The biography of Ron Kovic. Paralyzed in the Vietnam war, he becomes an anti-war and pro-human rights political activist after feeling betrayed by the country for which he fought.The biography of Ron Kovic. Paralyzed in the Vietnam war, he becomes an anti-war and pro-human rights political activist after feeling betrayed by the country for which he fought.The biography of Ron Kovic. Paralyzed in the Vietnam war, he becomes an anti-war and pro-human rights political activist after feeling betrayed by the country for which he fought.
- Won 2 Oscars
- 15 wins & 26 nominations total
Featured reviews
Let's start with the good news. "Born on the Fourth of July" is an absorbing piece of work, based on a true story, about Ron Kovic (Tom Cruise), a gung-ho Marine-turned-war-protester. We first meet Kovic as an all-American boy as strong in his faith as he is in his will to succeed. After high school he proudly joins the Marines, hoping he'll be shipped to Vietnam to stop the spread of communism. But the barbarities of war, including civilian casualties, friendly fire and a paralyzing bullet through the chest, gradually turn him against the conflict. Director Oliver Stone's method of telling Kovic's story over a period of several years is highly effective and convincing. Cruise is at his best as Kovic, portraying a wide range of emotions and developing apathy with the viewer. The audience feels what he feels, from confusion on the battlefield to the terror of being paralyzed from the waist down.
Now for the bad news. The picture is overly political, with Stone once again (and unnecessarily) casting Republicans as the bad guys and Democrats as the good guys (seemingly ignoring that the Dems initially sent the troops to 'Nam). The film also takes a while to build up steam, and the all-American life of the pre-Marine Kovic seems a little too perfect to be believable. Obviously a story such as this requires adequate screen time, but the 145 minutes is slightly drawn out, particularly toward the end. And although one of its central themes is the opposition to the war that greeted returning vets, the genesis and rationale of that opposition are not adequately explored.
As a whole, however, "Born of the Fourth of July" is recommended. Kovic's biography and Stone's masterful storytelling are a perfect match. It's not your typical war movie. In fact, it's not your typical movie, period.
Now for the bad news. The picture is overly political, with Stone once again (and unnecessarily) casting Republicans as the bad guys and Democrats as the good guys (seemingly ignoring that the Dems initially sent the troops to 'Nam). The film also takes a while to build up steam, and the all-American life of the pre-Marine Kovic seems a little too perfect to be believable. Obviously a story such as this requires adequate screen time, but the 145 minutes is slightly drawn out, particularly toward the end. And although one of its central themes is the opposition to the war that greeted returning vets, the genesis and rationale of that opposition are not adequately explored.
As a whole, however, "Born of the Fourth of July" is recommended. Kovic's biography and Stone's masterful storytelling are a perfect match. It's not your typical war movie. In fact, it's not your typical movie, period.
You've heard the express "can't see the forest for the trees", right? It refers to someone who gets so caught up in details, they miss the big picture. Reading other comments on IMDb regarding "Born on the Fourth of July", I think people have the opposite problem with this film. So many people seem to get caught up in talking about Vietnam, war, Nixon, America, Communism, and hippies, that they totally overlook Ron Kovic.
Ron Kovic is the center of this film. In "Platoon", war was the center, and the central character (Charlie Sheen's Chris Taylor) was merely a POV character through whose eyes we could see war. Not so in "Born on the Fourth of July". Vietnam is the setting, the context, and the backdrop. But Ron Kovic is the story.
Oliver Stone really understands a character arc. Look at Kovic's life, where it starts, where it ends. The film is the journey, how he got from A to B. It is a dramatization of a life, as opposed to an actual life, but it still rings true. It feels true. It reaches an artistic level of truth, even if some literal truths are overlooked, distorted, or rearranged. That's what Stone is trying to do. People who quibble about the facts miss the point. (This is a theme I will take up again when I review some of Stone's other films, as Stone is constantly being bashed for historical inaccuracies.) The connections from one point to the next work admirably, and the progression is completely believable, which is quite a feat for such a dramatic change of attitude (compare to "American History X", where the main character goes through a similar about face with scant motivation).
Anyway, what impresses me about this film is the honesty and respect with which Stone presents the opposing views of the film. Say what you want about Stone's political beliefs, but the argument in this film is presented in a very neutral light. It's a story about Kovic's choices, Kovic's politics, Kovic's judgments. And the anti-Vietnam beliefs he finally supports in the final act are a very natural and believable outcome of the story. This film isn't anywhere near as didactic as some people like to imagine.
The tragedy of Oliver Stone is that, because he has been so edgy, so controversial, so deliberately provocative, no one can really just sit down and, with a neutral eye, watch his films. They have become so burdened by this giant, irrelevant, political squabble. The films have been subsumed by the very issues they sought to raise. And it's a shame, with this film especially, because it is excellent.
Tom Cruise gives possibly the greatest performance of his career (I can't think of anything that tops it, though his performance in "Eyes Wide Shut", for very different reasons, is just as remarkable). The script is fantastic, taking time where it needs to take time, but not overly deliberate in its approach. It's very economical with time. It knows what each scene needs to say, and says it without any excess baggage, wasted space, or dead time. The direction is excellent, as is the editing and cinematography. The supporting cast is excellent.
But this movie would be nothing without the remarkable, heart-rending, true story of Ron Kovic. So, while we admire the technical achievement of the film, while we debate the points raised, while we enshrine or excoriate the director (as the case may be), let's not forget the story. Let's not get so fired up about Vietnam that we forget Ron Kovic. He is the heart and soul of this film.
One final note: I bristle when people call this an anti-war film. That really diminishes it, I think. It's so much more than that. It's not just saying that war is brutal, nasty, and horrific. It's saying something far more specific about a specific war, and about the effect of that war on a specific man.
Ron Kovic is the center of this film. In "Platoon", war was the center, and the central character (Charlie Sheen's Chris Taylor) was merely a POV character through whose eyes we could see war. Not so in "Born on the Fourth of July". Vietnam is the setting, the context, and the backdrop. But Ron Kovic is the story.
Oliver Stone really understands a character arc. Look at Kovic's life, where it starts, where it ends. The film is the journey, how he got from A to B. It is a dramatization of a life, as opposed to an actual life, but it still rings true. It feels true. It reaches an artistic level of truth, even if some literal truths are overlooked, distorted, or rearranged. That's what Stone is trying to do. People who quibble about the facts miss the point. (This is a theme I will take up again when I review some of Stone's other films, as Stone is constantly being bashed for historical inaccuracies.) The connections from one point to the next work admirably, and the progression is completely believable, which is quite a feat for such a dramatic change of attitude (compare to "American History X", where the main character goes through a similar about face with scant motivation).
Anyway, what impresses me about this film is the honesty and respect with which Stone presents the opposing views of the film. Say what you want about Stone's political beliefs, but the argument in this film is presented in a very neutral light. It's a story about Kovic's choices, Kovic's politics, Kovic's judgments. And the anti-Vietnam beliefs he finally supports in the final act are a very natural and believable outcome of the story. This film isn't anywhere near as didactic as some people like to imagine.
The tragedy of Oliver Stone is that, because he has been so edgy, so controversial, so deliberately provocative, no one can really just sit down and, with a neutral eye, watch his films. They have become so burdened by this giant, irrelevant, political squabble. The films have been subsumed by the very issues they sought to raise. And it's a shame, with this film especially, because it is excellent.
Tom Cruise gives possibly the greatest performance of his career (I can't think of anything that tops it, though his performance in "Eyes Wide Shut", for very different reasons, is just as remarkable). The script is fantastic, taking time where it needs to take time, but not overly deliberate in its approach. It's very economical with time. It knows what each scene needs to say, and says it without any excess baggage, wasted space, or dead time. The direction is excellent, as is the editing and cinematography. The supporting cast is excellent.
But this movie would be nothing without the remarkable, heart-rending, true story of Ron Kovic. So, while we admire the technical achievement of the film, while we debate the points raised, while we enshrine or excoriate the director (as the case may be), let's not forget the story. Let's not get so fired up about Vietnam that we forget Ron Kovic. He is the heart and soul of this film.
One final note: I bristle when people call this an anti-war film. That really diminishes it, I think. It's so much more than that. It's not just saying that war is brutal, nasty, and horrific. It's saying something far more specific about a specific war, and about the effect of that war on a specific man.
Recently I watched for the second time. A first class depiction of the Vietnam War era. Tom Cruise starred as Ron Covic. Character developments were masterful as father, mother, friends, brothers and sisters etc. Very good job done by Oliver Stone.
Tom Cruise gives a great performance as Ron Kovic, a veteran who virtually lost everything, including his legs, fighting in Vietnam. After his return, he becomes an advocate against the war. Both Oliver Stone, the director, and Ron Kovic, the writer both served in the war.
Stone gives us a gruesome inside look into the horrors of war, including the return to civilian life after. The return for many was difficult, leading many to commit or attempt suicide. The country they came back to was changed was ungrateful (at the time) of their service, slamming them as "baby killers" and such. They came back to their fellow citizens who were against the war. Some veterans were, as well. Kovic was one.
After his return, Kovic championed for human rights and fought against the Vietnam war. Eventually, he wrote the book in which this film was based. Every day, especially July 4th, thank a veteran for their service, it wasn't always their choice to go fight. Nor, were all conscientious objectors who got out of going.
Thank you to all veterans!!
Stone gives us a gruesome inside look into the horrors of war, including the return to civilian life after. The return for many was difficult, leading many to commit or attempt suicide. The country they came back to was changed was ungrateful (at the time) of their service, slamming them as "baby killers" and such. They came back to their fellow citizens who were against the war. Some veterans were, as well. Kovic was one.
After his return, Kovic championed for human rights and fought against the Vietnam war. Eventually, he wrote the book in which this film was based. Every day, especially July 4th, thank a veteran for their service, it wasn't always their choice to go fight. Nor, were all conscientious objectors who got out of going.
Thank you to all veterans!!
I remember when i first watched this film I became totally absorbed in it. I had to search out songs that I heard in the move.....I had to see other Vietnam movies again.....I had to watch other Stone movies. Its a superb film. Cruise gives the best peformance he ever will in a film as Kovic.....the golden boy who comes home paralysed and confused at the way his country is reacting to Vietnam. Some of the scenes in the film are very disturbing but the ones that affected me the deepest were not any battle scenes. When Ron comes home and looks at himself as a young boy in his wrestling kit was almost unbearable to watch. Also, the scene when he is drunk in the bar and comes out of his wheelchair had me turning away from the screen. This is a true epic film and the support cast and soundtrack are also superb. 5/5 easily.
Did you know
- TriviaThe real Ron Kovic gave Tom Cruise his Bronze Star for his performance in this movie.
- GoofsWhen the recruiter visits Ronnie's school, he incorrectly refers to Marine boot camp as "13 weeks of hell," when Marine boot camp was only 8 weeks during the timeframe of the movie.
- Quotes
Mrs. Kovic: [sobbing] Don't say penis in this house!
Ron Kovic: Penis!
Mrs. Kovic: Stop!
Ron Kovic: Penis! Big fucking erect penis, Mom!
Mrs. Kovic: Stop!
Ron Kovic: Penis! Penis!
- Crazy creditsCast credits are sorted by location.
- SoundtracksYou're a Grand Old Flag
Written by George M. Cohan
Performed by the Pride of the 48
Courtesy of Alshire International, Inc.
Published by George M. Cohan Music Publishing Co.
Details
- Release date
- Country of origin
- Languages
- Also known as
- Né un quatre juillet
- Filming locations
- Philippines(Vietnam, Mexico)
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $14,000,000 (estimated)
- Gross US & Canada
- $70,001,698
- Opening weekend US & Canada
- $172,021
- Dec 25, 1989
- Gross worldwide
- $161,001,698
Contribute to this page
Suggest an edit or add missing content