Ganheddo

I saw this movie, listed as "Gunhed" on Sci-Fi channel and complained often about how difficult it was to make out what was happening because the film is dark and has a green lighting to it retro-reminiscent, of Matrix. Also the cuts and scene transitions are seemingly random including some dotted dissolves early on which just don't work. So I was surprised at myself to want to check it out on DVD to view on my RP wide screen TV. I fully intend to. I love atmosphere heavy films and this is nothing if not that. It has a nice texture, good action and a remarkably good blending of mecho-maniac gadgetry and robotic "acting", without CGI. Some modern directors will not use CGI except for things which literally could not exist w/o such imagi-creation and this film deserves credit for doing so well w/o CGI.

Cyber-punk?... Decidedly! Plot?... yes, pretty much... well... some techno-scavengers dare an island, the smoking site of a robo-rebellion (since put-down) find a female soldier type person. One thief, the woman and some latter discovered child refugees struggle against a still surviving cyber-ruler program.

I couldn't sell this movie at gun point by describing it, but I still like it and believe viewing it will win over many who risk it. Just for reference, the first movie I ever bought was Blade Runner.

If you can surpass some of the crappiest acting in human history, the annoying brat that makes retarded noises, some questionable editing, disjointed story, slightly sluggish pacing and embarrassingly painful dialogue Gunhed is a pretty good movie. What make this movie stand out is its impressive set design, costumes, action and effects and does make up for the aforementioned flaws. But in the long run, I could only really recommend this movie to people who are fanatical cyberpunk enthusiasts because this movie is a train wreck. I hate kids.

This movie is pure fun. Ok....so it may be a bit cheesy at times, and maybe some of the plot curves make little sense, but who cares? It is still a decent cyberpunk movie to be watched. My friends and I love this movie and anyone with a little desire to have fun should too. See it. You may love it, you may regret it, but at least you gave it a chance.

Gunhed is by no means an Oscar contender, but if you are a fan of Japanese Fantasy Films, or even a sci-fi fan, I see no reason why you wouldn't enjoy it. Though the plot may be a bit convoluted at times, I find that after multiple watchings (at least twice) a lot more makes sense. What you can't make out of the plot, ignore it and watch the action sequences! A lot goes on with this movie, and it's some of the better "giant robot/machine" technology I have ever seen. I would like to address a few complaints I've heard/read regarding the film:

1. "It makes no sense!"- Remember, this is one of those sci-fi, neo-future, cyberpunk, check your brain at the door films. They can write their own history of technology.

2. "It wasn't anime!"- No, though the film was released through ADVFilms, which mostly produce Japanese Animation, they have obtained the rights to distribute some live-action Japanese films. If you didn't like Gunhed because it wasn't anime, or you only want to see anime, then you may also want to stay away from ADV's copies of Destroy All Monsters, and the Daimajin Trilogy.

3. "They should have used CGI!"- Keep in mind, this movie was made in 1989. Even the Americans weren't using much CGI back then!

Like I said, enjoy this movie for what it is!

I came to this film after a viral tweet expressed how Final Fantasy VII, Armored Core and Metal Gear owed a debt of gratitude to this film's imagery. I can easily imagine an impressionable teen or 20-something seeing this and later creating concept art for any of those game series; the resemblance is sometimes uncanny.

A story about tech scavengers entering the dormant 500-floor megafortress of a Skynet-like rogue AI is an obvious product of its time; one part Stalker, one part The Terminator, and existing in a continuum of otaku "mecha" media & techno-action video games.

The fortress is a chemical plant hellscape; the Death Star but without its austere cleanliness. Tangles of pipes stretch endlessly into the dark horizon strewn with wreckage from a decade-past humans-vs-robots showdown. Nightmarish "bioroids" lurk in the shadows as the scavengers rummage for lost technology.

Gunhed's particular horror revels in Japanese industrialization gone amok with its labyrinthine steel superstructures, putting it on a similar wavelength to "Patlabor: The Movie" and Katsuhiro Otomo's "Akira" and "The Order to Stop Construction". Its sometimes sublime imagery recalls the foggy and colorful sci-fi noir of Ridley Scott films and "Aliens". It could be a cultural touchstone for some, but it's very much a product of its time and wears its influences on its sleeve.

When the rogue AI's apocalyptic plans are revealed, their only hope is to repair the titular "gunhed", a giant, bipedal, transforming tank accompanied by a witty computer personality. Gunhed delivers the goods in terms of miniature-based visual effects. Whether good or bad, it often charms. A scene where the gunhed tank aggressively fords a pool of chemicals while fending off automated defenses is impressive; fire and waves and sparks filling the screen. I would love to see the filming of that battle.

Unfortunately, much of the storytelling is conventionally poor, visual or otherwise. Sometimes it's hard to tell what characters are doing, or what's happening to them. The dialog, with its blend of spoken English and Japanese, is 1980s style-over-substance; charmingly dated and poorly acted. It's only engaging as an artifact of its era, rather than a functionally good movie. If you're looking for cultural artifact to study, then Gunhed is interesting. Otherwise I'd skip it.

Patlabor: The Movie is an extremely similar but significantly better film in almost every respect: depth, writing, visual storytelling, and comprehensible action choreography. Like Gunhed it's about characters who enter a labyrinthine superstructure full of mecha gone amok in order to avert a Japanese industrial robo-pocalypse. Proving my point about the zeitgeist, it released at nearly the same time as Gunhed.