Tokyo Pop

Tokyo Pop is a classic eighties story of a American girl who goes to Japan to become a rock star. Carrie Hamilton is excellent as the lead. It is sad that at thirty-eight she passed from lung and brain cancer.

Diamond Yukai is stunning as the boy she falls for. The music is very eighties, but still the versions of Blue Suede Shoes, Natural Woman, and do you believe in Magic are classic. Hiro's (Yukai) original song to her is beautiful and Hiro's Song at the end is sung with passion and is also a wonderful song.

It was incredible that Kino Lorber finally put out a blu ray. I've owned a videocassette since 1988 and have b tried to buy a bluray for years. The soundtrack has been on repeat for me for thirty- five years. Al though I will admit two of the songs are kind of too punk, Japanese for me, but the rest are stellar.

I suggest everyone watch this film. It is a unknown classic.

Thank Carol Burnett for helping get this disc made for her daughter, Carrie Hamilton.

This is a cute little film. Ultimately it doesn't really go anywhere, but at the very least it's an extremely realistic portrayal of what it'd be like to suddenly fly to Japan with no friends there, no command of the language, no knowledge of the culture and conventions, etc. I suppose part of the reason the film succeeds so well in this is that it's a Japanese-U.S. co-production.

One of the best parts of the movie is the soundtrack. The track by the new wave band that the main character is in at the beginning of the movie is very nice, but "Rakuen, Rakuen" by Papaya Paranoia is wonderful! Even better is being able to watch P.P. perform -- just too bad they didn't include the whole number. So much energy and adorableness from this all-girl Japanese rock band.

The real shame is that the soundtrack's out-of-print worldwide. The Papaya Paranoia track is not available on their other albums, which are hard enough to come by as it is.

I loved this film. A lot. Though my tastes may be a bit different than most people I've met, I really did enjoy both the comedic and romantic aspects of the film, and I thought both blended very well. My favorite example of this was when Hiro (played by Tadokoro Yutaka of Red Warriors), takes Wendy (fantastically played by the late Carrie Hamilton) to a hotel; the movie makes a good point of explaining just how much of a problem language barriers can be, though in a way we can all laugh at, which I found to be great ...

Overacted in some parts, underacted in a few, and misdirected in many, this film is my idea of a great time, and I hope those of you who feel the same way make an effort to see it for yourself.

This is a very light movie that highlights some aspects of being a foreigner in Japan. This movie was released the first year that I moved to Japan so is especially relevant to me. It is often more travelogue than drama as I felt that some scenes were shot simply to show absurd aspects of Tokyo life and clashing cultures (the Japanese mother getting ready for her aerobics class as the daughter practices chopstick use; the boy working in a neighbourhood crepe shop; the plastic food factory; suited Salarymen fishing on the Kanda RIver). Still it has a certain simple charm that makes me smile and I feel that it better captures aspects of Tokyo at that time than Lost in Translation does for a more contemporary Tokyo. I just came across it as i was cleaning out my videos to take to a flea market (my favourites have all been replaced by DVDs). This doesn't seem to be available on DVD now so I am watching it as I dub it to make my own DVD. It still makes me smile and will certainly do the same for anyone who has spent time in Japan.

I have never been to Japan -- the closest I've ever been to Japan has been the Sanrio store in my local mall during the time period when this film was made -- but I was once a young woman caught up in the post punk music scene and the character of Wendy (Carrie Hamilton) was very familiar to me. This film takes us to 1988 Japan through her eyes and is very effective at conveying her sense of isolation in a foreign land. Watching the movie 36 years after it was made still feels totally fresh, totally timeless. Our current fascination with K-pop gives us some familiarity with the Asian hit-making machinery and now there is not only one Sanrio store in my local mall but four! I highly recommend this movie to any of my young fellow shoppers. The creative force was also involved in Buffy the Vampire Slayer and the titles are Keith Haring's work. "Tokyo Pop" is an entertaining cultural artifact that, in this sparkling preservation, is an undiscovered gem. A rare treasure by a woman director that deserves more recognition.