The true story of Aimee Dubuca De Rivery, a French girl sold into slavery to the Sultan of the Ottoman Empire.The true story of Aimee Dubuca De Rivery, a French girl sold into slavery to the Sultan of the Ottoman Empire.The true story of Aimee Dubuca De Rivery, a French girl sold into slavery to the Sultan of the Ottoman Empire.
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Tom McGreevey
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Although I can see where the dissers are coming from, I found this film charming. Yeah, the script and acting could have been better, but man, what a story! Aimee Dubucq de Rivery, cousin of the French Empress Josephine, captured by pirates and sold into the Turkish ruler's harem, in later life ends up transforming Turkey into the modern age through her son. She was known as the Sultan Valideh, the Veiled Power, and she made herself and her son a bridge to the West.
She must have been something and a half, and Amber O'Shea, with a pretty crappy script, somehow manages to sell it. And of course any harem run by F. Murray Abraham is my kind of harem.
All in all, a pleasant couple of hours. I await the REAL movie of Naksh, the Sultan Valideh.
She must have been something and a half, and Amber O'Shea, with a pretty crappy script, somehow manages to sell it. And of course any harem run by F. Murray Abraham is my kind of harem.
All in all, a pleasant couple of hours. I await the REAL movie of Naksh, the Sultan Valideh.
It's 1784 France. Aimée Dubucq de Rivéry chafes under the strict nuns. She is too independent and her uncle sends her back to the nuns. Pirates capture her ship and she is kidnapped to Algiers ending up in the Ottoman Sultan's harem. She resists being renamed and the scheming by Sineperver (Maud Adams). Sultan Abdul Hamid (F. Murray Abraham) picks her and she refuses. When he offers to not sleep with her, she relents. She becomes his favorite and gives him another heir. Sineperver's son Mustafa is in line to be the next Sultan and she sends an assassin to kill Aimée's son. The Sultan gives her Mahmud to adopt. The Janissaries are restless for war against the Russians but they are outmatched without modern weapons.
This is a strange movie. It's half exploitative melodramatic romance. It's also a period piece historical drama. It's reminiscent of a pulpy romance novel. Surprisingly, this has a couple of interesting veteran actors. On the other hand, the lead is a young amateur although she's not the problem. Amber O'Shea definitely has model good looks. She has spunk and that is charismatic enough. The production is lower value but the locations are pretty good. This is cheese but I must admit that it's memorable cheese.
This is a strange movie. It's half exploitative melodramatic romance. It's also a period piece historical drama. It's reminiscent of a pulpy romance novel. Surprisingly, this has a couple of interesting veteran actors. On the other hand, the lead is a young amateur although she's not the problem. Amber O'Shea definitely has model good looks. She has spunk and that is charismatic enough. The production is lower value but the locations are pretty good. This is cheese but I must admit that it's memorable cheese.
Years ago I saw this as a late night movie, and have remembered it since. It is a haunting story. It begins with a flash-forward, an abduction of a priest. The rest of the move is a flash-back, explaining why he is abducted. A British woman is on a ship which is attacked by Muslims and taken captive, then sold to be in the harem of the king. The plot includes palace intrigue, loss of innocence and freedom, rules and resistance, jealousy and hate, war and death, survival and double cross, an unlikely romance, the bonds of love and devotion. I seem to remember that the story has some basis in historical fact, and would like to know more about that. Even having seen the movie only the one time, it was so unique and compelling that I recall the story and details to this day. Adult themes: Not a movie for children, but they are being exposed to worse. (I'm pleased to have found this movie on your list, since it is not well known.)
This film has all the trappings of a B movie.
The costuming is remarkably bad (there's tulle and lame everywhere), the acting is hokey, and the writing a little less than mediocre.
But I _love_ this film nonetheless. I own it and watch it every now and again. I enjoy the cheesiness, and it's best enjoyed with a friend or two over drinks and hearty commentary and giggles. It's a wonderful orientalist film with glitter and glam mixed with quite a bit of fantasy.
It is based on a true story, and I am surprised every time to see it was actually filmed at Topkapi palace.
The costuming is remarkably bad (there's tulle and lame everywhere), the acting is hokey, and the writing a little less than mediocre.
But I _love_ this film nonetheless. I own it and watch it every now and again. I enjoy the cheesiness, and it's best enjoyed with a friend or two over drinks and hearty commentary and giggles. It's a wonderful orientalist film with glitter and glam mixed with quite a bit of fantasy.
It is based on a true story, and I am surprised every time to see it was actually filmed at Topkapi palace.
As Tulip dies, notice how carefully he handles the vase in his hands. This is, undoubtedly, due to the fact that the props were returned to Pier 1 the day after the shooting finished.
Intimate Power has yet to meet its full destiny on Mystery Science Theater 3000.
Intimate Power has yet to meet its full destiny on Mystery Science Theater 3000.
Did you know
- TriviaAimée du Buc de Rivéry was born 4th December 1768 the daughter of wealthy French plantation owners in Pointe Royale, south-west of Robert on the Caribbean island of Martinique. After being sent to a convent school in France, she was returning home in July or August 1788 when the ship she was on vanished at sea. It is thought that the ship was attacked and taken by Barbary pirates. It has been suggested that she was enslaved and eventually sent to Constantinople as a gift to the Ottoman Sultan by the Bey of Algiers.
- Quotes
Tulip: It's not right! You belong to Abdul Hamid, until you die you belong to him.
Aimée Dubucq de Rivéry: I don't belong to anyone.
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Details
- Runtime1 hour 44 minutes
- Color
- Sound mix
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