Vampire at Midnight

A vampire serial-killer is puzzling the LAPD, leaving bodies drained of blood without a pattern to be followed. When the detective in charge of the investigation is murdered by the vampire, Detective Roger Sutter (Jason Williams) partially assumes also the case. He has crush on his neighbor, the pianist Jenny Carleton (Lesley Milne), and Officer Lucia Giannini (Esther Elise) from his precinct likes him. Jenny is invited to play piano in a party promoted by the hypnotizer Victor Radikoff (Gustav Vintas) that gives motivational speeches and he uses his power to convince her to practice with him. What Jeannie does not know is that Victor is the wanted vampire.

"Vampire at Midnight" is an original vampire movie with an intriguing story. There are "things" that seem to be flaws (bald middle-aged vampire, vampire walking in the sun etc.) but the conclusion clarifies and is very satisfactory. My vote is six.

Title (Brazil): "Ladrão de Almas" ("Thief of Souls")

Didn't start out very well, with the introduction of the cliched, macho cop character (who single-handedly defused a hostage situation)... but grew to be a rather well-made film for the genre. I don't know if it was the xenophobe in me, but hurray for the return of the vampire with the Eastern European accent. (Is it any wonder Bela Lugosi is generally still remembered as the most popular Dracula?) This vampire's hiding behind the profession of hypnotherapy was an excellent idea, hypnotism being one of the powers of vampirism. The villain, however, seemed to be breaking the other rules of vampirism, keeping the viewer on his/her toes... could he have been George Romero's "MARTIN," all grown up? I also enjoyed the presence of the vampire's pretty boy "assistant" ("Raoul"), a novelty characterization we haven't seen until Brad Pitt in "INTERVIEW WITH A VAMPIRE"!

I don't know what our macho cop hero saw in the blond piano-playing heroine, since she was always so depressed and lifeless. Maybe it was the fact that she had a nice body? (One that we later got to see, fortunately, undraped?) The annoying macho cop kind of grew on me as the film wore on, and when I read his other credits on the IMDB, I was totally won over when I noticed he was the actor who played "FLESH GORDON"! (I still have a soft spot, whenever I see him in B-movie potboilers, for Sam "FLASH GORDON" Jones, as well...)

I know. This is not a great movie. But within its purposes (making a cheap action film) and within its historical context (80's) it is a very cool film. Demonic villain, inelegant protagonist and a beautiful girl. All this in a climate of mystery that the serial killer, dubbed by the newspapers of "Vampire Killer", causes in the city where the feature film is happens. My grade 9 seems like an exaggeration, but I really enjoyed the sympathy of the film and its ambient thriller. And the final scene shows why less famous films are so cool. I can not forget to quote the soundtrack, very good. A great movie from the 80 years.

I went into "Vampire At Midnight" hoping it would be a nice little treat, but I came away thinking that this late-night b-horror, didn't come together. I can see why it's not particularly well known, or even a cult-film. After a promising beginning, it stalls and like others have mentioned, becomes quite bland, a little slow and dull. It was just a little too chilled and relaxed. Still in parts, it does work because of some unorthodox touches and script's witty style. Like the story playing up the idea; is the killer a vampire or not? (He uses a hidden switchblade, not his teeth, but still drinks from their bloody throats).

Jason Williams in the lead role as the homicide detective on the case gives a likable performance for a mundane character. On the other side of the coin, Gustav Vintas' seductively dry performance as the killer is quite exemplary. Going for that European touch, which worked for me, but the vampire traits were rather different then the norm. Old school sensibilities within changing times and surroundings.

I think where it does lose somewhat its momentum, is when the killer takes a liking to the detective's beautiful neighbour (played vibrantly by Lesley Milne) who's an aspiring pianist. It's a bit of a stretch on how the paths cross, but it's obviously there to move the story along and add some suspense, which I don't think is all that effective or interesting. I just think there is something more there, but it only scrapes the surface. Making our killer quite a shallow shell despite Vintas' best. While I'm not much of a fan of where the story headed towards the back-end, I still got to hand it to them about the closing which does pack a killer punch.

For its low-budget, its visuals and lighting are particularly well-made. The L.A backdrop is hypnotic and added to the smokey and seedy atmospherics. Too bad I find some of the scenes repetitive and plodding, which took away its attempts of building tension, leaving the attacks as mean-spirited. The support cast were capable with the likes of Jeanie Moore, Esther Alise and Robert Rando.

"Leave this vampire thing alone".

Now, if the prospective viewer is anything like me and an addict of B movies, they may derive some entertainment from this thing, but it's not likely to be much. There was some potential here, but the movie is unfortunately a little dull. After a while, it becomes hard to care that much about it, as it spends a little too much time with our villain's seduction of the heroine. Jason Williams of "Flesh Gordon" fame, who was also a story author and producer (with Tom Friedman), stars as a mildly quirky loner detective, Roger Sutter, who picks up the trail of a "vampire killer" at large in L.A. This character, whose actual name is Victor Radikoff, has a cover as a hypnotherapist, and is by far the most intriguing person in this story; he's played by a character actor named Gustav Vintas, whose credits also include "Lethal Weapon", "Silent Assassins", and a 1989 movie titled "Midnight". His performance is a highlight as he does look pleased to be playing this part, and does have a soft spoken charisma about him. And Victor is not your typical "vampire": no coffins for this guy. One commendable aspect to this movie is that it keeps it ambiguous as to whether he really is a vampire, although he does indeed drink blood right from his victims' throats. Among his victims are a stand-up comedian and a pair of dancers; the leading lady, Jenny (sexy blonde Lesley Milne) is an aspiring concert pianist. For the most part, the cast is as underwhelming as the film; Williams is a handsome guy but doesn't fare too well in a pretty standard role. (It's apparently supposed to be an endearing character trait that he drops his own food into his fish tank.) He's been more engaging elsewhere. Milne does entice us by baring almost all in one delectable scene near the end. Robert Random, who'd also worked with Williams on the goofy sci-fi clunker "Time Walker", appears as the ill-fated detective Al Childress; other than Radikoff, the most amusing people here are his young associates, Amalia (Jeanie Moore) and Raoul (Christopher Nee), the latter sporting one of the most ridiculous mullets you'll ever see. Directed by Gregory McClatchy, who'd co-edited the movie "The Great American Girl Robbery" in which Williams had acted, and featuring some catchy music. This isn't terribly satisfying; it's watchable enough but should have been more fun. Six out of 10.