M.N.I. mutants non identifiés

Long story short, most reviews are accurate unless they say this movie sucks. In which case they don't enjoy movies. Maybe don't watch it if you are strobe sensitive.

A Roger Corman quickly produced cheapie that wears its influences proudly, as many elements (character descriptions to lifted sequence ideas) just reek of Ridley Scott's 1979 feature ''Alien''. However this systematic fodder remains enjoyable (for most part, despite its often lumpy pacing) on a very b-grade level, as it doesn't pretend to be anything else than cheap, exploitative fun. Instead of being set in space like that classic, the action takes place in a post-apocalyptic setting due to a chemically induced plague wiping out the majority of the earth's population. Nevertheless a small bunch of scientists are holding up in an underground laboratory in the bone-dry desert, but their existence is soon threatened by genetic mutations known as gargoyles. These beasties are quite randy too, because at nearly every opportunity they go out of their way to impregnate the women. What the story lacks in imagination (as it does draw upon a predictable amalgam) and coherence, it makes up for in durable performances (a likable Andrew Stevens, George Kennedy, John Lafayette, Starr Andreeff and Terri Treas all keeping it straight) and gruesomely tacky splatter (even though it doesn't have much impact in engineering the deaths and tawdry jolts). Being rough and crude, it's kind of similar in style / budget to the likes of ''Creepazoids'' and "Parasite". The creatures are kept off screen during the first half, to only be heard and getting some POV shots. Nonetheless we do get to see them, and it's a fair looking monster design of a man in a rubber suit. Everything looks low-rent, which is cemented by its compact setting and stuffily framed direction but still lingering within is a grim atmosphere. The music score tagged to the project isn't too bad either, being high-strung but ominously pitched. Mechanically uninspired, but gruellingly cheesy entertainment.

It's an Alien rip-off, but as far as Alien rip-offs go, this one is pretty good.

It has all the kooky elements you can come to expect from a Roger Corman film. It looks cheap, the dialogue is strange, some plot elements make little sense, and the acting is about three inches above average. But Corman knows how to make a decent movie for less than a dollar and sell the hell out of it.

Stupid thing-that-would-not-die mess has George Kennedy (no idea why he is in this) leading a group of humans who live underground in a post-apocalyptic future. Biological warfare has all but destroyed most all the human race and gargoyle-styled monsters roam all over the Earth's surface. Soon Kennedy and his crew have to come up to get food and rescue a frightened young girl who seems to be on the brink of death. Naturally they take her underground, but what they don't know is that she is carrying the child of one of the monsters who raped her. What do you suppose will happen when she gives birth? Another crazed picture from the sci-fi/horror genre of the 1980s never did do much business at the box office and made no real impression with the very few that sat through this yawner. Typical jack-in-the-box scares are not near enough to save so much unwanted dead time. Turkey (0 stars out of 5).

But what else would expect from the likes of Roger Corman?

Chemical warfare experiment kills of most of the world's population. There are a few 'normal' people left like our protagonists (Andrew Stevens, George Kennedy, Teri Treas, etc..) and then there are the gargoyle-like creatures who impregnate female humans in order to procreate their own kind.

See, Andrew Stevens & Co. are left inside an underground lab that spared them from the effects of the plague, so in one of their reconnaissance patrols out in the desert, they bring back a wounded human female (Yvonne Saa) to the complex in order to treat her. When they find out is that she is pregnant and that she was impregnated by one of the monsters, they decide to do an abortion. But just as they're about ready to perform the procedure, the little gargoyle pops out of her stomach ALIEN-style and escapes into one of the complex's air vents. It's an ok scene but we've all seen it before.

Stevens & Co. then spend the rest of the movie trying to hunt down the creature as they are slowly being killed off one-by-one. The best scene is towards the end of the film when one of the gargoyles is trapped in the ventilation shaft and is cut up, sliced and diced by the fan blades. Pretty good although I wish it were more graphic.

It looks like Corman & Co. spent a little bit of money on the set design but don't expect any of the fanciest gizmos from STAR WARS or any of the ALIEN sequels. At least the sets don't look too much like cardboard.

Released on DVD the same time as THE NEST (Teri Treas appears in both), you could do a lot worse on a Saturday night. You could also do a lot better, too.

6 out of 10