Il y a un truc!

This is not the first time Columbo has entered the world of magic and illusion in the course of his investigations; it is an ideal setting for murder, with its built-in "things are not what they seem to be" theme. This movie, however, goes into greater detail exploring the mechanics of trickery, and adds in the richer theme of (supposed) paranormal phenomena to make things more confusing. A renowned magician and debunker of fake mystics (perhaps modelled somewhat on James Randi) declares that a celebrated young psychic is the genuine article, and has actually succeeded in passing rigorous laboratory tests to prove his psychic ability. In fact, the psychic is a fake, as the magician is fully aware, but a combination of guilt and sentiment over some shared history between the two men leads him to cover up for the young man, who takes advantage of this weakness to kill him. Columbo must not only work his way through the tricky surfaces presented by professional magicians, he has to also deal with a murderer who has been authoritatively declared a genuine psychic by the victim. The most useful advice he gets comes from a rather snotty little boy who is a magic buff and tells him "It's a trick. You start out knowing it's a trick, and then you figure out how to do it." Watching Columbo learn how to duplicate the apparently mystical feats of his opponent is highly enjoyable.

Not bad as a TV movie and pretty much in tune with the classical Columbo of 70s. But this one has a few annoying defects, I must say.

1. Was that long setup really necessary? Couldn't we simply learn of the shared past of the duo and how the younger one was scamming the military in 10 minutes instead of the 20 or 30 that began to look like a lifetime? I'm all for long openings, but as long as they serve their purpose perfectly. There was some dead weight on the first act of this one. (catch that pun!)

2. How exactly did Columbo "catch" the killer this time? I mean, okay, he somewhat confessed but... Was there really any hard evidence? Or even a soft one? The ending suggested that Columbo was gonna book him for the attempted murder against himself only. How will THAT hold in court?!? No witnesses, nothing solid... This killer will walk! And... Given he is okay with murdering Columbo (not the crime in investigation, but another one that is, by the way) WHY wouldn't he do it right now, given the lieutenant is all by himself, totally unprotected against a much younger and taller man?

3. The trick done during the test... Are military officials so dumb they would fall for it? Not bad, but the overcomplication with the process had to be a giveaway for the people funding that paranormal study. Given Columbo solved it thanks to help from a 13 year old kid, especially.

4. I get the entertainment value with the name "Columbo Goes to the Guillotine" and the suspense of seeing our beloved detective in that position. But, FFS, please, NO! This is SO FAR from being credible! Has Columbo gone INSANE? Will he really be risking his own life? Gambling on which side the killer would place the collar piece? "Safe" will behead him, the other side will be harmless. That's Russian roulette! What if the guy WAS guilty BUT didn't want to behead Columbo? I mean... Really, really dumb!... This could happen only if Columbo was tired of his wife and life and willing to actually commit suicide by the hands of a murderer. I could be on board with that final scene if we were shown that the collar piece was fixed in such a way that Columbo would be at no risk, and that other officially assigned people could be there to catch the confession of the killer, but no... You can't end a Columbo episode so abruptly, detached from the very basics of his modus operandi and certain legislative facts.

I won't say it's bad TV overall, but it certainly is some missed chance in comparison to that other, classical episode involving magic, guest starring Jack Cassidy.

11 years after the last Columbo movie "Columbo: The Conspirators", Peter Falk returns as the scruffy looking famous Los Angeles police lieutenant. He could had made a far worse comeback, for "Columbo: Columbo Goes to the Guillotine" is simply a solid and well made Columbo movie entry.

For this project they safely picked director Leo Penn, who had already directed the solid Columbo movie "Columbo: Any Old Port in a Storm", 16 years earlier. He provides the movie with a steady and pleasant pace, using lots of cuts and dynamic camera-work. I have to say this is really one of the more stylish looking Columbo movies, as if they had more money to spend this time and more time to put in details and make things look more perfect. It probably was also true, since they of course had to ensure that Columbo would be picked up again by the viewers and it all had to be as good and successful again as the 'old' Columbo movies.

Even though it takes a long while for the murder to occur (it occurs after 24 minutes into the movie) and therefore also takes a long while for Lt. Columbo to make his grand entrance, it still is a movie that will keep you interested throughout, due to its nice written and compelling story, even though it sort of 'borrows' at times from the previous Columbo movie "Columbo: Now You See Him ", from 1976.

Anthony Andrews is perfectly cast and he really suits his role well as the movie its murderer. One thing that is very typical for the 'newer', post-'70's Columbo movies is that they mostly feature unknown actors as the movie its 'villains' opposite Lt. Columbo, unlike the 'older' Columbo movies, which always featured some big stars from movie, TV and even from the musical world in it, as the movie its killer. This new approach for the later Columbo movies, with casting mostly unknown actors in the important roles, doesn't always work out as well as it does in this movie though.

Unfortunalty the movie sleeps in a bit in the movie its second halve. Some of the sequences go on for too long and could had made their point much earlier. Seems to me they just HAD to fill around 90 minutes. A bit of a shame, since if this movie entirely would had been more like it's first halve, this movie could had really been among the best Columbo movies out of the long running successful series. The movie tends to get better toward the ending again but its ruined by a more slightly weak ending.

Overall a nice comeback from the good old lieutenant and on par with most other quality Columbo movies.

7/10

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Although I am not a fanatic about Columbo, whenever I come across an episode while I'm channel surfing, I take it. The Columbo mysteries definitely beat the offerings of many other shows, even the Columbo entries that aren't as strong as others... which this one happens to be.

Let me make clear that I didn't hate or merely dislike this entry - I was to a significant degree entertained. But at the same time I saw some significant weaknesses. The most obvious one is the fact that this entry was designed to fit a two hour time slot, while the older episodes were made for a ninety minute time slot. While you might think that more Columbo would be great, for this particular mystery it is a problem. The setup takes far, far longer than usual; it takes a long time for Columbo to make his first appearance. And after Columbo starts to make his investigation, there are a few other places where the story seems unnecessarily padded out.

Also, there are some predictable touches here and there, though that may be because I know the hero so well by now, I have a good idea how he works.

But I'm glad I saw this entry despite its flaws. It's always nice to see this character, who is a little older but still a brilliant and interesting detective. Series fans should enjoy this entry, though people unfamiliar with Columbo should probably start with some of the older (and stronger) episodes first before watching this entry.

Without being absolutely outstanding, Columbo Goes to the Guillotine is a solid and nice return for the great detective. The second half does drag though, and some scenes go on for too long, but other than that it is a very good episode, helped primarily by a good script and a clever plot with some interesting magic tricks. The locations and photography as per usual are striking, and the music is good as well. The acting isn't outstanding but it is still good. Peter Falk I have no problem with, while Anthony Andrews gives a good turn as well, while the supporting cast while not as good are solid. Overall, it is a nice return for Columbo, with an 8/10. Bethany Cox