Heloïse et Abélard

Rarely does a period piece follow so faithfully it's sources. This film brings Marion Meade's novel to life with amazing precision. Based heavily on the letters of Heloise to Abelard after they both took holy orders, the story encapsulates the warring philosophies of the era against the backdrop of the religious fervor of the middle ages.

If you have read the "Letters" of Heloise, you will be drawn into this faithful characterization. If you haven't read them - you'll want to! Beware though - her letters are hot and "smutty". Lanwench's description of this movie as a "bodice ripper" just reveals that s/he's never read the historical sources.

The drawback to this film is that the character of Abelard is drawn mostly from Heloise's point of view without the tempering of his own letters. He comes off quite more romantic than his letters reveal.

The sets and costuming are in period with so few anachronisms that even a medieval scholar can sit back and enjoy the film.

One of my all-time favorites

Guiltily enjoyable, in a quasi-historical, smutty kind of way. The soundtrack was pretty heavy-handed, and the dialogue didn't inspire, but it's a steamy, pretty piece of fluff. [A waste of Denholm Elliot's talent, though.] It has a "made for late-night premium cable" feel.

Long and silly would-be masterpiece that focuses on the forbidden 12th-Century romance of French historical figures Abelard (Derek de Lint) and Heloise (Kim Thomson). The first is a noted tutor/philosopher who teaches young men via Catholic doctrines while the latter is a seductive and youthful lady who comes to Paris to live with her uncle (Denholm Elliott of the "Indiana Jones" trilogy fame). Naturally the two have a teacher/student relationship at first, but we all know that their carnal lusts will soon take over with tragic results. Based entirely on fact, the movie plays more like a Shakespearean-styled soap opera of dull situations and duller results. The movie drags at a snail's pace and finally overcomes the novel's meanderings late, but by that time it was too late. Even the art direction and costume design look somewhat cheap and mediocre. 2 stars out of 5.

Good enough movie, great story. Abelard and Heloise share one of the great love stories of history. Throw in the religious environment of the middle ages, the clergy's sacred vow of chastity, and a life long enforced penitence, not to mention the unmentionable punishment for any male, and you have a worthwhile film if at all well-made, which this one is. It's a shame that more meaningful movies like this one can't be made available to the American public. The U.S. version has been cut of some sexual content to avoid an R rating, but the love scenes are still erotic and moving. Period costuming also add to the color and enjoyment of 'Stealing Heaven'. As an added bonus, you get philosophical and theological argument and debate. A really worthwhile film overall.

I loved the movie, the story was great, the set designs were wonderful and very well done (I'm a history buff and want to say someone really did their research on the set designs, the way the actors were dressed and the use of language in the film (they didn't use any 20th century words). I felt I was back in the middle ages while watching the film. I thought the actors did a great job, the film could not have been improved on at all, this is a keeper, I plan to watch it over and over again. Anyone who loves history like I do will enjoy it. I really enjoy historical films and this is one of the best I've seen in a long time. If you are looking for a great historical film, this is it.