Désorganisation de malfaiteurs

I love this movie. Like other reviewers here, I agree it's hard to explain exactly why. But maybe that's the definition of a good film, one that is consistently coherent, that flows together so well one is left with an overall impression rather than remembered bits and pieces.

Part of the attractiveness of Disorganized Crime is the setting. To watch it is like taking in gulps of fresh air when you laugh. Which is often.

This is a balanced story. No one is good or bad, just assorted characters connected by cross purpose and disjointed competence. Each man does his job very well, and the hilarious thing is that it makes no difference at all. Some things are just not meant to be. No matter how hard the gang or deputies work together or alone, somebody ends up in a pit with a horse skeleton or losing his pants to save his flashlight.

Only excellent writing can save broad comedy from slapstick, and the writers certainly have succeeded here. This movie is a pleasure and an antidote for depression. I mean, if these guys can laugh...

The plot is tight. The acting is flawless. The directing, script, scenery, casting are all well done. I watch this movie frequently, though I don't know what it is about the whole thing that grabs me. See it and drop me a line if you can figure out why I like it so much.

Corbin Bernsen's sent letters to four criminal associates he's worked with in the past and it's a real intergenerational mix with Fred Gwynne, Lou Diamond Phillips, William Russ, and Ruben Blades. They're to meet him in this obscure Montana town and he doesn't explain why because he's then picked up by out of state police from New Jersey on a warrant.

Of the criminal group that's been gathered together, they all know Bernsen, but don't know each other. A lot of comedy involved is them feeling each other out. As the oldest Gwynne though denying it kind of takes charge with the others grumbling, but going along. Especially when they figure out what Bernsen had in mind.

As for Bernsen, he's got the good fortune to be picked up by a pair of bumblers in Ed O'Neill and Daniel Roebuck. He gets the drop on O'Neill and escapes.

After that it's the four criminals trying to finish what Bernsen started and Bernsen getting away the police. In the intricately plotted screenplay, it's fascinating how both story lines keep intertwining with each other. Hoyt Axton as the local sheriff watches in amazement at what unfolds in his town.

Disorganized Crime is a fabulously funny caper film by a bunch of players who seem mostly to have had a background in television or would soon. I can't say that anyone stood out in the cast they also seem to click so well together.

Ironically none of these people are comedians per se, but they all exhibit a light comic touch that good directing brought out.

Disorganized Crime is one very funny caper movie, the kind of film that well known pessimist Mr. Murphy would have written.

I couldn't agree more with Nomad 7's and I A HVR's comments. A perfect laid back Sunday morning movie. The humor is subtle (exact opposite of "slapstick" as one misguided commenter noted).

But what always ceases to amaze me is how often I find myself wanting to come back to this movie over and over. I originally copied this movie onto VHS about 12 years ago when it was premiered on one of those Pay Cable free weekend previews(HBO maybe?). Had never heard of it previously. Don't know why it wasn't marketed that well. ?? When DVD's were released en mass, it was one of the first movies I replaced. A great combination of cast and writing. Plus, the back drop of Montana wilderness doesn't hurt things either (beautiful).

It's probably not the type of comedy for everyone, but what is? If Adam Sandler type stuff is up your alley, this probably won't be your cup of tea. This movie needs your full attention. The humor is mostly in the dialog.

I believe my next viewing will probably be about my 12th. But I still know that when it gets to the scenes like the one where the hoods of the police cars start blowing off, I'm going to loose it (Ed O'Neill's face is PRICELESS!). Recommended 110%.

The efforts of a talented ensemble make all the difference in this movie from screenwriter / director Jim Kouf (who'd written the 1987 hit "Stakeout", among other things). It brings together a motley collection of big city criminals for a bank job in a small Montana town. This job is the brainchild of career crook Frank Salazar (Corbin Bernsen) who is arrested almost right away by a pair of New Jersey detectives, George Denver (Ed O'Neill) and Bill Lonigan (Daniel Roebuck). So Franks' team is left to figure things out and pull off the job on their own - if they can manage not to kill each other, as the sparks fly between them. The team consists of Max Green (Fred Gwynne), Carlos Barrios (Ruben Blades), Ray Forgy (Lou Diamond Phillips), and Nick Bartkowski (William Russ), Nick turning out to be an enormous pain in the ass for the other three. Frank manages to escape from George and Bill, who both turn out to be pretty stupid, and goes on a lengthy trek to get back to the hideout, while Max, Carlos, and Ray have their work cut out for them trying to repair the damage that Nick does. The major appeal of the movie lies, as previously said, in seeing these actors at work, and they make for an agreeable bunch of unlikely comrades. Gwynne is especially effective as the old pro among the thieves, and O'Neill deserves some sort of good sport prize for doing as many scenes as he does while not wearing pants. However, Hoyt Axton is rather wasted as the local sheriff. As the story plays out, one can hardly keep from feeling somewhat bad for Frank, who truly gets a raw deal. Another benefit is seeing a variety of very urban types in a very rural setting. One can tell this was actually shot on real Montana locations, and the non-Hollywood setting is refreshing. David Newmans' score is flavourful, and the photography is first rate. The movie doesn't necessarily deliver lots of belly laughs, but should generate some appreciative smiles as it bases itself on placing various characters in untenable situations. There are some good lines here and there, and there's one great farcical sequence where George is trying to cross a river. The climactic scene of Max and Nick breaking into the bank vault is a fun one, and it's not hard to root for them at this point. Ending on a high note (if also a fairly childish one), "Disorganized Crime" holds up fairly well 23 years later and moves forward at a good clip. Eight out of 10.