Family Business
- 1989
- Tous publics
- 1h 50m
IMDb RATING
5.7/10
14K
YOUR RATING
An ex-professor offers Adam $1,000,000 to "get" some plasmids from a high tech company's lab. Adam asks his criminal grandpa for help. Can they convince Adam's now honest dad to join?An ex-professor offers Adam $1,000,000 to "get" some plasmids from a high tech company's lab. Adam asks his criminal grandpa for help. Can they convince Adam's now honest dad to join?An ex-professor offers Adam $1,000,000 to "get" some plasmids from a high tech company's lab. Adam asks his criminal grandpa for help. Can they convince Adam's now honest dad to join?
Rosanna DeSoto
- Elaine
- (as Rosana DeSoto)
James Tolkan
- Judge
- (as James S. Tolkan)
Isabell O'Connor
- Judge
- (as Isabell Monk)
Featured reviews
Looking back now, we can say that this is the kind of films Hollywood should be doing now. Put together three big stars from different generations and make a good film about a good subject; in the case of "Family Business" about a family united in criminal activities. A material like this could rescue the career of many veterans actors.
In 1989, having Sean Connery (after Oscar for "The Untouchables"), Dustin Hoffman (right away for his Oscar in "Rain Man") and Matthew Broderick (still on the wave from hits like "Biloxi Blues" and "Ferris Bueller Day Off") as the cast from this film directed by Sidney Lumet was solid gold, a real bait to attract audiences, and even know when you hear that those talents were together in a picture you rush away to see it. Those are the expectations but expectations always differ from reality. Given a better script these could be a better picture than it is, more memorable.
"Family Business" tells the story of three generations of a problematic Jewish family involved with robberies. It starts when the bright college student Broderick (Hoffman's son and Connery's grandson here) decides to get involved in a sure thing business related to robbing a laboratory and he calls for his family to help with. But all of this triggers a crisis among father and son and grandfather, when Hoffman's characters wants at all costs protect his son for doing this, he doesn't want his son to get caught and arrested while Connery thinks they must do it, because nothing can go wrong. From here, the movie is more about family issues than dangerous and illegal activities.
It lacks substance to this being a great film, it lacks something to make us involved with their problems. The main problem was the that there were times when the film required of its viewers a certain seriousness but when we knew this was also a comedy. It gets stranded in never being really funny and never being awfully dramatic as some situations tend do be. The good news about this project is that Sean Connery has an incredible timing for comedy, his punchlines were amazingly funny, not to mention that his character is very problematic yet very amusing. His best scenes are when he defends himself on court for beating a policeman and when he beats another prisoner during their transfer, to what the guard asks what happened and the other prisoners reply "He felt!"
A path should be decided by the writers in what type of film they were looking for, a goofy comedy or a powerful drama about family relations, and that was a deficiency that almost ruined the film for me. Regarding the most awaited moment of this, the robbery was pretty good, funny and tense at the same time but the whole situation involving Broderick's arrest was poorly made, unconvincing that he couldn't run away and cross the street to his family car or run to any other direction when it was clearly enough that the police wasn't so close to him, that scene is bizarre. One final complaint: the soundtrack was totally wrong for this film, hauntingly dramatic.
What makes me like of this film, except the reunion of stars involved even though they're not at their best and they are somewhat mediocre, is its way of showing us the importance of family and caring about them whether through good times or bad times. When it comes down to present how Hoffman suffers for his son, wants the best for him, is when the movie really hits the target, family is family and business are business and sometimes they should not be mixed, otherwise is problems to both sides. And that's the ruin for everyone involved.
A good film from the 1980's, deeply flawed but completely watchable. I'm positive that Lumet has better than this. 6/10
In 1989, having Sean Connery (after Oscar for "The Untouchables"), Dustin Hoffman (right away for his Oscar in "Rain Man") and Matthew Broderick (still on the wave from hits like "Biloxi Blues" and "Ferris Bueller Day Off") as the cast from this film directed by Sidney Lumet was solid gold, a real bait to attract audiences, and even know when you hear that those talents were together in a picture you rush away to see it. Those are the expectations but expectations always differ from reality. Given a better script these could be a better picture than it is, more memorable.
"Family Business" tells the story of three generations of a problematic Jewish family involved with robberies. It starts when the bright college student Broderick (Hoffman's son and Connery's grandson here) decides to get involved in a sure thing business related to robbing a laboratory and he calls for his family to help with. But all of this triggers a crisis among father and son and grandfather, when Hoffman's characters wants at all costs protect his son for doing this, he doesn't want his son to get caught and arrested while Connery thinks they must do it, because nothing can go wrong. From here, the movie is more about family issues than dangerous and illegal activities.
It lacks substance to this being a great film, it lacks something to make us involved with their problems. The main problem was the that there were times when the film required of its viewers a certain seriousness but when we knew this was also a comedy. It gets stranded in never being really funny and never being awfully dramatic as some situations tend do be. The good news about this project is that Sean Connery has an incredible timing for comedy, his punchlines were amazingly funny, not to mention that his character is very problematic yet very amusing. His best scenes are when he defends himself on court for beating a policeman and when he beats another prisoner during their transfer, to what the guard asks what happened and the other prisoners reply "He felt!"
A path should be decided by the writers in what type of film they were looking for, a goofy comedy or a powerful drama about family relations, and that was a deficiency that almost ruined the film for me. Regarding the most awaited moment of this, the robbery was pretty good, funny and tense at the same time but the whole situation involving Broderick's arrest was poorly made, unconvincing that he couldn't run away and cross the street to his family car or run to any other direction when it was clearly enough that the police wasn't so close to him, that scene is bizarre. One final complaint: the soundtrack was totally wrong for this film, hauntingly dramatic.
What makes me like of this film, except the reunion of stars involved even though they're not at their best and they are somewhat mediocre, is its way of showing us the importance of family and caring about them whether through good times or bad times. When it comes down to present how Hoffman suffers for his son, wants the best for him, is when the movie really hits the target, family is family and business are business and sometimes they should not be mixed, otherwise is problems to both sides. And that's the ruin for everyone involved.
A good film from the 1980's, deeply flawed but completely watchable. I'm positive that Lumet has better than this. 6/10
Sean Connery, Dustin Hoffman, and Matthew Broderick play grandfather, father, and son respectively in a heist movie that is less about the heist and more about the family that pulls it. Matthew Broderick is the good son, smart, squeaky clean, and destined for the good life beyond the criminal past of his father and grandfather, except he wants nothing to do with that life and instead dreams of being a thief. To help him on his way is the original thief of the family (Sean Connery), much to the dismay of Broderick's father (Dustin Hoffman) who is eventually pressured into helping with the heist against his better judgment.
Much of the film is spent exploring the familial relationship of the three men. The grandfather is an unrepentant thief who thinks his son is a quitter. The father is angry at the grandfather for never giving him the opportunity to be anything other than a criminal. The son is angry at the father for not giving him the opportunity to be a thief like his father and grandfather before him. The actors are talented and the premise is good but the movie lacks a certain intangible aspect that prevents it from being anything other than mediocre. The movie is just too......ordinary, for lack of a better word. There is no real flair for the dramatic, no golden comedy moments to remember, just a story idea that is dragged forward by the strength of the cast, and little else.
Much of the film is spent exploring the familial relationship of the three men. The grandfather is an unrepentant thief who thinks his son is a quitter. The father is angry at the grandfather for never giving him the opportunity to be anything other than a criminal. The son is angry at the father for not giving him the opportunity to be a thief like his father and grandfather before him. The actors are talented and the premise is good but the movie lacks a certain intangible aspect that prevents it from being anything other than mediocre. The movie is just too......ordinary, for lack of a better word. There is no real flair for the dramatic, no golden comedy moments to remember, just a story idea that is dragged forward by the strength of the cast, and little else.
Connery, Hoffman, Broderick, oh my! OK, it should have been an Oscar contender, but it wasn't. Vince Patrick's work will never rival Tolstoy, but it isn't intended to. This is classic Connery chewing scenery with acid tongue dialogue and more than a few memorable moments. Hardly a talent waster, lets call it an under achiever, just like the main characters here.
I've got to learn to stop believing the studio-generated hype on movie jackets. To look at the summary, Family Business would appear to be a comedy...."laughs and larceny!" Whoever thought this movie is funny has a weird sense of humor. For me, it did not achieve even black comedy status. A couple of gaping holes in the plot almost made me eject it from the player. Were it not for the star power and consummate acting of Hoffman and Connery, I wouldn't have made it through to the end. And it may have been the first time for both of them to play characters we never really get to know. Broderick is wasted on a character that whines throughout the story. Glad I didn't pay full-tilt admission at a theater when this was first released.
This movie got a lot of bad reviews and is that well known. I don't know why. Each of the actors (whom I am all big fans of) put forward an amazing portrayal of their characters. The plot was not steady because it was a situational film in with the basis of the plot seems to change from each major occurrence in the film (noticed in many Woody Allen films). I thought that the movie had a lot to say about respect, morals, family values and trying to differentiate right from wrong under tense circumstances. This is definitely a must see if you are a fan of any of the three headliner stars in this film. You'll laugh, you'll cry, you'll enjoy it.
Did you know
- TriviaSean Connery, who played Dustin Hoffman's father, is only seven years older than Hoffman.
- GoofsWhen Vito leaves the lawyer's office in the parking lot he asks the attendant if he saw a Cadillac Fleetwood leaving. The car they were driving was actually an Eldorado.
- SoundtracksDanny Boy
Written by Frederick Edward Weatherly (as Frederick E. Weatherly)
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Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Ehrbare Ganoven
- Filming locations
- 2 Jericho Plaza, Jericho, Long Island, New York, USA(The laboratory where Jessie, Vito and Adam steal the plasmids, on the N. Marginal Road side of the building)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $12,195,695
- Opening weekend US & Canada
- $2,130,024
- Dec 17, 1989
- Gross worldwide
- $12,195,695
- Runtime
- 1h 50m(110 min)
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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