Tetsuo

I can honestly say that this is the strangest movie I have ever seen. It is not bad, just really weird. There doesn't seem to be any other way to describe it well. It's also very easy to get lost in it. Crazy camera action. Crazy things. Crazy people. WEIRD!

Japan is a crazy country. Their workaholism is affecting western culture all the time. Coming to Tokyo first time, one can get lost not only in translation, hehe, but mostly in all these technological gadgets that leave you with only three questions: "what the hell is this for?", "what the hell is that for?", and "how the hell does it work?". On one side, coming to Japan, one might see something very rare today: amazing technology next to tradition, remains of culture hundreds and thousands years old. But on the other, Japanese does seem to have a lot of fear about all that technology. Won't that materialistic, technological approach kill emotional and spiritual aspects of human existence? There has been made a lot of movies asking that question, projecting hypothetical versions of future based on what Japan looks like today. See Ghost in the Shell for example. Yeah, alright, but what does Tetsuo have to do with all that crap? Everything. This Tsukamoto piece of art is a manifestation of great great fear of cold and soulless technology. Main character is a guy who has rather serious problem: one day he notices that metal parts are slowly beginning to reveal themselves from under his skin. Why, and what does it mean? Where will it lead to? You'll see. What I can say is that you don't need to live in Japan to enjoy this movie. The atmosphere is amazingly unconventional, and can be compared only to other industrial/anti-industrial masterpieces of Japanese cinema. The movie is black and white only all the time. Camera work is incredible, it builds intense paranoid atmosphere. If you've seen other Shinya's movies, you know what you can expect. The way the story is told, with all these cut-and-paste elements... oh God :D If you've already seen some totally psyched-out movies like this one, you might get a laugh sometimes, otherwise I guarantee you'll be strongly shocked, because as I said before: you probably haven't seen anything like this before, so watch your back, you have been warned ;) Budget used to make this movie may be equal to something like two cokes and a hamburger, but, as we can see, some don't waste even that small amount of money. There are movies made with a little help of millions of dollars which are not even worth a cent. On the other side, there are gems like this, where you can't notice signs of low-budget, because it doesn't harm this movie even in one moment. I can't think of one thing I'd change in this movie. Highly recommended, this one is a blast!

PS. If you're willing to get some other Tsukamoto movies, avoid Hiruko the Goblin.

This movie can be explored in many ways: the relationship between human life and technology is the first which comes to mind. Then maybe this fits into a larger theme of industrialization. Still, there are several ways of interpreting each scene and at times I had the feeling that they try to show - or to produce a metaphor for - human emotions, such as cheating, sorrow, the will not to die alone. "And we can rust the whole world and scatter it into the dust of universe" You will certainly make what you want of this movie. You may understand that technology is evil, that industrialization takes our souls away, or that even in our worst moments we crave for closeness and we don't want to be alone. This is a special movie - so beware - it is not accessible to most people. There's a chance that you won't be able to think for yourself and that you'll expect some quick & nice Hollywood conclusions which you're not going to get - in which case, this movie will be a waste of your time.

This is a very artsy and experimental film that is full of disturbing and phantasmagorical images. It is difficult to watch and follow at times. Best viewed as an experiment.

It's so visually striking that you could never fully describe Tetsuo in words. But here are a few that apply: Japanese, hyperactive, perverse, industrial, surreal, Faustian bargain, contrasty, black-and-white, Kafkaesque, scifi, stop-motion, manga-influenced, revenge, technology, alienation, supervillains.

Shinya Tsukamoto is an actor (he's the antagonistic "Metals Fetishist" here as well as Jijii in Ichi the Killer) as well as a ground-breaking writer/director/cinematographer. Tetsuo's influence can be seen clearly in directors as diverse as Darren Aronofsky, Takashi Miike, and even David Cronenberg.

There is definitely a plot, but due to the non-linear editing and sparsity of dialogue you'll need to pay close attention on a first viewing or else you'll be overwhelmed by the engrossing visual style (which might be a good thing). It's filmed in contrasty black-and-white. Each frame is cramped and chaotic, much of the time it's filled with wires, pipes, chain-link fences, and all the other incidental debris of life in the late 20th century... which suddenly seems significant and even menacing.

Towards the fifty-minute mark (it's 67 min. total) the willful excess starts to feel a little too excessive, perhaps the manga influence is a bit too strong. But Tetsuo finishes strong, with an end that's at once unexpected and inevitable. Highly recommended.