Hsiang Ming's wife is murdered, prompting him to seek her killer. Unexpectedly, the culprit isn't as he imagined, with unforeseen enemies now targeting him.Hsiang Ming's wife is murdered, prompting him to seek her killer. Unexpectedly, the culprit isn't as he imagined, with unforeseen enemies now targeting him.Hsiang Ming's wife is murdered, prompting him to seek her killer. Unexpectedly, the culprit isn't as he imagined, with unforeseen enemies now targeting him.
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Alfred Cheung's ON THE RUN (1988) stars Yuen Biao as a cop who gets to know his boss and other colleagues are not as clean as they should be. His wife gets assassinated and he meets a mysterious hit woman (Pat Ha). It comes clear that they are tracked by some very corrupt criminals/cops and they are on their own to survive. No children or women are safe either in the gritty and infernal urban jungle the film takes place in..
This film is very impressive piece of Hong Kong crime/triad thrillers which hate the usual "humor" found in HK films as much as I do. The film is all the time serious and at the end, very pessimistic and nihilistic, too. The seemingly "good" character changes, again, and after all, he isn't any less violent and "bad" than those who originally hunted him and Pat. I'm not quite sure what the film maker's meant with the ending but I think it is there to depict the decay of the movie character's world and how it forced the worst and ugliest sides in Biao's character to see the light and become active.
Still this film is very impressive even if we leave these "deeper" sides of the script away thinking they don't necessarily mean as much as we wanted to. The photography and settings are dark and atmospheric and enhanced even further by the strong and menacing soundtrack and use of music. The streets, alleys and hallways are captured menacingly and claustrophobically on camera, and this film is an example of what makes other masterpieces of HK crime genre so great.
The action is plentiful and leaves no changes to breathe for the characters. This film is as bleak in its violence as it is in its visual style and look of the film. I give ON THE RUN 8/10 rating and I'm pretty sure this requires more viewing times in order to fully appreciate it and its all aspects. This is highly recommended for those who love their HK films honest and realistic without any unnecessary and irritatingly awful humor often found in HK films, action films included.
This film is very impressive piece of Hong Kong crime/triad thrillers which hate the usual "humor" found in HK films as much as I do. The film is all the time serious and at the end, very pessimistic and nihilistic, too. The seemingly "good" character changes, again, and after all, he isn't any less violent and "bad" than those who originally hunted him and Pat. I'm not quite sure what the film maker's meant with the ending but I think it is there to depict the decay of the movie character's world and how it forced the worst and ugliest sides in Biao's character to see the light and become active.
Still this film is very impressive even if we leave these "deeper" sides of the script away thinking they don't necessarily mean as much as we wanted to. The photography and settings are dark and atmospheric and enhanced even further by the strong and menacing soundtrack and use of music. The streets, alleys and hallways are captured menacingly and claustrophobically on camera, and this film is an example of what makes other masterpieces of HK crime genre so great.
The action is plentiful and leaves no changes to breathe for the characters. This film is as bleak in its violence as it is in its visual style and look of the film. I give ON THE RUN 8/10 rating and I'm pretty sure this requires more viewing times in order to fully appreciate it and its all aspects. This is highly recommended for those who love their HK films honest and realistic without any unnecessary and irritatingly awful humor often found in HK films, action films included.
10nick-o
'On The Run' is one of those great movies you see, never forget, and probably spend years of your life trying to convince your friends to watch. A tight and unpredictable thriller (don't worry, no spoilers here), it is one of the great unsung Hong Kong movies of the late 80's, boasting great performances from its leads (Yuen Biao and Pat Ha) and superbly restrained direction from Alfred Cheung. Yuen, fresh from excellent roles in Sammo Hung and Jackie Chan movies, shines bright as the put-upon hero, wearied by his life and ready to run. Guess what? He can't. There's none of Yuens trademark acrobatic fighting here, just harsh, bloody brawling, and the great stunts within are wonderfully under-shot. Director Cheung was better known for his comedies, and perhaps this gave him space to bring out the characters. Regardless, this is triumphant cinema on every level.
As I sat down in 2023 to watch the 1988 Hong Kong crime action thriller "Mong Ming Yuen Yeung" (aka "On the Run"), it was actually for the very first time ever. In fact, I had never heard about the movie prior to getting the chance to sit down and watch it. And given my fascination with the Hong Kong cinema, of course I opted to do so in a heartbeat.
Writers Alfred Cheung and Keith Wong put together a fair enough script and storyline for the movie. Sure, it wasn't really an outstanding movie, especially in comparison to some other Hong Kong movies from the late 1980s. But it was entertaining enough for what it was, and it was definitely a chance of pace for actor Biao Yuen.
There are some familiar faces on the cast list, with the likes of Biao Yuen, Wah Yuen and Lieh Lo. And I will say that this movie was definitely something else when you think of a Biao Yuen movie, as it was way more brutal and violent than his usual movies are.
There is a fair amount of action and shooting throughout the course of the 88 minutes that the movie ran for, but in comparison to other late 1980s Hong Kong action movies, then it wasn't really as intense. And there isn't any martial arts in this movie, even with it being a Biao Yuen movie.
"Mong Ming Yuen Yeung" is watchable a single time, but that is essentially it, because there isn't enough contents to the storyline to support more than just that first and only viewing.
My rating of director Alfred Cheung's 1988 movie "Mong Ming Yuen Yeung" lands on a five out of ten stars.
Writers Alfred Cheung and Keith Wong put together a fair enough script and storyline for the movie. Sure, it wasn't really an outstanding movie, especially in comparison to some other Hong Kong movies from the late 1980s. But it was entertaining enough for what it was, and it was definitely a chance of pace for actor Biao Yuen.
There are some familiar faces on the cast list, with the likes of Biao Yuen, Wah Yuen and Lieh Lo. And I will say that this movie was definitely something else when you think of a Biao Yuen movie, as it was way more brutal and violent than his usual movies are.
There is a fair amount of action and shooting throughout the course of the 88 minutes that the movie ran for, but in comparison to other late 1980s Hong Kong action movies, then it wasn't really as intense. And there isn't any martial arts in this movie, even with it being a Biao Yuen movie.
"Mong Ming Yuen Yeung" is watchable a single time, but that is essentially it, because there isn't enough contents to the storyline to support more than just that first and only viewing.
My rating of director Alfred Cheung's 1988 movie "Mong Ming Yuen Yeung" lands on a five out of ten stars.
Even for a 'heroic bloodshed' from Hong Kong's glorious 80s this movie is really dark and nihilistic but I love it! A true film noir, which doesn't even spare children from being shot and which features the coolest hitwoman in film history. Compared to Pat Ha's professionalism the ladies from "Nikita" or "Beyond Hypothermia" appear nice and harmless.
And yet she is very likeable as a foreigner stranded in a city that she doesn't like with her Jackie-Kennedy-hairdo and old-fashioned clothes from the 60s. Yuen Biao is great as well in one of his best roles.
And yet she is very likeable as a foreigner stranded in a city that she doesn't like with her Jackie-Kennedy-hairdo and old-fashioned clothes from the 60s. Yuen Biao is great as well in one of his best roles.
This movie was OK, a little unrealistic, fairly violent, but when they are punching each other, the sound-effects were horrible. People kept getting shot in the chest, but they never die, they seem almost fine shortly afterwards. A lot of people seem to get shot in the eye. And I didn't understand why the bad guy wanted to get shot in the hand.
Did you know
- TriviaYuen Biao and Charlie Chin appeared in Winners and Sinners (1983), My Lucky Stars and Twinkle Twinkle Lucky Stars (1985).
- Alternate versionsIn some editions, the last farewell scene was cut.
- How long is On the Run?Powered by Alexa
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