Columbo: Murder, A Self Portrait

By the time "Murder, a Self Portrait" was made, more than 20 years had passed since the first "Columbo" movie. This, combined with a relatively unexciting case make this a must-see for fans. Others might just wanna try one of the earlier installments.

When the episode begins, you see that the artist Max Barsini has a most unusual living arrangement. His marriage seems very open and strange. His ex-wife lives next door and is very actively involved with Max's second wife as well as his lover...and the four of them eat and spend their time together! At first, it appears as if they are one big happy, albeit strange, family. However, when the first wife wants to leave and start a new life, Max's narcissism and co-dependence kick in and he murders her....making it look like a simply drowning. However, Columbo is on the case....and there seems to be nothing like a simple death to him!

The guest actors in this one are okay....but not particularly memorable or exciting to watch. The same goes with the finale, which has little in the way of fireworks or excitement.

"Columbo: Murder, a Self Portrait" was one of the Columbo movies that aired during the early 90's as a part a Saturday night rotation on ABC with "B.L. Stryker" with Burt Reynolds and Telly Savalas's revival of "Kojak". Most of the two-hour installments of "Columbo" tended to drag, in spots, but "A Self Portrait" moves at a brisk pace, benefiting from effective and inspired performances from guests Patrick Bauchau, Fionnula Flannagan, Shera Denese, George Coe, and Isabel Lorca. Falk's friend Vito Scotti makes one of his frequent appearances on the show, this time playing a bartender.

Written by Robert Sherman and directed by James Frawley, the film also sports a great Patrick Williams' score.

And even Columbo's pet "Dog" makes a brief, yet memorable, appearance.

One of the major highlights are the different "interpretations" of the dreams of the principals. Fascinating lighting, setting, and camera-work make this a "Columbo" to remember.

Although I haven't seen every Columbo episode there is, I'm certain the pattern is the same: A wealthy and intelligent individual (who is sometimes a celebrity) plans and executes a perfect murder. Then, Columbo enters the scene and since there are no witnesses he has to rely heavily on circumstantial evidence. Columbo finally out-smarts his suspects and arrests the criminal. At this point I always think that in real life this individual will hire a high-paid lawyer who will rip Columbo's case to shreds, but that's material for another movie.

Max Barsini fits perfectly into that typical criminal profile: wealthy and intelligent. But there's one more thing to add: a super-inflated ego, strong enough to dominate three women. Nevertheless, by the second half of the movie his character and his ego starts deflating, and at the end he just simply surrenders without putting up a fight. And that's the disappointment that I had with this episode, and many other episodes, where the person who was smart enough to plan an almost perfect homicide, suddenly succumbs under Columbo's pressure. Of course, not all Columbo's movies end up this way, and therefore I consider them my favorites. Unfortunately this one is not one of them.

The Columbo series is a true pleasure to savor… Peter Falk is perfect in his role as the seemingly befuddled on the surface detective with hidden brilliance. Hahaha… we know that is his sly fox ruse. This episode was a marvelous surprise for me! I have spent my life a successful artist in the fine art world and in my youth could relate, somewhat, to Mr. Barsini.; albeit without the murder. What made it extra fun for me personally was that Mr. Falk, as the artist, used to show his works in the same gallery with me in the French Quarter of New Orleans. The fact that the gallery dealer would sell an original, take fifty percent off the top and take twelve months to pay-out our share makes me wonder if Peter had a hand in writing this episode; with a plot where the artist's first murder was that of the unethical art dealer… lol. Anyway it was fun to see a bit of the world as I have known it… once again without the murderous aspect. Lookup Peter Falk's art if you haven't before… he was quite good. What a treasure he was… and still is.

One of the most narcissistic murderers that Peter Falk ever encountered on Columbo has to be artist Patrick Bauchau. This man lives in a household that numbers at one time, an ex-wife who couldn't do without him, a current wife, and a 'model'. And they're very reason for existence is provide for his needs whatever they might be.

As it turns out one of them the ex-wife Fionnula Flanagan is going and she and her therapist George Coe are now an item. But Bauchau has one deep dark secret that he does not to come out either in session or in pillow talk. For that reason he strangles Flanagan and fakes her drowning.

Even with Bauchau painting a portrait of Peter Falk, Columbo's instincts are aroused. The other two women, Sheri Danese and Isabel Garcia Lorca are also in there on revolt.

I have to say that the evidence Columbo has is mighty thin and Bauchau could get off in court. But if a jury finds him as arrogant and egotistical as I did, he doesn't stand a chance.

There's also a nice supporting bit by bar owner Vito Scotti who did a few Columbo stories. All in all a worthwhile bit of viewing.