Un monde à part

This is a very good film with outstanding performances, particularly from Jodhi May and Barbara Hershey. The story of the Slovo-First family is very compelling and deserving of this fine treatment. As someone who has spent time in South Africa, both during and after Apartheid, I can attest to its authenticity.

The film works best, however, as a portrait of a troubled family. It carefully and truthfully depicts the agony of an adolescent girl who knows that her parents are trying to change her world for the better but at the expense of a normal life for her and her siblings. As Gillian Slovo so accurately stated, 'Here we were going off to Girl Guides while our parents were advocating the violent overthrow of our country's government.'

This film makes a powerful and moving, yet personal statement.

The first dramatic feature directed by Oscar-winning cinematographer Chris Menges tackles the injustices of Apartheid, without trivializing the issues or compromising the dramatic integrity of its script. Instead of adopting a gratuitous high moral tone, Menges concentrates first on telling a good story, following the growth to maturity of an adolescent (white) girl, already racially color blind, who feels neglected by her journalist/activist mother. The film might be criticized for once again using white protagonists to educate audiences about the black experience in South Africa, but it's a hollow complaint: writer Shawn Slovo based her script on personal experience, and the depth of its detail reflects her crystal-clear memories of growing up in Johannesburg during the early 1960s.

That the film succeeds more on a personal level in no way diminishes its political message, which unlike other anti-Apartheid dramas is never force-fed in condescending spoonfuls ("I know that already; stop treating me like a baby!" cries the frustrated young heroine after yet another lecture from mom). No easy solutions are offered, and the film ends in just another riot, suggesting with cautious optimism the hope for ultimate victory after what promises to be a long and difficult struggle.

I saw this film in 1988 when it first came out. I was looking forward to seeing it on DVD but I must confess I was very disappointed. I found it excessively slow, with few dialogues, and in fact, plain boring. It should be at least 1/2 hr shorter.

True, there are moments of real poignancy in "A world apart" and Jodhi May is an excellent actress but there just doesn't seem to be much going on for most of half the film. Maybe the fact that apartheid has been defeated and that so much has happened in S. Africa since makes it less momentous.

For anyone interested in S. Africa, I recommend watching "Cry Freedom", "A white dry season" or even "The power of one" instead. These films at least seek to explain their characters involvement with the anti-apartheid movement. In "A world apart", there's no such character growth so far as the mother is concerned. Her involvement has to be taken for granted.

Jodhi May doesn't pay attention to what's going on about her in South Africa. That is, until her father, Jeroen Krabbe, flees the country, labeled a communist traitor, her mother, Barbara Hershey, is thrown into prison, and the girls at her private school start tormenting her.

It's one of several movies about the impact of South African apartheid in the late 1980s, but this one is a bit different. Instead of being centered more on the struggle itself, Miss May, the viewpoint character, is more an unwilling witness to the fact that while it's nice to be well-to-do, not everyone can blithely accept that, especially the disenfranchised and those with a sense of justice. The performances are excellent, but even though Miss May's journey from an easy childhood to a committed adulthood is a difficult one, it hardly raises my sympathy, as it clearly is meant to.

Jodhi May deserved an Oscar for her work. All told, this is one of the finest coming-of-age stories I've ever seen filmed. And its ending is one of the saddest and most powerful ever - alongside "At Play in the Fields of the Lord."