L'ensorceleuse

Jeff Mills (Tim Daly) is a likable, good looking nice guy lawyer in L.A. who's tired of the dating scene. He chances to meet a gal named Miranda Reed (gorgeous Kelly Preston) in a parking lot one night, and brings her home to his pad, soon striking up a relationship with her. Unfortunately, his impulsiveness turns out to be a bad mistake, as Miranda's past then catches up with them. It turns out that she was part of a witches' coven, and that they "want her back" because they need a human sacrifice for the winter solstice, which is coming up. Blinded by his love for her, he goes out of his way to try to keep her safe, and to deal with her scummy associates, including Aldys (big haired Anthony Crivello) and the deceptively cheery Mrs. White (Audra "Mrs. Roper" Lindley).

The solid supporting cast of nicely chosen actors also features Diana Bellamy as Jeffs' loyal (and intuitive) secretary Grace, Cary-Hiroyuki Tagawa as somber faced police detective Lt. Lee (an expert in occult related crimes), Julian Christopher, Kyle T. Heffner, and the amiable Rick Rossovich as Jeffs' circle of friends, and the very amusing M.C. Gainey as lively survivalist Brock. Overall, the movie is nothing special in terms of presentation, with competent but undistinguished direction by Janet Greek, but it does have its moments (the best occurs when a bunch of mysterious people gather at a window), and isn't totally without atmosphere. The story, written by Tracy Torme (son of Mel), who went on to script one more feature ("Fire in the Sky") and work for television series ranging from 'Star Trek: The Next Generation' to 'Sliders' to 'Carnivale', is pretty absorbing, and does have some effective twists near the end.

It's a good movie in general, and is worth a look for 80s horror fans who want to check out everything that the decade has to offer.

Seven out of 10.

If you liked "The Wicker Man", you'll love this tale of attraction, seduction and ultimate deception. By now, the "twist" ending won't even seem new to most horror/suspense fans, having seen something similar so many times before. It is nicely done, however, and there may still be a few people who are knocked off the couch when it happens. The old cliché "be careful what you wish for" has never been more apropos than in this story's case, and SPELLBINDER for its time was a lot better than most DTV movies had a right to be. Solid performances by all definitely help along a better-than-average script, and watch for that truly frightening performance by, of all people, AUDRA LINDLEY, (Mrs. Roper from THREE'S COMPANY and its spin off, THE ROPERS, for those of you too young to know or remember.) This one is long overdue for a nice, crisp DVD release, or even a remake!

A cool terror movie, that will leave you on your toes on the final moments and make you astonished at the amazing plot twist at the end. Ok, it's not a movie I'd be looking for, but if you can catch it on tube it's pretty entertaining and will give you subject for a few good conversations on plot twists.

"Spellbinder," set in Los Angeles in the late 1980s, is one of the most intelligent horror films of the second half of the 20th century, and one of the very best made in the 1980s. Tim Daly plays Jeff Mills, a decent, hardworking, old-fashioned lawyer from the midwest who believes he'll never find love. One night, he rescues a beautiful woman (Kelly Preston) from being beaten up by her boyfriend. Falling under her spell, Jeff is plunged into a world of witchcraft (no political correctness here)and Satanic cults, with an ending that will haunt you long after the television has been switched off. The acting in this film is superb (Audra Lindley's performance as Miranda's terrifying mother alone is worth the price of this rental). Due in large part to the wonderful script and story, "Spellbinder" succeeds in perfectly walking that fine line between classic horror and psychological horror. I can't recommend this film highly enough. If ever a film deserved wider exposure, it's this one. I can't wait for the DVD.

An unjustly neglected horror entry. Right from the start, it has the narrative pull of a good mystery; there are intriguing characters and one genuinely sensual sex scene. In the second half, it seems to be getting more ordinary, but then comes up with a stunning twist, worthy of an Agatha Christie. Overall, a well-acted, atmospherically directed, smart, creepy little thriller. (***)