Témoins de l'enfer

As a Viet Nam veteran, I saw this movie on cable approximately 1 year after it was made. I was actually under the impression that this film was a documentary and not a movie. The realism and events were common place in "NAM". Not for the faint of heart. The film depicts a LRRP ( Long Range Reconisance Patrol) on one of its missions. It very vividly describes the terrain, problems, booby traps and other adverse conditions met by our troops during the Viet Nam Campaign. It also informs the viewer of some of the tactics used by the Viet Cong, the North Vietnamese Army and the U.S Forces during this war. It brings the thoughts, emotions and feelings of the patrols members as events occur during this patrol.

This is a unique film. It not only is filmed from a first person POV, but it didn't glamourize war as even humanist films do. There is not too much action yet the film is still fascinating. Instead, the film features what soldiers do in between all the glamourized gunfights. The soldiers camp out, quietly hike, interact and create tension amongst each other and also grow closer, scout out Vietcong positions, and talk about home. This is the most realistic depiction of Vietnam missions in film. The action is mostly incoherent, making it more realistic. There isn't any plagarized, motivating score (Pearl Harbor) set to dozens of soldiers running in slow motion. There are a few gunshots out of the jungle and a man goes down. THe film is emotional and powerful, a great war film.

8/10 or ***1/2 stars out of ****

Comparing this with my other favorite war movie, MASH, I'd call them both "naturalistic." They show humor and horror side by side, long stretches of tedium and short bursts of terror, without relying on an artificial plot or stereotyped characters. But 84 Charlie MoPic is much more realistic.

I was not in combat or in Vietnam, but I was in the Army at that time. Several of my Army friends had jobs making films exactly as shown in 84 Charlie MoPic. This is as accurate a picture of an American combat soldier's experience in Vietnam as any I can imagine. The first time I saw it, I was totally taken in, thought it was an actual documentary until the very end.

Incidentally, 84C or 84 Charlie is (or was) the code for the "military occupational specialty" of Motion Picture Specialist.

This "mockumentary" was a forerunner to films like The Blair Witch project, and the tension and fear that the soldiers feel, trapped behind enemy lines with a broken radio and a dead comrades body, is a lot more believable than that felt by those three annoying kids running away from things that go "bump" in the night. You really do get a feel for what it must have been like. When the group are ambushed, you hear the gunshots, and the screams, but you just can't see where the enemy are. It must of been hell, getting shot at but not knowing where it was coming from.

The cast of relative unknowns really impresses, especially Nicholas Cascone as "Easy" ("soon to be promoted to PFC: Private F***ing Civilian") and Richard Brooks as "OD", the group's black leader.

The spirit of camraderie and brotherhood echoes strongly throughout this film, exemplified by scenes such as the one where Sgt. "Cracker", a self confessed redneck, is interviewed by the "Lessons Learnt" crew and is asked: "Coming from South Carolina, how do you feel about being led by a black man?". After a strained silence he answers: "Those are real-world questions. They don't have any place here in the Nam. Why don't you ask if OD is the best damn GI I have ever humped a ruck with, or if I would risk my life for him, and I have, or if he would risk his life for me, and he has. Those are the kind of questions you should be asking."

The action is interspersed with long periods of waiting, boredom, and contemplation. The futility of their mission, and indeed the entire war, is brought to the fore. They feel distanced from their loved ones, and long for some time "in the rear with the gear", away from the front lines, which are plagued by a shadow-like enemy and viciously effective booby-traps, not to mention the seemingly endless nights, when trees move just like Charlie.

This movie is recommended not only to War flick fans, but to anybody interested in seeing how a pseudo-documentary should really be made.

7 out of 10

Despite the obvious low budget, this film is definitely worth watching. The unknown actors are superb with the materials and situations they are given and make the reality of the Vietnam War come through in a very real fashion. In terms of scale, this is no "Saving Private Ryan", but it does have the same dramatic impact on the viewer. Highly Recommended!