Indiana Jones et la Dernière Croisade
Original title: Indiana Jones and the Last Crusade
- 1989
- Tous publics
- 2h 7m
In 1938, after his father goes missing while pursuing the Holy Grail, Indiana Jones finds himself up against the Nazis again to stop them from obtaining its powers.In 1938, after his father goes missing while pursuing the Holy Grail, Indiana Jones finds himself up against the Nazis again to stop them from obtaining its powers.In 1938, after his father goes missing while pursuing the Holy Grail, Indiana Jones finds himself up against the Nazis again to stop them from obtaining its powers.
- Won 1 Oscar
- 9 wins & 24 nominations total
Isla Blair
- Mrs. Donovan
- (as Mrs. Glover)
Summary
Reviewers say 'Indiana Jones and the Last Crusade' is acclaimed for its thrilling action, engaging plot, and the compelling father-son dynamic between Harrison Ford and Sean Connery. The film balances humor and drama, with standout performances and a quest for the Holy Grail that adds depth. The emotional exploration of their relationship and the blend of action and humor solidify its classic status. Steven Spielberg's direction and John Williams' score are noted as enhancing the film.
Featured reviews
When the two greatest filmmakers in the world teamed up to create the best action movie of all time - Raiders of the Lost Ark, it seemed unlikely that they could duplicate their divinely-inspired work. After a miss with the entertaining yet forgettable Indiana Jones and the Temple of Doom, Indiana Jones and the Last Crusade comes pretty close to doing just that.
Film history's most profitable star Harrison Ford returns to his signature role in a performance that speaks for itself, and benefits greatly from a gallery of memorable supporting characters. That includes Sean Connery, the grandest of all modern action day movie heroes (and appropriately cast, as the spiritual father of the character is James Bond). Connery plays against that, in a performance that is different than anything he has ever done, and it works. Even so, Denholm Elliott can't seem to help stealing every scene he's in as Marcus Brody, a lifelong friend of the Jones family.
This movie stands by itself in the way it deals with spirituality, and is thick with religious themes throughout, without preaching to you. This is a very difficult balance to achieve in any film, and that alone makes the film stand out as brilliant. It is more abundant with humor than the previous two films, without the characters falling into irritating self-parody. Being a sequel, this is a difficult balance to achieve as well. (Look at action sequels such as Lethal Weapon 4).
This film stands among the greatest action adventures of all time. I don't know anyone who hasn't seen it, but if you haven't, don't walk to see it. Run.
Film history's most profitable star Harrison Ford returns to his signature role in a performance that speaks for itself, and benefits greatly from a gallery of memorable supporting characters. That includes Sean Connery, the grandest of all modern action day movie heroes (and appropriately cast, as the spiritual father of the character is James Bond). Connery plays against that, in a performance that is different than anything he has ever done, and it works. Even so, Denholm Elliott can't seem to help stealing every scene he's in as Marcus Brody, a lifelong friend of the Jones family.
This movie stands by itself in the way it deals with spirituality, and is thick with religious themes throughout, without preaching to you. This is a very difficult balance to achieve in any film, and that alone makes the film stand out as brilliant. It is more abundant with humor than the previous two films, without the characters falling into irritating self-parody. Being a sequel, this is a difficult balance to achieve as well. (Look at action sequels such as Lethal Weapon 4).
This film stands among the greatest action adventures of all time. I don't know anyone who hasn't seen it, but if you haven't, don't walk to see it. Run.
This was an amazing movie, my personal favorite in the Indy series. Has good plot, a lot of humor, and some emotion too. not to mention plot twists
10Mister-6
One thing you gotta say for this series: it isn't boring.
And "Last Crusade" has enough thrills, chills and spills to fill up a few dozen old Saturday afternoon serials.
Right down the line, everything about this film is superb. Ford and Connery do the father and son routine superbly. Rhys-Davies returns as Sallah, as does Elliott who plays Brody with as much befuddlement as Connery does his role. And who can blame him?
And the FX: there's so many you lose count. But don't bother, just sit back, relax and get swept up in the moment. You can't help yourself but to get into this "Crusade".
Ten stars. A classic Ford with a bright Sean.
And "Last Crusade" has enough thrills, chills and spills to fill up a few dozen old Saturday afternoon serials.
Right down the line, everything about this film is superb. Ford and Connery do the father and son routine superbly. Rhys-Davies returns as Sallah, as does Elliott who plays Brody with as much befuddlement as Connery does his role. And who can blame him?
And the FX: there's so many you lose count. But don't bother, just sit back, relax and get swept up in the moment. You can't help yourself but to get into this "Crusade".
Ten stars. A classic Ford with a bright Sean.
Rating: **** out of ****
My opinion of Indiana Jones and the Last Crusade could be deemed slightly biased. It is the first film I ever saw in theaters and it's also the first movie I purchased on video. I even own the same, worn-down, beat-up copy (and look upon it even more fondly than the widescreen edition, for sentimental reasons, of course) (but nothing beats the pristine quality DVD). I think it's fair to say it's this movie that cemented my love of cinema, the high regard I hold for great escapism, which is sorely lacking from today's cinema; movies that should be fun now drag or bludgeon themselves with relentlessly awful scripts or MTV-style direction that turns relatively simple scenes into chaotic blurs. The Last Crusade may only be thirteen years old, but I think I can safely say they don't make them like they used to.
The film stars, of course, Harrison Ford as Indy Jones, the archaeologist/adventurer who's on yet another quest, this time to find his father, who'd been searching for the Holy Grail. Said Dad is played by none other than Sean Connery, whose highly charismatic performance is quick to place this film, acting-wise, above the others in the trilogy by giving Ford a genuine acting equal (let me put it this way, he's only half a notch below Harrison Ford/Indy in charisma and appeal if that tells you anything). The rest of the film focuses on this ongoing journey between father and son (eventually joined along by Sallah and Marcus Brody), complete with amazing action and stunt sequences, clever humor, and nasty (but fun) surprises.
The script, by Jeffrey Boam, takes a few cues from Raiders of the Lost Ark, but actually improves upon that story by paying more attention to characterization. The delightful opening scene (all three movies really open with a bang, don't they?); which details how young Indy got his scar, whip, hat, and fear of snakes; makes for a better prequel than Temple of Doom (and any of The Adventure of Young Indiana Jones, for that matter).
The story is engrossing because there's a lot of fun clues offered towards the location of the Grail and, thus, there's a lot of engaging little discoveries (love the "X marks the spot" scene). I'm quite certain, like with Raiders of the Lost Ark, the plot has a few holes, but they're fairly hard to notice, and I've seen this movie quite a few times, but maybe it's just my enjoyment of the film clouding that up. Either way, it speaks volumes in favor of Spielberg's direction and the performances.
Given that action and adventure is the series' selling point, you can expect the thrills and wondrous delight of discovery delivered in spades. The action scenes are terrific (and matched well with John Williams' rousing, memorable score, also the best of the trilogy), the best being a fantastic ten-minute chase sequence on board (and in) a tank, possibly the best action sequence of Spielberg's career. I also loved the motorcycle chase and the Zeppelin setpiece, where the heroes go about dispatching of two enemy fighters in unexpected, but quite hilarious, fashion. The climax, complete with frightening booby traps, is a suspenseful venture into the unknown.
The Last Crusade is far more humor-oriented than its predecessors, but part of the movie's effectiveness is that it's able to deliver belly laughs without defusing the tension during the action sequences. Some of the jokes are just brilliant, including one with Indy armed with a Luger in confrontation with a trio of Nazis on board a tank that's even funnier than the swordsman scene in Raiders (well, to me, at least).
The supporting cast is all-around superb; John Rhys-Davies is back as Sallah, wonderful as ever and displaying a bit more enthusiasm searching for the Grail than he did digging up the Ark of the Covenant. The late Denholm Elliot also returns as Marcus Brody, the most lovable goof of a museum curator. Alison Doody is interesting as Elsa, the blonde historian whom Indy falls for; a twist involving her character and her actions towards the climax make her not as one-dimensional as she may initially appear. Julian Glover is the best of the main Indy villains, he's far more menacing than Paul Freeman's Belloq and less over-the-top but equally enjoyable as Amrish Pruri's Mola Ram. I also enjoyed Michael Byrne's performance as the Jones hating Colonel Vogel, who relishes in torturing Indy and his father. When it comes to pure delightfully nasty villainy, Byrne is even more fun to watch than Glover.
Harrison Ford delivers his best Indy performance (maybe even his best performance, period) in this particular adventure. With the addition of Connery as his father, it reveals a personal side to Indy we haven't seen before. It's his rapport with Connery that separates this film from the rest of the genre. They craft an uncannily touching, funny, and genuine bond. That, coupled with the superb action and thrills, solidifies The Last Crusade as the pinnacle of high adventure summer entertainment.
My opinion of Indiana Jones and the Last Crusade could be deemed slightly biased. It is the first film I ever saw in theaters and it's also the first movie I purchased on video. I even own the same, worn-down, beat-up copy (and look upon it even more fondly than the widescreen edition, for sentimental reasons, of course) (but nothing beats the pristine quality DVD). I think it's fair to say it's this movie that cemented my love of cinema, the high regard I hold for great escapism, which is sorely lacking from today's cinema; movies that should be fun now drag or bludgeon themselves with relentlessly awful scripts or MTV-style direction that turns relatively simple scenes into chaotic blurs. The Last Crusade may only be thirteen years old, but I think I can safely say they don't make them like they used to.
The film stars, of course, Harrison Ford as Indy Jones, the archaeologist/adventurer who's on yet another quest, this time to find his father, who'd been searching for the Holy Grail. Said Dad is played by none other than Sean Connery, whose highly charismatic performance is quick to place this film, acting-wise, above the others in the trilogy by giving Ford a genuine acting equal (let me put it this way, he's only half a notch below Harrison Ford/Indy in charisma and appeal if that tells you anything). The rest of the film focuses on this ongoing journey between father and son (eventually joined along by Sallah and Marcus Brody), complete with amazing action and stunt sequences, clever humor, and nasty (but fun) surprises.
The script, by Jeffrey Boam, takes a few cues from Raiders of the Lost Ark, but actually improves upon that story by paying more attention to characterization. The delightful opening scene (all three movies really open with a bang, don't they?); which details how young Indy got his scar, whip, hat, and fear of snakes; makes for a better prequel than Temple of Doom (and any of The Adventure of Young Indiana Jones, for that matter).
The story is engrossing because there's a lot of fun clues offered towards the location of the Grail and, thus, there's a lot of engaging little discoveries (love the "X marks the spot" scene). I'm quite certain, like with Raiders of the Lost Ark, the plot has a few holes, but they're fairly hard to notice, and I've seen this movie quite a few times, but maybe it's just my enjoyment of the film clouding that up. Either way, it speaks volumes in favor of Spielberg's direction and the performances.
Given that action and adventure is the series' selling point, you can expect the thrills and wondrous delight of discovery delivered in spades. The action scenes are terrific (and matched well with John Williams' rousing, memorable score, also the best of the trilogy), the best being a fantastic ten-minute chase sequence on board (and in) a tank, possibly the best action sequence of Spielberg's career. I also loved the motorcycle chase and the Zeppelin setpiece, where the heroes go about dispatching of two enemy fighters in unexpected, but quite hilarious, fashion. The climax, complete with frightening booby traps, is a suspenseful venture into the unknown.
The Last Crusade is far more humor-oriented than its predecessors, but part of the movie's effectiveness is that it's able to deliver belly laughs without defusing the tension during the action sequences. Some of the jokes are just brilliant, including one with Indy armed with a Luger in confrontation with a trio of Nazis on board a tank that's even funnier than the swordsman scene in Raiders (well, to me, at least).
The supporting cast is all-around superb; John Rhys-Davies is back as Sallah, wonderful as ever and displaying a bit more enthusiasm searching for the Grail than he did digging up the Ark of the Covenant. The late Denholm Elliot also returns as Marcus Brody, the most lovable goof of a museum curator. Alison Doody is interesting as Elsa, the blonde historian whom Indy falls for; a twist involving her character and her actions towards the climax make her not as one-dimensional as she may initially appear. Julian Glover is the best of the main Indy villains, he's far more menacing than Paul Freeman's Belloq and less over-the-top but equally enjoyable as Amrish Pruri's Mola Ram. I also enjoyed Michael Byrne's performance as the Jones hating Colonel Vogel, who relishes in torturing Indy and his father. When it comes to pure delightfully nasty villainy, Byrne is even more fun to watch than Glover.
Harrison Ford delivers his best Indy performance (maybe even his best performance, period) in this particular adventure. With the addition of Connery as his father, it reveals a personal side to Indy we haven't seen before. It's his rapport with Connery that separates this film from the rest of the genre. They craft an uncannily touching, funny, and genuine bond. That, coupled with the superb action and thrills, solidifies The Last Crusade as the pinnacle of high adventure summer entertainment.
"Last Crusade" is always a joy to watch. At 2hr 7 mins the time just flies by, there is never a dull moment. There is a great variety of action, they manage to fit in horseback, train, car, airplane, boat, motorcycle and tank action scenes. All of these scenes are done at the very top of their class.
All the main cast work off of each other perfectly, and there is fantastic chemistry between Sean Connery and Harrison Ford as the father/son duo at the core of this film. The real predecessor to Indiana Jones is James Bond, so it makes sense that Sean Connery would play the father of Indiana Jones. But beyond stunt casting, Sean Connery's Henry Jones is a delight, and is memorable in every scene he is in.
This film also blends together action and comedy perfectly. It never clashes with the tone and always allows the serious moments to sink in. But when they do a joke, it is legitimately a very funny joke.
And how I can go without mentioning the music? John Williams delivers some of the best music of his career in this entry. The music compliments what is going on on screen so well, you could picture the scenes in your mind just through listening through the soundtrack.
Where some may prefer "Raiders of the Lost Arc" for its originality and grit, I prefer "Last Crusade" for its refining and perfecting everything the series had set up. The ending of this film is also just more satisfying and exciting than the ending of "Raiders". The Holy Grail is the best maguffin of the series, and possibly of all time. There is something inherently legendary about people questing to find the Holy Grail.
If you haven't seen this film: WATCH IT. If you have seen this film a dozen times already: go ahead and watch it again. It is always entertaining, exciting and illuminating. What a great way to END a great trilogy.
All the main cast work off of each other perfectly, and there is fantastic chemistry between Sean Connery and Harrison Ford as the father/son duo at the core of this film. The real predecessor to Indiana Jones is James Bond, so it makes sense that Sean Connery would play the father of Indiana Jones. But beyond stunt casting, Sean Connery's Henry Jones is a delight, and is memorable in every scene he is in.
This film also blends together action and comedy perfectly. It never clashes with the tone and always allows the serious moments to sink in. But when they do a joke, it is legitimately a very funny joke.
And how I can go without mentioning the music? John Williams delivers some of the best music of his career in this entry. The music compliments what is going on on screen so well, you could picture the scenes in your mind just through listening through the soundtrack.
Where some may prefer "Raiders of the Lost Arc" for its originality and grit, I prefer "Last Crusade" for its refining and perfecting everything the series had set up. The ending of this film is also just more satisfying and exciting than the ending of "Raiders". The Holy Grail is the best maguffin of the series, and possibly of all time. There is something inherently legendary about people questing to find the Holy Grail.
If you haven't seen this film: WATCH IT. If you have seen this film a dozen times already: go ahead and watch it again. It is always entertaining, exciting and illuminating. What a great way to END a great trilogy.
Did you know
- TriviaAs with the other Indiana Jones movies, Harrison Ford did many of his own stunts. According to stuntman Vic Armstrong, he had to pull Ford to one side and ask him to let him "do some work" because Ford was doing so much of the action himself. Armstrong later said, "If he wasn't such a great actor, he would have made a really great stuntman."
- GoofsUnlike Rome, Italy, there are no catacombs beneath the city of Venice. If there were, they would certainly be below the water table and very likely flooded. Furthermore, there is no rock beneath Venice in which catacombs could exist. Venice is built on mud flats with hundreds of meters of poorly consolidated sands, silts, and clays below that. The foundations of the buildings are wooden pilings driven into the mud.
- Quotes
Indiana Jones: Nazis. I hate these guys.
- Crazy creditsThe Paramount mountain dissolves into a mountain in the American West.
- Alternate versionsIn the Latin American Spanish version, the butler in the castle says "...and if you are a Scottish lord, then I am Popeye le marin (1933)."
- SoundtracksYou're a Sweet Little Headache
by Leo Robin & Ralph Rainger
Performed by Benny Goodman
Courtesy of RCA Records, Cassettes & CD's
'Indiana Jones' Stars Through The Years
'Indiana Jones' Stars Through The Years
See the stars of the beloved Indiana Jones franchise in some of their most iconic performances.
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Indiana Jones y la última cruzada
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $48,000,000 (estimated)
- Gross US & Canada
- $197,171,806
- Opening weekend US & Canada
- $29,355,021
- May 28, 1989
- Gross worldwide
- $474,171,806
- Runtime
- 2h 7m(127 min)
- Color
- Sound mix
- Aspect ratio
- 2.39 : 1
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