Samms

Although filmed in 1988, this British made-for-TV movie captures the look and feel, the melodrama and romance, even the stagy lighting, of a big-budget 1930s Hollywood swashbuckler. By 1930s standards, it is a first-rate film. By today's standard, well, that's not really a fair standard to judge it by. It lacks the scale and fancy visual effects of "Braveheart," or "Gladiator," but in its quirky old-fashioned way, it is a better movie than either of them. And it is miles better in every possible way (including historical accuracy) than the egregious BBC/A&E "Charles II" mini-series (USA title "The Last King"), set in the same time period, with many of the same characters, that was broadcast in 2004.

"The Lady and the Highwayman" is based on a Barbara Cartland romance novel, and set in Restoration England of the 1660s. Yet with a shift of locale, and a slight re-write, it could just as well be a western. Think "Zorro." Indeed it borrows lots of bits and pieces from classic westerns -- such as Hugh Grant's character jumping from atop a 30 foot wall on to the back of his horse.

"The Lady and the Highwayman" was filmed in England, using several real period castles and manor houses as locations. Both the detailed sets and the lavish costumes mesh seamlessly with the period buildings. The costume department did a great job, as much with the soldiers' uniforms, armor, and weapons, as with the courtiers' finery.

The cast is excellent, and the dialog, by Terence Feely, was well written. 28-year old Hugh Grant looks young and suave, but doesn't say a whole lot. The star is young Lysette Anthony, then 25, and she is terrific. Oliver Reed is a menacingly villainous Phillip Gage. Michael York is a dashing King Charles II.

I just saw the film on a $1 DigiView DVD sold by WalMart. It was definitely not a digital transfer -- but its graininess and off colors actually enhanced the impression of its being a 1930s film, rather than 1980s. It's no classic, but I enjoyed watching it, and I've seen plenty worse. 6/10.

For another quirky and retro view of 17th century England, check out "Winstanley" by Kevin Brownlow.