IMDb RATING
4.9/10
1.1K
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A group of war prisoners from the Kwai bridge building camp undertake a harsh journey to Japan.A group of war prisoners from the Kwai bridge building camp undertake a harsh journey to Japan.A group of war prisoners from the Kwai bridge building camp undertake a harsh journey to Japan.
Chris Penn
- Lieutenant Crawford
- (as Christopher Penn)
Featured reviews
A sequel to BRIDGE ON THE RIVER KWAI seems like a bad idea but RETURN FROM THE RIVER KWAI is unrelated to the David Lean classic apart from the title. This film does unlike the other Kwai film give us a realistic portrayal of Japanese P.O.W camps with amputations carried out on fully conscious patients and summary executions but that`s all it has in it`s favour . The characters are stereotypes with the British all stiff upper lipped while the Aussies call everyone " Mate " and say " P**s off " a lot
"Return from the River Kwai" is a war movie that abuses of bad clichés and is disrespectful with films such as "The Bridge on the River Kwai" or "Merry Christmas Mr. Lawrence". The unrealistic story shows, for example, an American pilot with problem on the shoulder that is capable to climb, flee from a prisoner of war camp using a rope made from clothes or roll over the wing of a Japanese airplane. Another example is the soldier that spits blood on the face of a cruel Japanese lieutenant and is surprised when he takes his saber to decapitate him, recalling "Hogan's Heroes". The story is awful and a waste of time. My vote is three.
Title (Brazil): "Regresso do Rio Kwai" ("Return from the River Kwai")
Title (Brazil): "Regresso do Rio Kwai" ("Return from the River Kwai")
When Listing a full cast for this movie, why is it that you missed NIGEL WILLIAMS Listed works on this one movie, STAND IN for :- CHRIS PENN, DENHOLM ELLIOT, EDWARD FOX Stunts for :- CHRIS PENN Second Unit Assistant:- Phillipines Parts played: POW Screaming Soldier Father Family walking
Yes I am Nigel and would like too see some credit; If proof is needed I have the autographed script, photographs and yes you can contact ALL the stars.. My family attended a picnic with G Takei, my youngest daughter still refers to him as "Uncle George".
I have not seen the completed movie because it has not been released here in the US. I would like advice on getting a USA compatible copy!!
Yes I am Nigel and would like too see some credit; If proof is needed I have the autographed script, photographs and yes you can contact ALL the stars.. My family attended a picnic with G Takei, my youngest daughter still refers to him as "Uncle George".
I have not seen the completed movie because it has not been released here in the US. I would like advice on getting a USA compatible copy!!
I just recently had the tawdry task of sitting through the Japanese version of this film, with all the English dialog subtitled in Japanese and all the Japanese dialog (and there is a lot of it) not subtitled, so admittedly I couldn't tell 100% exactly what was going on the whole time.
The film begins well, reminding me of an episode of "Black Sheep Squadron" with George Takei kicking around a band of misfit G.I.'s in Burma while they're constantly under attack by Allied planes. There's some good action sequences at this point, a staple of any of Andrew V. McLaglen's war films, but around the halfway mark the action dies down and it turns into a pretty dull movie about prisoners being escorted back to Japan. The climactic mutiny aboard the Japanese freighter and battle between a gunboat and an American submarine is just plain silly.
Chris Penn is totally useless this time around, and the subplot involving him and Denholm Elliott sneaking around behind enemy lines does nothing but distract us from the real story of all the prisoners. Edward Fox and Timothy Bottoms both come across as somewhat underused, but most of the Japanese cast, especially Tatsuya Nakadai (a Kurosawa regular), come off pretty well.
Overall this film comes across little more than an average TV war movie with minor action sequences, some better-than-average photography and special effects, but with a dull and meandering padded storyline. It's pretty dull, but the movie is decent enough to at least warrant some US distribution at some point in time.
Though RETURN FROM THE RIVER KWAI is not exactly terrible, this is a fairly unmemorable dud, and totally useless as a sequel to an undeniably great film.
The film begins well, reminding me of an episode of "Black Sheep Squadron" with George Takei kicking around a band of misfit G.I.'s in Burma while they're constantly under attack by Allied planes. There's some good action sequences at this point, a staple of any of Andrew V. McLaglen's war films, but around the halfway mark the action dies down and it turns into a pretty dull movie about prisoners being escorted back to Japan. The climactic mutiny aboard the Japanese freighter and battle between a gunboat and an American submarine is just plain silly.
Chris Penn is totally useless this time around, and the subplot involving him and Denholm Elliott sneaking around behind enemy lines does nothing but distract us from the real story of all the prisoners. Edward Fox and Timothy Bottoms both come across as somewhat underused, but most of the Japanese cast, especially Tatsuya Nakadai (a Kurosawa regular), come off pretty well.
Overall this film comes across little more than an average TV war movie with minor action sequences, some better-than-average photography and special effects, but with a dull and meandering padded storyline. It's pretty dull, but the movie is decent enough to at least warrant some US distribution at some point in time.
Though RETURN FROM THE RIVER KWAI is not exactly terrible, this is a fairly unmemorable dud, and totally useless as a sequel to an undeniably great film.
A very average little war movie with no relation to the original "Bridge on the River Kwai" other than in name and a brief bit at the start. It's just a pure latter-day cash-in on the name of the original in fact.
The cinematography is decent and the colours are very good. A few sparklies are evident in the very dark scenes but with a decent sound free from any unwanted hiss or crackle the overall quality is pretty good.
As a bonus I found a few nice pseudo-surround effects using my Yamaha digital sound projector so I can't complain about anything other than the story.
Oh it's not quite family viewing by the way, containing as it does a few "bastards" and one "piss off" (for which the orator was beheaded with a sword by the Japanese officer to whom the remark was addressed).
My aged parents with whom I watched it on one of their weekly visits were not impressed though I thought it was an absolute hoot.
I nearly forgot to mention that there is a serious anomaly about 47 minutes into the film (which I'll submit for inclusion on the database).
The POWs are travelling by a rather ancient and decrepit train along a single-track equally decrepit jungle railway to their destination, housed in horrid old wooden box-car like trucks. At this mid-point we see a view of the train with colourful contemporary main-line passenger coaches, which look rather nice and comfortable and are certainly not made of wood. The film then reverts to the wooden box cars.
The cinematography is decent and the colours are very good. A few sparklies are evident in the very dark scenes but with a decent sound free from any unwanted hiss or crackle the overall quality is pretty good.
As a bonus I found a few nice pseudo-surround effects using my Yamaha digital sound projector so I can't complain about anything other than the story.
Oh it's not quite family viewing by the way, containing as it does a few "bastards" and one "piss off" (for which the orator was beheaded with a sword by the Japanese officer to whom the remark was addressed).
My aged parents with whom I watched it on one of their weekly visits were not impressed though I thought it was an absolute hoot.
I nearly forgot to mention that there is a serious anomaly about 47 minutes into the film (which I'll submit for inclusion on the database).
The POWs are travelling by a rather ancient and decrepit train along a single-track equally decrepit jungle railway to their destination, housed in horrid old wooden box-car like trucks. At this mid-point we see a view of the train with colourful contemporary main-line passenger coaches, which look rather nice and comfortable and are certainly not made of wood. The film then reverts to the wooden box cars.
Did you know
- TriviaThis film was not released in the USA in cinemas because of legal reasons.
- ConnectionsReferenced in Chris Penn - Second to None Biography (2024)
- SoundtracksWaltzing Matilda
Lyrics of "Waltzing Matilda" by A.B. 'Banjo' Paterson (as A.B. Paterson) © Retusa Pty Ltd
Original music by Christina McPherson (uncredited), revised music by Marie Cowan
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Details
- Release date
- Country of origin
- Language
- Also known as
- Return from the River Kwai
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $15,000,000 (estimated)
- Runtime
- 1h 41m(101 min)
- Color
- Sound mix
- Aspect ratio
- 1.66 : 1
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