Salaam Bombay!
- 1988
- Tous publics
- 1h 53m
IMDb RATING
7.9/10
11K
YOUR RATING
Young Krishna struggles to survive among the drug dealers, pimps, and prostitutes in the back alleys and gutters of India.Young Krishna struggles to survive among the drug dealers, pimps, and prostitutes in the back alleys and gutters of India.Young Krishna struggles to survive among the drug dealers, pimps, and prostitutes in the back alleys and gutters of India.
- Nominated for 1 Oscar
- 13 wins & 8 nominations total
Ram Murthy
- Mad Man
- (as Ram Moorti)
Sarfuddin Qureshi
- Koyla
- (as Sarfuddin Quarassi)
Anita Kanwar
- Rekha Golub
- (as Aneeta Kanwar)
Krishna Thapa
- Nepali Middleman
- (as Kishan Thapa)
Featured reviews
i have been late in watching it, but after watching it u feel that you can never be late in watching such a movie. The movie is excellent. Perhaps Mira Nair's best. I was particularly moved by the story and the picturization. you see the striking poverty and its madness, but Mira has been brilliant to show life in it. a lost boy in a big city with a dream to get back home, keeps himself in control, while everything around him is so much polluted with drugs, and prostitution. Poverty is never neat, in the movie also it is validly not shown as such. But the innocence and strength of children, and them growing up in such conditions, makes them more enduring than adults. to say the least the movie is all about life. it is there to show that no matter how hard it is, life exists in slums, in poverty, and people are living it. the movie is a collectors item. one of the best about India - from India...watch it. Salaam Bombay.
The boy Krishna (Shafiq Syed) is abandoned by his mother at the Apollo Circus and she tells him that he can only return home when he can afford 500 rupees to pay for the bicycle of his brother that he had trashed. Krishna is left behind by the circus and he takes a train to Bombay.
Krishna is called Chaipau by the street children of Bombay and he works delivering and selling tea for Chacha (Irshad Hashmi), who owns a street bar. Krishna befriends the heroin addicted Chillum (Raghubir Yadav) that sells drugs for the drug dealer and caftan Baba Golub (Nana Patekar), and the girl Manju Golub (Hansa Vithal), who is the daughter of Baba with the prostitute Rekha Golub (Aneeta Kanwar). Krishna dreams on saving 500 rupees to return home, but the life on the streets of Bombay is not easy.
"Salaam Bombay!" is the first feature by the Indian director Mira Nair, who became famous in Brazil with the also excellent "Monsoon Wedding". The heartbreaking story follows the saga and the lost of the innocence of the boy Krishna on the streets of Bombay and is very similar to the one of Pedro ("Los Olvidados" - 1950) on the streets of Mexico City; or Pixote ("Pixote: A Lei do Mais Fraco" – 1981) on the streets of São Paulo; or the anonymous street kids ("Ali Zaoua, Prince de la Rue" – 2000) on the streets of Casablanca. The documentary style is impressive but easy to understand based on the previous career of Mira Nair.
The problem with abandoned children of Third World countries is a sad reality along decades and shameful governments usually transfer the money that could solve or at least improve this social problem to corruption. My vote is eight.
Title (Brazil): Not Available
Krishna is called Chaipau by the street children of Bombay and he works delivering and selling tea for Chacha (Irshad Hashmi), who owns a street bar. Krishna befriends the heroin addicted Chillum (Raghubir Yadav) that sells drugs for the drug dealer and caftan Baba Golub (Nana Patekar), and the girl Manju Golub (Hansa Vithal), who is the daughter of Baba with the prostitute Rekha Golub (Aneeta Kanwar). Krishna dreams on saving 500 rupees to return home, but the life on the streets of Bombay is not easy.
"Salaam Bombay!" is the first feature by the Indian director Mira Nair, who became famous in Brazil with the also excellent "Monsoon Wedding". The heartbreaking story follows the saga and the lost of the innocence of the boy Krishna on the streets of Bombay and is very similar to the one of Pedro ("Los Olvidados" - 1950) on the streets of Mexico City; or Pixote ("Pixote: A Lei do Mais Fraco" – 1981) on the streets of São Paulo; or the anonymous street kids ("Ali Zaoua, Prince de la Rue" – 2000) on the streets of Casablanca. The documentary style is impressive but easy to understand based on the previous career of Mira Nair.
The problem with abandoned children of Third World countries is a sad reality along decades and shameful governments usually transfer the money that could solve or at least improve this social problem to corruption. My vote is eight.
Title (Brazil): Not Available
Came across this film on a Public channel last night, by mistake... or should I say, by luck! Amazing film, so many layers deep, it got me thinking. I've been a fan of Mira's work since "Mississippi Masala", but had never heard of Salaam Bombay. She demonstrates in this fine film a sense of lighting and composition that's nothing short then breathtaking. The locations were rich as the characters, the acting was touching and sincere... this is a film I won't forget.
This is one of the single most powerful films I've ever seen. Having been to India several times and knowing to an extent what it's like for the poor kids that have to make it on the streets, it really gets to me. I know that it received quite a bit of critical acclaim when it came out, but I didn't discover it until recently, and, judging from the number of votes that its gotten on this site, it doesn't seem as though too many people have seen it. I hope more people do; these kids don't have much of a voice in their own country, let alone the rest of the world, but movies like this give them one and it should be heard by everyone.
10tegg96
Having just returned from an extended trip to India I was keen to see a quality Indian film (not bollywood drival)and I have come across one of the most realistic and moving films I have ever seen. Having been involved in helping street kids in India I was pleased to come across this film which so accurately depicts life, love and death around a group of street boys in Bombay.
SALAAM BOMBAY is the story of a 12-year-old street boy surviving and etching out an existence on the squalled streets of Bombay. The interactions these kids have with each other made me feel I was watching a doco. The kids in India are so much like Chipau and the others depicted in Salaam Bombay its amazing. They all have there individual lives and dreams like us all but are burdened with extreame poverty.
The story lines in the film are about the prostitution business, drug addiction and homeless children. All these elements combine so as we see the people and lives behind them. These issues are rarely dealt with on such a personal and emotional level as we see in this film. This ain't Hollywood and it sure ain't Bollywood.
For me my favorite all time film. You may have difficulty in finding this film at your local video library but it truly is worth viewing.
Recently we showed this film to a group of street kids in Pune, India. They were amazed at its realism. All thought they were watching real people not actors,(These kids have grown up watching Bollywood films). This same group would have watched this film 5 times now. And all could identify with the characters.
SALAAM BOMBAY is the story of a 12-year-old street boy surviving and etching out an existence on the squalled streets of Bombay. The interactions these kids have with each other made me feel I was watching a doco. The kids in India are so much like Chipau and the others depicted in Salaam Bombay its amazing. They all have there individual lives and dreams like us all but are burdened with extreame poverty.
The story lines in the film are about the prostitution business, drug addiction and homeless children. All these elements combine so as we see the people and lives behind them. These issues are rarely dealt with on such a personal and emotional level as we see in this film. This ain't Hollywood and it sure ain't Bollywood.
For me my favorite all time film. You may have difficulty in finding this film at your local video library but it truly is worth viewing.
Recently we showed this film to a group of street kids in Pune, India. They were amazed at its realism. All thought they were watching real people not actors,(These kids have grown up watching Bollywood films). This same group would have watched this film 5 times now. And all could identify with the characters.
Did you know
- TriviaIrrfan Khan made an appearance in this film as a writer, one of his first appearances.
- GoofsThe day Chaipav escapes the Child Reformation Home, the Superintendent and his assistant are watching the Semi-Final of the 1987 Cricket World Cup (as evident from the commentary), which was held on 5th November, 1987. But when Chaipav returns to the red-light district the same day, a procession can be seen carrying a huge Ganpati idol, so the day must be Ganesh Chaturthi (installation day) or Anant Chaturdashi (Ganpati Visarjan- immersion day). However, in 1987, the dates for Ganesh Chaturthi and Anant Chaturdashi were 28th August and 6th September, respectively. Thus, the semi-final and Ganesh Chaturthi/Visarjan did not take place on the same day.
- Quotes
Rekha Golub: [To Baba] Just like a customer.
- Crazy creditsEnding credits: no guts no glory 52 locations 52 days what problem? no problem
- How long is Salaam Bombay!?Powered by Alexa
Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- Hello Bombay!
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $2,080,046
- Gross worldwide
- $2,080,758
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