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6.5/10
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In medieval Paris, a young religious scholar and the beautiful niece of a local patrician fall madly in love and consummate their passion for each other. In the religious uproar that follows... Read allIn medieval Paris, a young religious scholar and the beautiful niece of a local patrician fall madly in love and consummate their passion for each other. In the religious uproar that follows, they are condemned and brutally punished.In medieval Paris, a young religious scholar and the beautiful niece of a local patrician fall madly in love and consummate their passion for each other. In the religious uproar that follows, they are condemned and brutally punished.
Timothy Watson
- François
- (as Tim Watson)
Andrew H. McLean
- Gerard
- (as Andrew McLean)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
An historically-based film focusing on the romance between Abelard and Heloise which highlights two philosophical outlooks on life.
Abelard, though a first-class thinker, accepted the premise of the Church--that one's life belongs to God, that sex is evil, that happiness on earth isn't possible. But yet he acted against that premise--he fell in love with a woman of reason: Heloise. Abelard's implicit premise, the one he subconsciously held, was in fact pro-life and pro-earth. He loved Heloise because she reflected the things he valued most deeply: Intelligence, beauty, and happiness. But since those things are not valued but are in fact derided by the Church, Abelard believed that his feelings for Heloise were wrong, were worthy of guilt.
Heloise, on the other hand, never accepted the anti-life, anti-pleasure, anti-earth philosophy of the Church. She scoffed at religion, challenged its teachers, and refused to accept things on faith. She held reason, beauty and happiness in high esteem. She saw in Abelard a reflection of her highest values, and, consequently, she acted to gain those values. She never felt guilty about her love for Abelard. She never apologized. She never wavered.
The movie is wonderful because it demonstrates two contrasting philosophical views on life. But since the predominant view in Abelard's and Heloise's time was based on faith, mysticism and obedience to authority, unfortunately life, happiness and love were casualties. Watch this film with your lover and say a word of thanks to REASON, FREEDOM, and SCIENCE that you two don't live in the atmosphere that those two did.
Abelard, though a first-class thinker, accepted the premise of the Church--that one's life belongs to God, that sex is evil, that happiness on earth isn't possible. But yet he acted against that premise--he fell in love with a woman of reason: Heloise. Abelard's implicit premise, the one he subconsciously held, was in fact pro-life and pro-earth. He loved Heloise because she reflected the things he valued most deeply: Intelligence, beauty, and happiness. But since those things are not valued but are in fact derided by the Church, Abelard believed that his feelings for Heloise were wrong, were worthy of guilt.
Heloise, on the other hand, never accepted the anti-life, anti-pleasure, anti-earth philosophy of the Church. She scoffed at religion, challenged its teachers, and refused to accept things on faith. She held reason, beauty and happiness in high esteem. She saw in Abelard a reflection of her highest values, and, consequently, she acted to gain those values. She never felt guilty about her love for Abelard. She never apologized. She never wavered.
The movie is wonderful because it demonstrates two contrasting philosophical views on life. But since the predominant view in Abelard's and Heloise's time was based on faith, mysticism and obedience to authority, unfortunately life, happiness and love were casualties. Watch this film with your lover and say a word of thanks to REASON, FREEDOM, and SCIENCE that you two don't live in the atmosphere that those two did.
I loved the movie, the story was great, the set designs were wonderful and very well done (I'm a history buff and want to say someone really did their research on the set designs, the way the actors were dressed and the use of language in the film (they didn't use any 20th century words). I felt I was back in the middle ages while watching the film. I thought the actors did a great job, the film could not have been improved on at all, this is a keeper, I plan to watch it over and over again. Anyone who loves history like I do will enjoy it. I really enjoy historical films and this is one of the best I've seen in a long time. If you are looking for a great historical film, this is it.
Good enough movie, great story. Abelard and Heloise share one of the great love stories of history. Throw in the religious environment of the middle ages, the clergy's sacred vow of chastity, and a life long enforced penitence, not to mention the unmentionable punishment for any male, and you have a worthwhile film if at all well-made, which this one is. It's a shame that more meaningful movies like this one can't be made available to the American public. The U.S. version has been cut of some sexual content to avoid an R rating, but the love scenes are still erotic and moving. Period costuming also add to the color and enjoyment of 'Stealing Heaven'. As an added bonus, you get philosophical and theological argument and debate. A really worthwhile film overall.
Guiltily enjoyable, in a quasi-historical, smutty kind of way. The soundtrack was pretty heavy-handed, and the dialogue didn't inspire, but it's a steamy, pretty piece of fluff. [A waste of Denholm Elliot's talent, though.] It has a "made for late-night premium cable" feel.
Long and silly would-be masterpiece that focuses on the forbidden 12th-Century romance of French historical figures Abelard (Derek de Lint) and Heloise (Kim Thomson). The first is a noted tutor/philosopher who teaches young men via Catholic doctrines while the latter is a seductive and youthful lady who comes to Paris to live with her uncle (Denholm Elliott of the "Indiana Jones" trilogy fame). Naturally the two have a teacher/student relationship at first, but we all know that their carnal lusts will soon take over with tragic results. Based entirely on fact, the movie plays more like a Shakespearean-styled soap opera of dull situations and duller results. The movie drags at a snail's pace and finally overcomes the novel's meanderings late, but by that time it was too late. Even the art direction and costume design look somewhat cheap and mediocre. 2 stars out of 5.
Did you know
- TriviaJohn Quarmby and Edmund Kente were on the possibles list for Poussin.
- GoofsIn the construction montage towards the end of the movie, you can see an altar with a number of pumpkins on it. As a plant native to North America there wouldn't be any in 12th century Europe.
- Alternate versionsOriginal international version was cut by seven minutes for its U.S. release to avoid an X rating. Both versions are available on video.
- ConnectionsSpoofed in Tonnerre sous les tropiques (2008)
- How long is Stealing Heaven?Powered by Alexa
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