Le temps des gitans

Original title: Dom za vesanje

1988
R
2h 22m

IMDb RATING

8.1/10

34K

YOUR RATING

In this luminous tale set in the area around Sarajevo and in Italy, Perhan, an engaging young Romany with telekinetic powers, is seduced by the quick-cash world of petty crime, which threatens to destroy him and those he loves.

Play trailer2:31

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Comedy Crime Drama Fantasy

In this luminous tale set in the area around Sarajevo and in Italy, Perhan, an engaging young Romany (gypsy) with telekinetic powers, is seduced by the quick-cash world of petty crime, which... Read allIn this luminous tale set in the area around Sarajevo and in Italy, Perhan, an engaging young Romany (gypsy) with telekinetic powers, is seduced by the quick-cash world of petty crime, which threatens to destroy him and those he loves.In this luminous tale set in the area around Sarajevo and in Italy, Perhan, an engaging young Romany (gypsy) with telekinetic powers, is seduced by the quick-cash world of petty crime, which threatens to destroy him and those he loves.

See production info at IMDbPro

IMDb RATING

8.1/10

34K

YOUR RATING

See production info at IMDbPro

Awards
- 3 wins & 5 nominations total

Videos2

Trailer 2:31

Trailer

Clip 1:30

Time Of The Gypsies: Get Out (US)

Clip 1:30

Time Of The Gypsies: Get Out (US)

Photos409

+ 403

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Storyline

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Did you know

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Trivia
The first feature to be filmed with its entire dialogue in the Gypsy language, Romany.

Connections
Featured in Horrible Reviews: Best Movies I've Seen In 2021 (2022)

Soundtracks
Ederlezi
Arranged by Goran Bregovic
Performed by Vaska Jankovska

User reviews310

Featured review

9/10

Kusturica's ugly magic.

When I see a Kusturica film, I see the magic of Fellini but with a sinister edge. His characters may be crude and immorally incorrect, but interesting enough as an observation piece that represents the madness of life. All this done through an epic journey taken by the young and shy Perhan, who discovers the crudeness of live that alters his whole believes and existence. The film plays like an opera, but without the soap, making it another Kusturica masterpiece that mixes the real with the bizarre.