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4.4/10
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A group of strangers visit an ancient Hungarian castle and bring along a werewolf.A group of strangers visit an ancient Hungarian castle and bring along a werewolf.A group of strangers visit an ancient Hungarian castle and bring along a werewolf.
Phil Davis
- The Count
- (as Philip Davis)
József Madaras
- Peter
- (as Joszef Madaras)
József Bozsó
- Londiner
- (uncredited)
Zsuzsa Holl
- Hungarian mistress of the castle
- (uncredited)
Zsolt Körtvélyessy
- Hungarian lord of the castle
- (uncredited)
Antal Leisen
- Waiter
- (uncredited)
Featured reviews
With this one, I've finally watched all the HOWLING sequels. I can see why people actually like this 5th installment, as it does try to do something else with the werewolf concept. It plays out like a whodunit-slasher, set on one imaginative location (a Hungarian castle setting). Yet still, when you have to judge it on its own terms and nature, it falls short at the end of the ride. There's too little of the mystery-plot to enjoy (not enough red herrings, no twists worth mentioning and the killer/werewolf could just be anybody really - it's no fun to think along with the plot as there is not much to think about and no real puzzles to be solved). All the actual kills sadly happen off-screen (only ripped throats are shown after the events). We don't get to see much of the werewolf (only some brief glimpses during the attacks) and the film does not feature a transformation-scene (which I was so hoping for to happen during the conclusion). It's even lacking a decent climax of sorts.
The acting is strictly so-so, provided by a cast compiled out of unfamiliar names (at least to me they were). The small bits of humor injected into some of the dialogues, didn't really pay off. Fortunately they weren't too distracting. As far as cinematography goes, I only found the special effect shots, of the exterior of the castle during a snow storm, to be enjoyable. The interior sets of the castle chambers, dungeons and corridors looked a little cheap. But that can be forgiven, due to the movie's low budget.
It's an amusing watch and certainly not the worst or most idiotic HOWLING sequel, yes, but nothing more. HOWLING V might have drawn a lot of influences from that other 'guess the werewolf'-film THE BEAST MUST DIE (1974, starring Peter Cushing). Slightly more ridiculous but also a lot more fun, that film's at least worth checking out. I'm not too sure about HOWLING V, though. I probably should be flunking this film, but I'll be forgiving in my final rating. If only for the fact that HOWLING V: THE REBIRTH is infinitely better than the series final installment, (Part 7) NEW MOON RISING. Part 7 tries to tie up loose ends between part 4 (THE ORIGINAL NIGHTMARE) and part 5 (THE REBIRTH), but writer/director/producer/actor Clive Turner turned it into an insufferable mess of a movie.
The acting is strictly so-so, provided by a cast compiled out of unfamiliar names (at least to me they were). The small bits of humor injected into some of the dialogues, didn't really pay off. Fortunately they weren't too distracting. As far as cinematography goes, I only found the special effect shots, of the exterior of the castle during a snow storm, to be enjoyable. The interior sets of the castle chambers, dungeons and corridors looked a little cheap. But that can be forgiven, due to the movie's low budget.
It's an amusing watch and certainly not the worst or most idiotic HOWLING sequel, yes, but nothing more. HOWLING V might have drawn a lot of influences from that other 'guess the werewolf'-film THE BEAST MUST DIE (1974, starring Peter Cushing). Slightly more ridiculous but also a lot more fun, that film's at least worth checking out. I'm not too sure about HOWLING V, though. I probably should be flunking this film, but I'll be forgiving in my final rating. If only for the fact that HOWLING V: THE REBIRTH is infinitely better than the series final installment, (Part 7) NEW MOON RISING. Part 7 tries to tie up loose ends between part 4 (THE ORIGINAL NIGHTMARE) and part 5 (THE REBIRTH), but writer/director/producer/actor Clive Turner turned it into an insufferable mess of a movie.
i first saw this movie about 4 years ago, and feel in love with it almost instantly. At the time i had never seen any of the Howling movies, in fact, i don't think i had even heard of the howling before this. Now that i have seen them all, i can see that Howling 5 is by far the best in the series.
The other howling movies seem to be a lot of talk and very little action, especially Howling 4 and 7. For all in this installment of the Howling, there is little Werewolf action, the fact that you do not see the werewolf, i believe, adds to the suspense. In Howling 4, the werewolves are seen in great detail, and i think this ruined it, as the wolves were overdone and slightly silly. In this, the idea of the wolf, and the three second shots of teeth etc. are more effective then a full plastic-wolf bounding about the castle after the victims.
one other thing i have to note, is the incidental music. Whenever one of the cast is butchered by the werewolf, a sinister piece of opera is played and the scene pans off, so you dont get to see the body until later. When i first saw the scenes like this, i couldn't help but laugh. For all i love it, and i think it is a brilliant effect, the first impression for someone who considers Excalibur an extension of Monty Python can find the incidental operatic slightly humorous.
This movie is by far the best of all the Howling movies, and is a movie all werewolf fans should find enjoyable.
The other howling movies seem to be a lot of talk and very little action, especially Howling 4 and 7. For all in this installment of the Howling, there is little Werewolf action, the fact that you do not see the werewolf, i believe, adds to the suspense. In Howling 4, the werewolves are seen in great detail, and i think this ruined it, as the wolves were overdone and slightly silly. In this, the idea of the wolf, and the three second shots of teeth etc. are more effective then a full plastic-wolf bounding about the castle after the victims.
one other thing i have to note, is the incidental music. Whenever one of the cast is butchered by the werewolf, a sinister piece of opera is played and the scene pans off, so you dont get to see the body until later. When i first saw the scenes like this, i couldn't help but laugh. For all i love it, and i think it is a brilliant effect, the first impression for someone who considers Excalibur an extension of Monty Python can find the incidental operatic slightly humorous.
This movie is by far the best of all the Howling movies, and is a movie all werewolf fans should find enjoyable.
The Howling series doesn't have much of a great reputation, each one being different in style and tone with no real connection to each other. Although the second film does touch upon the original in some sort plot tie. I never been a huge fan of the original and the sequels that I've seen (2, 3 and 4) are simply inferior. So I went into the filth venture (another straight-to-video fare) expecting less, but actually came away mildly enjoying it. In some regards I enjoyed it more than the original
that's not to say it's better than that film. But I was pleasantly surprised by it.
A group of strangers selected from around the world are invited by an aristocratic count to the re-opening of a castle in Budapest that hasn't seen light for over 500 years due to its terrible past. Unknowingly to them everyone in the group bears an identical birthmark that links them to the castle's terrible past.
The low-budget, but sturdy "The Howling V: The Re-Birth" plays around with the ten little Indians murder mystery formula, but the killer is no ordinary being but actually a werewolf. The revelation might not come as a surprise, as there are certain clues scattered about pointing to the one in question, but it still remains cleverly penned (it elaborately plotted) and unpredictable in what order the guests become fresh meat. The performances are down-to-earth by the likes of Stephanie Faulkner, Mark Sivertsen and William Shockley, as there is an odd assortment of characters where a lot of time can be spent on trivial dialogue exchanges. However it stays gripping, crowned with mystery and danger where the remote Gothic castle setting (modern day Budapest) is dark and dank. The ominously gloomy and taut atmosphere works, as they keep to what its budget allows it and this means making sure the beast mostly stays in the shadows. Lurking or stalking its prey. Director Neal Sundstrom favours suggestively brooding handling. We don't get much of a real look, as there's plenty of rapid moving POV shots, minor flashes and off-screen attacks. What we did see of it didn't look the greatest, but it's acceptable. Moments do strike up some eerie spells and suspenseful build-ups before it deliver the shocks. It's helped by competently sweeping camera-work and a foreboding music score.
Entertaining superstitious whodunit b-grade hokum
A group of strangers selected from around the world are invited by an aristocratic count to the re-opening of a castle in Budapest that hasn't seen light for over 500 years due to its terrible past. Unknowingly to them everyone in the group bears an identical birthmark that links them to the castle's terrible past.
The low-budget, but sturdy "The Howling V: The Re-Birth" plays around with the ten little Indians murder mystery formula, but the killer is no ordinary being but actually a werewolf. The revelation might not come as a surprise, as there are certain clues scattered about pointing to the one in question, but it still remains cleverly penned (it elaborately plotted) and unpredictable in what order the guests become fresh meat. The performances are down-to-earth by the likes of Stephanie Faulkner, Mark Sivertsen and William Shockley, as there is an odd assortment of characters where a lot of time can be spent on trivial dialogue exchanges. However it stays gripping, crowned with mystery and danger where the remote Gothic castle setting (modern day Budapest) is dark and dank. The ominously gloomy and taut atmosphere works, as they keep to what its budget allows it and this means making sure the beast mostly stays in the shadows. Lurking or stalking its prey. Director Neal Sundstrom favours suggestively brooding handling. We don't get much of a real look, as there's plenty of rapid moving POV shots, minor flashes and off-screen attacks. What we did see of it didn't look the greatest, but it's acceptable. Moments do strike up some eerie spells and suspenseful build-ups before it deliver the shocks. It's helped by competently sweeping camera-work and a foreboding music score.
Entertaining superstitious whodunit b-grade hokum
Howling V is my favorite so far out of all the Howling movies. However, that doesn't mean this is a good film. The acting is pretty bad and the effects are absolutely horrid, but the plot is decent enough to make it tolerable. This one, the original Howling, and Howling IV are the only ones worth watching out of the first 5 flicks. The Howling series is really really bad. Only true horror fanatics would be interested in them at all. The only worse horror series i have encountered is the Children of the Corn series. Howling V is pretty predictible and the characters aren't killed off fast enough, so it moves kind of slowly. The music played after each death is annoying too. Recommended for Horror/Werewolf fans. Rating 4 of 10.
Like I said above this movie aint so bad. Now wit most big horror franchises you have your good and your bad and the howling is no different and this is by far the best howling sequel. The story isn't very original some may argue it was stolen from "the beast must die" others might say its Ten Little Indians with a werewolf twist and in fact it pretty much is. There is very little suspense and very little gore but there is a memorable decapitation. The only character I liked at all was the count the rest sucked. The only way for this movie to be suspenseful is if you put your self in their shoes if so it might get slightly scary. There are a few good jump scares and they never show the werewolf which was a good decision I think.
Anyways I say rent this movie if you can't find the original or An American Werewolf in London or Bad moon or Ginger snaps or Dog soldiers what I'm trying to say is there are allot of better werewolf movies but there are a few worse as well.
Anyways I say rent this movie if you can't find the original or An American Werewolf in London or Bad moon or Ginger snaps or Dog soldiers what I'm trying to say is there are allot of better werewolf movies but there are a few worse as well.
Did you know
- TriviaDespite the fact that this film states "Based on the novels 'The Howling I, II, and III' written by Gary Brandner", this film is in no way based on any of those novels, and is a sequel to the earlier Howling films in name only.
- GoofsThere was no city called "Budapest" in 1489. The cities of Buda and Pest were not merged until 1873.
- Quotes
Marylou Summers: The Devil was a werewolf... Wow, that's incredible!
- ConnectionsFeatured in Nuits de pleine lune (1995)
- How long is Howling V: The Rebirth?Powered by Alexa
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