Outrages

Based on a true story, the arrogant sergeant (Sean Penn) of a 5-man squad on a reconnaissance mission in Vietnam in November, 1966, decides to kidnap a Vietnamese farm girl for some "portable R&R" because it would be "good for the morale of the squad." But PFC Eriksson (Michael J. Fox) refuses to participate and fears being "killed In Action" for dissenting.

"Casualties of War" (1989) separates itself from other Vietnam War movies by focusing on the incident at hand, including the build-up and aftermath. Its uniqueness is augmented by Brian De Palma's slightly off-kilter style. The picture balances the beauty of the location and the artistry of Brian De Palma's filmmaking with the horror and ugliness of war & rape.

It's also realistic and compelling while simultaneously being mundane, which is why some viewers might find it boring. In other words, this is more of a gut-wrenching war drama with some action than a typical war flick with explosions and action thrills galore. It fairly closely follows the real story; Google Incident on Hill 192 for details.

The movie runs 1 hour, 59 minutes, with the original Theatrical Cut being 6 minutes shorter. It was shot in Phang Nga, Kanchanaburi & Phuket, Thailand, and Dolores Park, San Francisco, California.

GRADE: A-/B+

Based on the actual events of the incident on Hill 192 in 1966 during the Vietnam War, 'Casualties of War', directed by legendary filmmaker Brian De Palma, is An Effective Film, that talks about Human-Cruelty & Violence. De Palma handles this unsettling & disturbing fare with ruthlessness, making it an experience to remember.

'Casualties of War' Synopsis: During the Vietnam War, a soldier finds himself the outsider of his own squad when they unnecessarily kidnap a female villager.

'Casualties of War' is disturbing, unsettling & yet effective. Based on a true horrifying event, the film comes across as uninhibited & Extremely bear.

De Palma's Direction, as mentioned, is ruthless, like the story itself. David Rabe's Screenplay talks about Human-Cruelty & it very efficiently narrates that. Cinematography & Editing, are mention-worthy.

Performance-Wise: Michael J. Fox delivers a believable performance, that ranks amongst his finest works to date. Sean Penn is mesmerizing as the bad-guy, causing hate each time he appears on-screen. John C. Reilly, John Leguizamo & Don Harvey, are terrific. Thuy Thu Le as the frightened victim, delivers a haunting performance, that's impossible to forget. Ving Rhames is good in a brief role.

On the whole, 'Casualties of War' is worth a watch, but its certainly NOT meant for the faint-hearted.

CASUALTIES OF WAR tells the excruciating true story of a squad of American soldiers during the Vietnam War, who kidnap and rape a young Vietnamese girl in the name of fun. The story is told through the youthful and innocent eyes of Michael J. Fox, in a rare dramatic performance that may be his career-best.

Films like this can hardly be enjoyed, but CASUALTIES OF WAR proves to be unmissable entertainment and one of the harshest war stories out there; also, one of the best. It's a bit like watching a film of a train wreck, where you can't tear yourself away from what's happening and what you know is going to happen. The tragic, soul-searing story is one of the most moving I've ever seen.

A film like this needs a great director to tell it, and de Palma is that director. He wisely lets the story tell itself for the most part, but he can't resist incorporating a couple of flourishes (like the POV sequence) that remind us of his skill as an auteur. The cast is great, too, particularly the newbie actors (John C. Reilly and John Leguizano) playing soldiers and Sean Penn as the hateful sergeant. Understandably, Thuy Thu Le has the toughest role, and it's one she walks away from with her head held high; if ever an actress deserved an Oscar nod, it's her.

CASUALTIES OF WAR

Aspect ratio: 2.39:1 (Panavision)

Sound format: 6-track Dolby Stereo

(35mm and 70mm release prints)

During a routine field trip at the height of the Vietnam War, a young soldier (Michael J. Fox) rebels against his commanding officer (Sean Penn) and other members of his patrol when they kidnap a defenceless Vietnamese girl (Thuy Thu Le) and subject her to a terrifying physical ordeal.

Unfairly overshadowed by the simultaneous theatrical release of Oliver Stone's pompous - but still impressive - BORN ON THE FOURTH OF JULY (1989), Brian DePalma's CASUALTIES OF WAR recreates a harrowing incident from the Vietnam conflict - first reported in 'New Yorker' magazine in 1969 - in which a group of otherwise decent men succumbed to their own worst impulses and committed a terrible crime. Filmed with typical cinematic bravado by master craftsman DePalma, the movie uses every inch of the scope frame to convey both the duality of the landscape (vast swathes of breathtaking countryside, where sudden death lurks around every corner) and the moral vacuum which stretches the two central characters (Fox and Penn) to breaking point. Crafted with blistering simplicity by screenwriter David Rabe (himself a Vietnam veteran and author of the acclaimed stageplay 'Streamers'), the soldiers are depicted as brave individuals whose principles are shattered by their traumatic combat experiences, leaving Fox to essay the role of peacemaker in a world where all the rules have been turned upside down. Thuy - a model with no prior acting experience - is truly heartbreaking as the soldiers' terrified prisoner, and her ultimate fate is so horrific (arguably the most disturbing set-piece of this director's entire career), many viewers will be too appalled to see the film through to its inevitable conclusion. All in all, this uncompromising drama emerges as one of DePalma's strongest films to date.

This is a true story of what happens in war when morality and ethics are tossed aside. The killing that is involved in war gets mixed up with murder, bigotry, and revenge in this factual horror story.

Fox is excellent as the naive but ethical young man exposed to a "Nobody cares" atmosphere in the midst of war. The film not only shows what can happen to human beings when they let go of any sense of conscience, but it is also a metaphor of the amoral mentality that was behind the Viet Nam conflict and its aftermath.

The struggle depicted here is between going along with the group or maintaining one's own integrity. Are there rules of war? Are there rules of living? These are the profound questions which underlie the action in this disturbing film.