Miss Marple: L'oeil de verre

Well shot and acted, and it transports you to a pleasant hotel in the Caribbean. Is Donald Pleasance making up his own dialogue? I'm sure Christie never called anyone a 'saucy mare'. Liberties are taken with the book, some good (Miss Marple's visit to the chambermaid's aunt) and some pointless (made up superstitions about the dead taking revenge). Directors should trust Christie!

Many of the 'improvements' blur and confuse the storyline. xxxxxx

This is worth sitting down to watch. Not your typical Miss Marple, as it takes place in Barbados. However, all the usual ingredients are there to make this a worthwhile diversion. I agree that there are some changes from the book, but on the whole these are positive. Give it a go.

Originally screened as a Christmas treat, this "Miss Marple" adaptation-- part of a cycle established since 1984- was mainly shot in Barbados and presumably commanded a bigger budget than usual. All the more surprising that direction was entrusted not to a BBC trusty but to Chris Petit, a critic who had turned road-movie maker, imitating Germans such as Wenders.

True, Petit had previously helmed PD James's "An Unsuitable Job for a Woman", with many an attempt to "subvert" that conservative Queen of Crime's material in a feminist direction; but the movie tanked, and this Agatha Christie version is more respectful. As others have remarked, the screenplay (by regular Christie scenarist Trevor Bowen, who as usual writes in a small part for himself) introduces a dash of political correction. Miss M trots round to Isabelle Lucas's shanty for a nice cup of tea to show she's no segregationist, and Shaughan Seymour's haughty white colonial administrator patronises the black police inspector: reasonably so, since the latter has less to do with solving the crime than Miss M's English foil DI Slack, as it turns out.

Donald Pleasence injects an amusingly repellent late cameo as a rough old fellow guest; Barbara Barnes (what happened to her?) is alluring as his put-upon secretary. But for the most part the story unrolls with no conspicuous directorial touches. This was Petit's height as a commercial proposition; subsequently he sank back into the wilderness of arty late-night TV projects. The explosion in British feature film production since the early 1980s seems to have left him as high and dry as Michael Winner, though one would not bracket them for any other reason.

Caribbean Mystery is a good book by Agatha Christie, but I wouldn't go to say it was one of her best. It is worth the read, but I do prefer Murder is Announced and Sleeping Murder out of the Marple books. This adaptation while taking some liberties with the book, is the best adaptation, and yes I do prefer it over the Helen Hayes version. The adaptation is beautifully shot, with lovely camera work and the scenery is colourful and very pleasing to the eye. The music is well composed and fits nicely with what's going on on screen, if careful not to overshadow the action in those crucial scenes. The script and plot are solid, while taking liberties with the book. Speaking of the changes, I liked the idea of Miss Marple visiting the chambermaid's aunt, however some other changes like the dead coming back from the dead seemed far-fetched and didn't quite work. The adaptation also is rather lengthy, and there is some sluggish pacing in the middle half. On the plus side though, asides from how it was filmed and the good plot and script, we are also treated to a first-rate cast. Joan Hickson is as wonderful as ever as Miss Marple, and Donald Pleasance makes the most out of his role as Jason Rafiel. Sue Lloyd is suitably nasty as Lucy Dyson, and T.P.McKenna is good as Dr Grahame. Adrian Lukis and Sophie Ward are a little on the dull side as the Kendalls though. I will say the final solution was very effective. Overall, a worthwhile diversion, not so bad as an adaptation either. If you want a better Hickson- Marple adaptation though, try Murder Is Announced and Sleeping Murder. 8/10 Bethany Cox

This movie is a departure for Miss Marple, with an unruly cast of characters in the Caribbean; far different from St Mary Mead and the other English country settings. We find out that Miss Marple's nephew has sent her off for a well needed rest after an illness. She appears at odds with the others at the resort but does strike up a friendship with one of the staff who senses her loneliness and takes her to her own village for a welcome change.

Joan Hickson, as the often underestimated but formidable Miss Marple, seems older and rather tired and the conversations lack her usual wit. She is also put off with the overtures of Frank Middlemass, who is retired from the military and goes around boring people with endless monologues from the past. Nevertheless, once the usual murder takes place, she steps into her role. She strikes up an alliance with a wealthy and ill-mannered Donald Pleasance, who realizes that she is much more than a little old woman with knitting needles in her hands. Miss Marple makes it clear that she has no use for his boorish behaviour and often ignores him until he shows some courtesy. Together, however, they make progress with a group of rather unsavoury guests at the resort. Miss Marple also has the benefit of a much better relationship with the local police than she does at home.

After this Caribbean holiday (certainly an unusual twist in Miss Marple's adventures), she is once again at home in her garden with her nephew. He apologizes for the wet weather but she tells him how glad she is to be back. I think viewers too will prefer the English countryside to this tropical setting. We feel Miss Marple is more herself in her natural habitat.