Né un 4 juillet

You've heard the express "can't see the forest for the trees", right? It refers to someone who gets so caught up in details, they miss the big picture. Reading other comments on IMDb regarding "Born on the Fourth of July", I think people have the opposite problem with this film. So many people seem to get caught up in talking about Vietnam, war, Nixon, America, Communism, and hippies, that they totally overlook Ron Kovic.

Ron Kovic is the center of this film. In "Platoon", war was the center, and the central character (Charlie Sheen's Chris Taylor) was merely a POV character through whose eyes we could see war. Not so in "Born on the Fourth of July". Vietnam is the setting, the context, and the backdrop. But Ron Kovic is the story.

Oliver Stone really understands a character arc. Look at Kovic's life, where it starts, where it ends. The film is the journey, how he got from A to B. It is a dramatization of a life, as opposed to an actual life, but it still rings true. It feels true. It reaches an artistic level of truth, even if some literal truths are overlooked, distorted, or rearranged. That's what Stone is trying to do. People who quibble about the facts miss the point. (This is a theme I will take up again when I review some of Stone's other films, as Stone is constantly being bashed for historical inaccuracies.) The connections from one point to the next work admirably, and the progression is completely believable, which is quite a feat for such a dramatic change of attitude (compare to "American History X", where the main character goes through a similar about face with scant motivation).

Anyway, what impresses me about this film is the honesty and respect with which Stone presents the opposing views of the film. Say what you want about Stone's political beliefs, but the argument in this film is presented in a very neutral light. It's a story about Kovic's choices, Kovic's politics, Kovic's judgments. And the anti-Vietnam beliefs he finally supports in the final act are a very natural and believable outcome of the story. This film isn't anywhere near as didactic as some people like to imagine.

The tragedy of Oliver Stone is that, because he has been so edgy, so controversial, so deliberately provocative, no one can really just sit down and, with a neutral eye, watch his films. They have become so burdened by this giant, irrelevant, political squabble. The films have been subsumed by the very issues they sought to raise. And it's a shame, with this film especially, because it is excellent.

Tom Cruise gives possibly the greatest performance of his career (I can't think of anything that tops it, though his performance in "Eyes Wide Shut", for very different reasons, is just as remarkable). The script is fantastic, taking time where it needs to take time, but not overly deliberate in its approach. It's very economical with time. It knows what each scene needs to say, and says it without any excess baggage, wasted space, or dead time. The direction is excellent, as is the editing and cinematography. The supporting cast is excellent.

But this movie would be nothing without the remarkable, heart-rending, true story of Ron Kovic. So, while we admire the technical achievement of the film, while we debate the points raised, while we enshrine or excoriate the director (as the case may be), let's not forget the story. Let's not get so fired up about Vietnam that we forget Ron Kovic. He is the heart and soul of this film.

One final note: I bristle when people call this an anti-war film. That really diminishes it, I think. It's so much more than that. It's not just saying that war is brutal, nasty, and horrific. It's saying something far more specific about a specific war, and about the effect of that war on a specific man.

A very moving anti war pic. So topical given the USA's relentless invasions of foreign lands all in the name of capitalism and at the expense of young American soldiers and defenseless, innocents in those lands.

Cruise is fabulous and I would think it would be one of his greatest performances.

A fascinating look inside middle American families and their religious fanaticism. Still so real now and, possibly, growing in an increasingly polarised country.

35 years old and still so very relevant. A disturbing but powerful watch!

What defines a great film? I believe that for a movie to be great, it should move you. It should make you think. It should make you reconsider your views and outlooks. It should make you take a closer look at its subject matter. It should draw attention to itself. Above all, you should gain some amount of enjoyment from a great film. I believe that BORN ON THE FOURTH OF JULY was a great film. I say this because, whether or not you agree with Ron Kovic's message, and although Oliver Stone almost ruined it with his attempts to personalize reality, the movie still made people stop and look. It literally defined the Vietnam War for a generation of Tom Cruise fans, and made many more aware of what the vets went through. The cinematography, score and fabulous acting made it a pleasure for many people to watch, if only to see how Cruise would deliver his next line.

The film grossed $70,001,698 nationwide. In 1989, when BORN ON THE FOURTH OF JULY was released, movie tickets cost five dollars. Therefore, over fourteen million American people went to the theater to see this movie. The number of viewers increases when you take into consideration the people who rented it on video or watched a television broadcast. It had that special something that made people think about issues that they might not have thought about before. It is lamentable that by 1989, many of the members of Generation X had paid little or no attention to the Vietnam War, even though only sixteen years had passed since the war's end. The younger generation was reminded that the war did, indeed, happen, and that the country was still being lambasted with the side effects.

The camera work was extremely effective in relaying the messages in the film. Different moods within the film were indicated by different tints in the color. Combats were filmed in red, while blue indicated sadness, and white tints where used in the dream sequences. Whether intended or not, the colors of choice also coincide with that of the American flag, which is very appropriate for the film. The film also employed a wide variety of interesting angles without becoming confusing to the viewer.

The musical score is one of the best of all time. John Williams is a genius in the music industry. His fabulous music can make a film feel the way it was intended to. He seems to simply know what sequence of notes will produce what emotions. Along with Williams' music, the score also includes some of the popular music from the time of the film's setting. For instance, AMERICAN PIE by Don McLean, MY GIRL by the Temptations, and MOONRIVER by Henry Mancini, all give the viewer who remembers the music a sense of nostalgia, taking them back to those years.

Two words sum up why the movie got the attention it did: Tom Cruise. Many critics were skeptical whether or not the pretty boy of RISKY BUSINESS and TOP GUN fame had what it took to portray a real life Vietnam veteran and make the audience believe he was that person. Fans crowded into the theaters to watch Cruise's handsome face (which was not so attractive through most of the film). Critics went to watch him blow the role. But he proved himself and went above and beyond what was expected of him in one of the most moving performances I have ever seen. He literally became Ron Kovic.

Many people were affected by BORN ON THE FOURTH OF JULY. It had great cinematography. Its soundtrack was inspiring and beautiful, pulling out of the viewer all possible emotions. Tom Cruise's performance as Ron Kovic blew almost everyone away. In short, BORN ON THE FORTH OF JULY has what it takes to be a great film. It overcomes Stone's blatant manipulation of facts, such as the violent conflict that in the movie occurs during a republican convention, but in reality occurred during a democratic convention. Powerful and touching, it drives its point home and back again, never missing a beat.

8 out of 10 stars

Recently I watched for the second time. A first class depiction of the Vietnam War era. Tom Cruise starred as Ron Covic. Character developments were masterful as father, mother, friends, brothers and sisters etc. Very good job done by Oliver Stone.

Let's start with the good news. "Born on the Fourth of July" is an absorbing piece of work, based on a true story, about Ron Kovic (Tom Cruise), a gung-ho Marine-turned-war-protester. We first meet Kovic as an all-American boy as strong in his faith as he is in his will to succeed. After high school he proudly joins the Marines, hoping he'll be shipped to Vietnam to stop the spread of communism. But the barbarities of war, including civilian casualties, friendly fire and a paralyzing bullet through the chest, gradually turn him against the conflict. Director Oliver Stone's method of telling Kovic's story over a period of several years is highly effective and convincing. Cruise is at his best as Kovic, portraying a wide range of emotions and developing apathy with the viewer. The audience feels what he feels, from confusion on the battlefield to the terror of being paralyzed from the waist down.

Now for the bad news. The picture is overly political, with Stone once again (and unnecessarily) casting Republicans as the bad guys and Democrats as the good guys (seemingly ignoring that the Dems initially sent the troops to 'Nam). The film also takes a while to build up steam, and the all-American life of the pre-Marine Kovic seems a little too perfect to be believable. Obviously a story such as this requires adequate screen time, but the 145 minutes is slightly drawn out, particularly toward the end. And although one of its central themes is the opposition to the war that greeted returning vets, the genesis and rationale of that opposition are not adequately explored.

As a whole, however, "Born of the Fourth of July" is recommended. Kovic's biography and Stone's masterful storytelling are a perfect match. It's not your typical war movie. In fact, it's not your typical movie, period.