Erik le Viking

Seen as a poor relation to true-Python movies (even forgotten), it tells the tale of a young adventurous Viking, Erik, who sets out on a quest to find Asgard. Along with a selection of other Norsk villagers, they sail into the unknown, encounter a sea monster and stumble across the idyllic 'Hy-Brazil', a land ruled by King Arnulf (Director, Terry Jones) who keeps insisting that in the face of adversity "It's alright. It's not happening".

The badness in this piece is care of Halfdan the Black (John Cleese) and delivered in typical Cleese fashion. Loki ((now) Sir Anthony Sher) plays to Halfdan as a crooked little stoolpigeon, only looking to improve his standing and possible gains.

Sadly, no other members of the original Python team played a part in this film as, rumour has it, after the death of Graham Chapman (in October of 1989), the remaining Pythons. Gilliam, Palin and Idle, decided not to appear.

Erik The Viking is a light comedy with occasional droplets of Python rain, gently falling about the story. Director, Terry Jones, relies on a pair of old-school character actors who number his and many Python films: John Scott Martin (Ingemund the Old) and Charles McKeown (Sven's Dad).

Jones allowed his cast to keep their mother-tongues: Tim Robbins (Erik) and Mickey Rooney (Erik's Grandfather) keep their American drawls and John Gordon Sinclair (Ivar), his broad Scottish accent. One of the best interactions is between Ivar and Thorofinn, discussing seasickness aboard their boat and a welcome diversion comes in the shape of 28yr old Imogen Stubbs (Princess Aud).

In the end, it's just a bit of fun and serves as a good 'hors d'oeuvre' to anyone who needs a gentle initiation into the world of Python.

British comedian Terry Jones found fame and fortune as a member of the legendary comedy troupe known as Monty Python, where along his teammates revolutionized comedy with their sketch show "Flying Circus" during the 70s. While this is probably his most well-known activity, Jones is also a popular historian, specialized on the European Medieval period, who has published several books on this and other subjects of ancient history. In 1983, after the dissolution of Monthy Python, Jones published a children's book named "The Saga of Erik the Viking", where he explored this interest of him in the story of a young Viking. Years later, he wrote the screenplay for a movie version inspired in the children's book, although dealing more mature themes. "Erik the Viking" was the name of the movie and it is possibly the movie that best describes Jones' persona, as it mixes the style of Monthy Python comedy (although it is not a sketch-based movie) with Jones' special taste for ancient history.

The film is the story of Erik (Tim Robbins), a viking who after the murder of an innocent woman during one of his tribe's expedition, discovers that he is not really happy with the whole raping and pillaging customs of his people. Looking for advice, Erik asks the wise old woman Freya (Eartha Kitt) for a solution, and she tells him that since Fenris the Wolf has swallowed the sun, the age of violence, Ragnarok, has begun. Worried by this revelation, Erik decides to travel to the legendary land of Hy-Brasil, in order to find the Horn Resounding, the magic artifact that will take him to Asgard and awake the Gods. With this in mind, Erik prepares an expedition and sails to adventure; but Halfdan the Black (John Cleese) and Keitel Blacksmith (Gary Cady) are not so happy about finishing the lucrative business of war, so both decide to follow Erik in order to make him fail.

While the movie is not exactly an adaptation of Jones' children's book, his love for history is still all over the movie, as it's filled with countless references to Norse myths and Viking culture. Python's style of comedy is present in a subtler (although no less hilarious) way, and like in his previous work, Jones uses "Erik" to make fun of concepts as the social establishment, war, and religion. This last theme is represented in a very interesting way, with the concept of faith and beliefs playing a very important (and amusing) part of Erik's quest to awake the Gods. However, despite Jones' love for history, people expecting a true and realistic representation of a Norse Edda will be sorely disappointed, as Jones takes many liberties for the sake of comedy (and probably to make his movie easier to understand for people not familiar with Norse mythology).

In this his third "solo" effort as director (two of the Python films were co-directed with Terry Gilliam), Terry Jones shows the evolution of what was started in "Life of Brian", as while his movie is a story of epic proportions, he keeps the film focused on his characters and their many funny traits. This really works for the movie, as while Erik's crew is numerous, each one is highly detailed and Jones dedicates enough time to get to know everyone of them, developing them as characters and as a team, and making the audience care for them. This take is also beneficial as lessens the damage done by the poor special effects (due to low-budget) of some scenes, although to Jones' credit, the way he fuses realism with magic surrealism is also a brilliant move. The somewhat restrained way that Jones uses to approach to comedy this time (keeping it focused to the plot instead of using sketches) is also more in tone with "Life of Brian" than with the other Monty Python films.

Tim Robbins is perfectly cast as Erik, as his really becomes this good hearted, yet extremely naive adventurer, decided to stop the wars of the world. Robbins' career was at an early stage when he did this film, but already shows his talent and is very good with Jones' style of comedy. Monthy Python's John Cleese is fabulous as Halfdan the Black, and steals most of the scenes he is in. Overall the actors playing Erik's crew are really excellent and truly are a key factor in this success of the movie. Imogen Stubbs plays Aud, the princess of Hy-Brasil who tries to help Erik in this quest. Stubbs is effective for the role, although sadly the rest of the cast overshadows her without problem. Mickey Rooney and Terry Jones himself have small yet very funny roles too, and both make the most of their small scenes.

Personally, I think that the movie's biggest problem is actually Terry Jones' background with the Pythons, as this may make fans to expect something keeping the style of the troupe's previous films. While "Erik the Viking" does have it's fair share of Python's humor, it would be wrong to call it a Python movie. Other than the probably too high expectations it probably won't meet, the movie really doesn't have many flaws and it's an excellent satire that delivers the goods without false pretensions. True, it has some serious problems with special effects that could had been better with a bigger budget, but Jones makes the movie work with his mix of wit and charm, as well as his knowledge of medieval cultures.

"Erik the Viking" is definitely an unfairly underrated comedy that while never on the level of classic Monty Python's Flying Circus, it provides some fun intelligent comedy paired with an interesting story of action and adventure. It's flawed, but has a special charm that just makes the whole movie work without problem. As a satire it's really good, and despite its few historical inaccuracies, it's a nice piece of Viking action. Truly a movie that really deserves a viewing. 8/10

'Erik' was quite cute and had some absolutely brilliant moments but overall wasn't as tight and consistently funny as I was hoping. There were quite a few sections that seemed to wander along pointlessly; what a pity!

Tim Robbins was fine in a cutesy, little boy way which is, I guess, what he was supposed to be. I couldn't help wishing he had a tad more substance. Cleese's role seemed generally uninspired with only brief moments of genius. It was fun, however, seeing Tim McInnerny pre-Blackadder-"Captain Darling" days and Antony Sher made an excellent "trickster" Loki.

It's possible that the print I rented from my local video shop was a bit more dingy than the original, but the stunning scenery (filmed in Norway, Malta and England) lost its effect.

Despite these negatives, it's certainly worth watching at least once, if only for those inspired moments of comedy it contains.

Not a great movie but very good & very watchable. I've seen it 3 times now over the last twelve years. Several very funny laughs and amusing throughout. I would recommend it to anyone who likes Tim Robbins or the Pythoner's

This movie was a brainchild of the venerable Pythons (Monty python's flying circus, Yellowbeard, Monty Python and the Holy Grail, Life of Brian) and while only a couple of them are in it, it has their usual stamp of silliness and political incorrectness. The python troup has several history professors among it and thus their historical flicks, while silly, also usually manage to work some real history into the mix. Anyone familiar with the viking belief system and legends will really enjoy this movie for its correctness and attention to detail in that regard. While there are many amusing parts of the movie, I found the Christian priest that accompanyied them and couldn't see any of the viking gods (because that was not his belief system), perhaps the most amusing part of the whole movie.