Une saison blanche et sèche

I believe this to be one of Marlon Brando's most underrated performances. The film itself is a splendid period piece of Apartheid South Africa. I rarely see this movie mentioned in biographical comment with regard to Brando's career, and yet, it is a stunning performance. I assume the lack of comment is the fact that he only played a supporting role, and that the subject of apartheid probably denied it a higher profile. As somebody who has lived in South Africa, both before and after apartheid, i cannot tell you how accurate the performance of Brando is in this role. There is no doubt in my mind that he must have studied meticulously before playing this part. I do not know why, but there are a large percentage of professional people in South Africa who have an almost perfect "Queen's English" accent...but it is tinged with a slight South African edge which only the most perceptive can detect. Not only does Marlon Brando capture this perception, but he somehow manages to replicate it, which i have always found truly incredible. You would have to live South Africa to know how fantastic his voicing is in this part, but believe me, apart from the power of his acting, this role is a truly stunning illustration of his amazing ability. I hope this movie will obtain the higher profile it deserves in the future.

Manny Wah Hong Kong

One day in South Africa in the 1960's, a young black man was walking along the street with his aged mother. Coming along the road was a young white man. The young black man knew that apartheid law and custom meant that the white would probably barge the two blacks off the pavement and into the gutter. The law would protect him and the young black man might be imprisoned for defending himself. The young black man tensed his muscles and prepared to defend his mother, but was amazed when the Englishman stepped off the pavement and doffed his broad brimmed hat in greeting. Later on the two would become friends and allies. The white man was to become bishop Trevor Huddleston, the black man, bishop Desmond Tutu.

That story is NOT the story of A Dry White season, but it is of a kindred spirit. Like the gesture of Trevor Huddleston, the story of Ben de Tor is a gesture against apartheid. A glimmer of hope, but merely that, a flicker.

It must be five years since I saw a Dry White Season but I still remember how I felt leaving the cinema. It is a film which will stay with you.

The plot follows a white South African on an adventure through bewilderment, revelation, denial, disgust, and a futile attempt to fight a grossly unfair system.

I can't go into detail after this length of time but the cameos in this film would be worth the video rental. Marlon Brando (yes) steals the show as the lawyer who knows exactly how hopeless the fight against apartheid is but agrees to fight anyway.

The political situation today in South Africa is a world away from that of A Dry White Season. Watch it and never forget.

We are pupils in the10th grade in Dumont d'Urville in Normandy (France). We are all sixteen and we have been learning English for six years. We watched the film A dry white season in class and we had to write a review on it.

It is a film shot by Euzhan Palcy in 1997 which is based from a novel by André Brink.

The main characters are Ben du Toit played by Donald Sutherland, Captain Stolz played by Jürgen Prochnow, Stanley played by Zakes Mokae and Gordon played by Winston Ntshona.

The plot deals with apartheid in South Africa in 1976. A naïve history teacher Ben du Toit decides to avenge his gardener's death, Gordon, a black man. He is tortured to death by the white police. Ben becomes aware of the issue of segregation in his country and he sides with the blacks.

We all liked this film because it gave another vision of apartheid, more shocking and violent than the one we had imagined. This film is educative because too many people ignore what white men did to the blacks at that time and even recently. Nowadays, colored people endure discrimination in many countries even if apartheid, slavery have been abolished, so it is a very interesting film, it shows a real and current problem : racism which still exists in our society. We don't know if it can make people's mentalities evolve but it will certainly make people question themselves.

We would recommend this film to our friends because we think people are not informed enough about apartheid.

Apartheid gripped South Africa for many years. One heard the news with total disbelief, as things got worse in that country. Euzhan Palcy has brought Andre Brink's novel to the screen making a statement along the way about what was wrong in South Africa under the brutal repression of those that dared to make a stand.

The carnage one sees in the film is hard to take. Especially, since one occurrence is directed to innocent children who are trying to make a stand about education. At the time, the white establishment labeled communist all those that dared oppose the ruling class. It's ironic that after things got to be democratic, those same rebels didn't turn the country into a communist state.

The story centers on a white teacher that suddenly awakens to what is happening around him. His involvement comes through his gardener, Gordon, who is a decent man. When the gardener's son is arrested, Gordon turns to Ben for help. That will mark the beginning of Ben's passive attitude toward apartheid. By trying to help, Ben will be a marked man, a traitor to his people, according to even his own family.

Donald Sutherland makes an excellent Ben, the former football star and teacher. We watch him as he gets deeply involved in his quest for justice in a land where it was unknown. Zakes Mokae, an immensely talented actor of stage and screen, plays Stanley the man that serves as a link between the struggling faction and Ben. Jurgen Prochnow plays the sadistic Capt. Stolz conveying all the cruelty and arrogance of the man. Janet Suzman is Ben's wife, a woman who doesn't want to see any changes in her cushy life.

The surprise of the film is the appearance of Marlon Brando in a small, but pivotal role of Ian McKenzie, a barrister that brings the case to a court of justice, but it's defeated by the system. Mr. Brando made a tremendous contribution to the film.

Ms. Palcy's film is a reminder of the injustice perpetuated in South Africa under the apartheid rule.

It's 1976. Ben du Toit (Donald Sutherland) is a liberal South African schoolmaster and a former rugby star. He is shocked by the police beating of his gardener Gordon's son but does nothing. When the kids gather to protest the teaching of Afrikaans, the police reply with violence. Gordon's son goes missing. Ben, in his sheltered life, tries to help and the police tells him that he's dead. Ben again advises Gordon to leave it alone. Gordon continues to investigate and gets arrested. Captain Stolz (Jürgen Prochnow) is the man in charge of torturing Gordon. Gordon's wife brings lawyer Stanley Makhaya (Zakes Mokae). The police claims that Gordon committed suicide. Stanley brings Ben to the Soweto township and shown the truth of his torture. Melanie Bruwer (Susan Sarandon) is a newspaper reporter. Civil rights lawyer Ian McKenzie (Marlon Brando) relents to Ben and takes on the case.

Ben is a clueless idiot at the start of the movie and that is the part that I dislike most about the movie. It would be so much better for Ben to be in denial. Sutherland plays it so wide eye and ill-informed. It would be more dramatic and better as character development that he doesn't come off as ignorant at the beginning. The court case in the middle drags on a little too much. It's often hard to switch into court like that. There isn't the shock of revelation since the movie already showed the torture earlier. This is also very heavy handed. This feels like a sermon more than a drama. Having Marlon Brando there pontificating doesn't help. The other problem is that after the court case, the movie goes back to the white folks. Even though it's not the movie intention, the black folks get sidelined. Nevertheless, it's an interesting attempt at bringing South Africa to the big screen.