Tokyo Pop

I really enjoyed this movie. The characters are real and likeable and the story is entertaining. The script is excellent and the exchanges between the Japanese and gaijin characters genuinely amusing and realistic. I loved the way the hero (Hiro) was always several beats behind in his responses to English. Anyone who has spent some time in Japan and has an interest in the Japanese music scene will find a lot to take delight in here. And the occasional desperation of a gaijin, feeling lost and alien in Japan, is cleverly portrayed. The people who made this movie really knew what they were on about, from the Japanese and the gaijin point of view.

The two lead actors are very believable and the other cast members are all excellent. The band scenes and the portrayals of the varied types of musicians are great fun.

I had never heard of this movie before I watched it and it was a revelation to find something so amusing and true about a place and a music that I love. Thank you to these film makers!

This is a very light movie that highlights some aspects of being a foreigner in Japan. This movie was released the first year that I moved to Japan so is especially relevant to me. It is often more travelogue than drama as I felt that some scenes were shot simply to show absurd aspects of Tokyo life and clashing cultures (the Japanese mother getting ready for her aerobics class as the daughter practices chopstick use; the boy working in a neighbourhood crepe shop; the plastic food factory; suited Salarymen fishing on the Kanda RIver). Still it has a certain simple charm that makes me smile and I feel that it better captures aspects of Tokyo at that time than Lost in Translation does for a more contemporary Tokyo. I just came across it as i was cleaning out my videos to take to a flea market (my favourites have all been replaced by DVDs). This doesn't seem to be available on DVD now so I am watching it as I dub it to make my own DVD. It still makes me smile and will certainly do the same for anyone who has spent time in Japan.

I have never been to Japan -- the closest I've ever been to Japan has been the Sanrio store in my local mall during the time period when this film was made -- but I was once a young woman caught up in the post punk music scene and the character of Wendy (Carrie Hamilton) was very familiar to me. This film takes us to 1988 Japan through her eyes and is very effective at conveying her sense of isolation in a foreign land. Watching the movie 36 years after it was made still feels totally fresh, totally timeless. Our current fascination with K-pop gives us some familiarity with the Asian hit-making machinery and now there is not only one Sanrio store in my local mall but four! I highly recommend this movie to any of my young fellow shoppers. The creative force was also involved in Buffy the Vampire Slayer and the titles are Keith Haring's work. "Tokyo Pop" is an entertaining cultural artifact that, in this sparkling preservation, is an undiscovered gem. A rare treasure by a woman director that deserves more recognition.

Tokyo Pop has been in my collection since it came out...I could not locate it anywhere..and bribed the video store owner into selling me her copy. This was not too difficult..she said it was never rented..except by me. The movie hooked me in the first scene..just Carrie Hamilton herself, visually. The rest of the movie followed suit..a feast of cultures for the eyes and ears, and a romantic quality as well...though bittersweet.

I loved the music from beginning to end..especially Hiro's Song. Even the instrumentals played during the sad parts were worthy of me taping..what I'd give to find the soundtrack. I particularly love Carrie's vocals..in Do You Believe In Magic...she gives it everything she's got. I was heartbroken to discover that she's passed away at 38 from cancer...awww.

This is a cute little film. Ultimately it doesn't really go anywhere, but at the very least it's an extremely realistic portrayal of what it'd be like to suddenly fly to Japan with no friends there, no command of the language, no knowledge of the culture and conventions, etc. I suppose part of the reason the film succeeds so well in this is that it's a Japanese-U.S. co-production.

One of the best parts of the movie is the soundtrack. The track by the new wave band that the main character is in at the beginning of the movie is very nice, but "Rakuen, Rakuen" by Papaya Paranoia is wonderful! Even better is being able to watch P.P. perform -- just too bad they didn't include the whole number. So much energy and adorableness from this all-girl Japanese rock band.

The real shame is that the soundtrack's out-of-print worldwide. The Papaya Paranoia track is not available on their other albums, which are hard enough to come by as it is.