Evil Clutch

This movie would would be totally lame and would never receive a 9 star rating if it didn't have such rad gore. sure it's nowhere near as sweet as EVIL DEAD but what is? plus what do you expect from the French? Italy can often make up for it's lame attempts at ripping off American films by offering lots and lots of gore but i've never heard of the French doing the same. anyway that's what happened with EVIL CLUTCH... the movie itself totally sucks but there the gore is so rad that it doesn't matter. basically if you love gore and can get past the goofy French accents then this baby is not to be missed; but if you're looking for a well thought out original plot than run for it. hey it's got cool zombies and lots of splatter and that always rates good in my book.

I like analyzing films like this because they're simple in style, but challenging to separate the faults and things the filmmakers did right from one another. The good things first: "Evil Clutch" tries to take itself seriously and does okay at it MOST of the time, has some good gore, gets pretty weird and imaginative at times (even if it is in that school of "Evil Dead" rip-offs, that being a film that ripped off the 1971 "Equinox" itself), and has almost non-stop scenes that are fun to watch when you're in a very anti-yuppie mood (which I always am). Leave it up to yuppies to not listen to the only likeable character when he warns them about the demonic happenings abounding in the woods, including one of the greatest lines of dialogue: "Do you really think that you're so far from horror?" Now for the not-so-good things: What would have been a good, dark splatter film is spoiled by some very laughable creature effects that are on par with Ed Wood's octopus from "Bride of the Monster", the stupid idea that we're supposed to believe that the wussed-out yuppie heroine can make a bunch of torches before a zombie walking toward her can come about seven inches closer to her, and a slow pace that would have been more interesting if the viewer were only given some people to root for other than the sadly under-used weird guy who warned those yuppie jerks not to go out into the woods in the first place. A fair movie, not terrible, but not even close to great by any means. Out of curiosity, I would like to check out the uncut version, but I've got to wonder if a bloodier version would elevate the quality of the film in any way other than a higher gore quotient.

Having seen this film as the director intended by way of a fully restored and remastered Blu-Ray from Oblivion Home Movies, I was thoroughly impressed with the movie.

Low budget aside, Evil Clutch (IL Bosco 1, in Italy) mostly accomplished what it set out to achieve. Abstract, disturbing and violent at times, this knockoff of Raimi's The Evil Dead is probably the best of its kind. And there are quite a few clones of this well known franchise one may seek out. Few others manage to reach this undeniable level of creativity and charm.

Many of the older reviews are low because finding a great print of this movie was next to impossible or because the critic simply didn't give it a real chance at all.

Go in with the right headspace and fans of obscure horror should find much here to celebrate.

A vacationing couple (Coralina Cataldi-Tassoni and Diego Ribon) head up into the Alps and end up running into a lady who begs them for help from some attacker. They drive her to a small village, she runs away, they meet a local crazy with a voicebox who warns of witches, they go camping, run into the woman again and get attacked by her. Oh, and this femme fatale has a large claw that extends from her groin and tries to kill people. This Italian film is heavily influenced by THE EVIL DEAD, but you can see director Andreas Marfori just doesn't have the talent to pull it off. It is like he watched Raimi's film with no translation. It is a shame as the film has many things going for it (nice camera work, great locations, tons of gore), but Marfori just can't get it to gel thanks to his incredibly wonky staging. He also overdoses on the use of the steadicam. The final scene with Coralina walking away from the carnage while followed by the steadicam goes on so long that it becomes a joke. Just when you get tired of it, the director then cuts to her continuing to walk with the camera in front of her for another minute or so. Jeez, such a shame.

First of all I was surprised to see that this film is not one of those typical TROMA-releases. It's an italian production and (sad but true) not one of those splatter-comedies like "Class of Nuk'em High", "The Toxic Avenger" or all the other funny flicks that made TROMA so popular. While watching this film, you won't even have a single chance for a smile. It's completely different from the flicks mentioned above. The story is one of the worst ever and the acting is nothing but amateurish. The only thing this film can offer is gore!!! So, if you're a fan of Ittenbach's "Premutos" or Schnaas' "Violent S***"-Trilogy this one's the right one for you! Decapitation, chainsaws, Zombies...- all that stuff a real gore-fan could expect. If you're not related to this kind of film, you better don't buy or even rent this splatter-flick.