Always
- 1989
- Tous publics
- 2h 2m
IMDb RATING
6.4/10
35K
YOUR RATING
The spirit of a recently deceased expert pilot mentors a newer pilot while watching him fall in love with the girlfriend that he left behind.The spirit of a recently deceased expert pilot mentors a newer pilot while watching him fall in love with the girlfriend that he left behind.The spirit of a recently deceased expert pilot mentors a newer pilot while watching him fall in love with the girlfriend that he left behind.
- Awards
- 3 nominations total
Ascension Fuentes
- Child on Bus
- (as Acencion Fuentes)
Featured reviews
Having just seen a re-cap of AFI's 100 most romantic films, I decided to go through my own video library to see how many I owned. Of course, starting alphabetically, I pulled out "Always". It wasn't on AFI's list. But it is on mine. I threw it in the VCR, having seen it at least 3-4 times before, and it was like watching it for the first time again.
To sum it up, I wept, from the opening to the closing scene. Rarely am I so touched by a film that it affects me so strongly as to push aside all rational thought and open up the flood gates. But I should expect no less from the man (Spielberg) who single-handedly keeps the tissue industry in the black. He knows how to tug those heart-strings. He's doesn't just play off one emotion; he goes for them all! Drama, action, humor, loss and love. And what he does in "Always", just like "Empire of the Sun", "The Color Purple", "E.T.", "Schindler's List", and "Saving Private Ryan"; is never let the rider off the coaster.
Unfortunately, at the release of "Always", he had not fully gained the respect of the industry enough to prevent this film from being pushed aside. For me, however, it's still right there up on top!
Kudos Spielberg , for reminding us that even your less-seen films were done w/ brilliance, integrity, humor and a more than just a few tears.
To sum it up, I wept, from the opening to the closing scene. Rarely am I so touched by a film that it affects me so strongly as to push aside all rational thought and open up the flood gates. But I should expect no less from the man (Spielberg) who single-handedly keeps the tissue industry in the black. He knows how to tug those heart-strings. He's doesn't just play off one emotion; he goes for them all! Drama, action, humor, loss and love. And what he does in "Always", just like "Empire of the Sun", "The Color Purple", "E.T.", "Schindler's List", and "Saving Private Ryan"; is never let the rider off the coaster.
Unfortunately, at the release of "Always", he had not fully gained the respect of the industry enough to prevent this film from being pushed aside. For me, however, it's still right there up on top!
Kudos Spielberg , for reminding us that even your less-seen films were done w/ brilliance, integrity, humor and a more than just a few tears.
One of his lesser films, Always is a nice, touching story that seems to never have found its proper audience.
Wonderfully shot, well acted, the 1989 film is a departure from Spielberg's usual fantasy and historical pictures but has echoes of both. The firebomber sequences hint at some of the battle scenes from Saving Private Ryan years down the road.
Well worth checking out if you haven't seen it. Hepburn's final screen appearance is gentle and touching. Spielberg is restrained in this film. Perhaps he considers it a small film, but it is a forgotten gem in many ways.
Wonderfully shot, well acted, the 1989 film is a departure from Spielberg's usual fantasy and historical pictures but has echoes of both. The firebomber sequences hint at some of the battle scenes from Saving Private Ryan years down the road.
Well worth checking out if you haven't seen it. Hepburn's final screen appearance is gentle and touching. Spielberg is restrained in this film. Perhaps he considers it a small film, but it is a forgotten gem in many ways.
I'll just be honest here --- when I originally saw Always at the cinema in 1989, it was just a few months after my big brother passed away prematurely at the age of forty, and I'm not at all afraid to say that I cried like a baby. Like so many Americans, I have watched far too many films that i have taken to heart, but you know, Always is probably one of the final American films to ever really explore and display such deep human issues as unconditional love, mortality, and what a hero really is -- and isn't. It may be mushy, romantic, and a bit flawed, but I am proud that Spielberg made this bitter-sweet film -- I just saw it again and, if anything, it comes across as even more humane and honest in today's America of aggression, greed, and "relative" truth. If you've ever really, honestly, been so in love and committed to someone that you were willing to unconditionally put their needs before you own, or if you've ever lost anyone who meant the world to you, check it out. It changed my life when I first saw it because it made consider death in a new light... and it is about to totally change my life again as I have decided to live every moment for the rest of it as honest and decent and true to myself as possible --something that few of us today are willing to admit is lacking in our lives.
Steven Spielberg took a break from his usual sci-fi/action fare with this story of firefighter Pete Sandich (Richard Dreyfuss) who sticks with his friends...even after dying. Maybe "Always" is a little hokey, but it's an interesting look at the possibilities not only of the afterlife, but of personal guilt: not only does Pete feel that he has to right some wrongs, but his friends Dorinda Durston (Holly Hunter) and Al Yackey (John Goodman) also are dealing with the guilt of seeing their friend gone, and the role that they may have played in his death.
On another note, this was of course Audrey Hepburn's final film. She plays angel Hap, who helps Pete through the afterlife. In my opinion, it makes sense for a woman as beautiful as she to play an angel in her final role.
On another note, this was of course Audrey Hepburn's final film. She plays angel Hap, who helps Pete through the afterlife. In my opinion, it makes sense for a woman as beautiful as she to play an angel in her final role.
My husband asked me to marry him after we saw this movie. He was a helicopter pilot and we had met at an air show. We both loved vintage aircraft so this seemed to be just the movie to see. We both laughed and cried so hard during the movie. Little was I to know that 13 years later I would lose my husband while he was flying. It took me some years to watch this movie again and I too cried through the whole thing. It is so personal to me. There are times when I feel, like Holly did, that I can hear my husband talking to me and guiding me. There is a lot to be learned from this picture about life and love. I highly recommend this picture.
Did you know
- TriviaThis was Audrey Hepburn's final film before her death on January 20, 1993 at the age of 63. She accepted the role of Hap because she wanted to work with Steven Spielberg.
- GoofsThe Douglass A-26 Invader Air Tanker is powered by two 2,000 HP engines and empty, weighs about 23,000 Lbs. When it drops its 1200 gallons of fire retardant, it suddenly loses almost 11,000 Lbs. There should be no problem in getting the plane to climb after the drop. In fact, after a drop, keeping the plane from climbing too fast can be a problem.
- Quotes
Dorinda Durston: It's not the dress... it's the way you see me.
- Crazy creditsOn the Blu Ray release, at the very end of the end credits, there is a warning. It reads, in quotation marks: "Caution: Inhaling of helium from balloons is dangerous, and can cause serious injury or death."
- Alternate versionsIn the bar scene early in the movie, when Pete is trying to give the wrapped gift to Dorinda and she is resistant, this is almost perfect duplication of a scene early in the movie "A Guy Named Joe," upon which this movie is based. In both movies, Jack finally jokingly throws the box over Dorinda's head and it lands on a flight of stairs, falling open, revealing the elegant dress. And in both movies, Dorinda's attitude and manner completely change when she turns around and sees the dress.
- SoundtracksSmoke Gets in Your Eyes
Written by Jerome Kern and Otto A. Harbach (as Otto Harbach)
Performed and Produced by JD Souther
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Details
- Release date
- Country of origin
- Language
- Also known as
- Siempre
- Filming locations
- Sprague, Washington, USA(walking through wheat field)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $31,000,000 (estimated)
- Gross US & Canada
- $43,858,790
- Opening weekend US & Canada
- $3,713,480
- Dec 25, 1989
- Gross worldwide
- $74,134,790
- Runtime
- 2h 2m(122 min)
- Color
- Aspect ratio
- 1.85 : 1
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