A psychic finds herself tapping into the "energy" of a deceased phone operator. She also finds that her friends soon begin dying mysteriously. An investigator determines to track down the ca... Read allA psychic finds herself tapping into the "energy" of a deceased phone operator. She also finds that her friends soon begin dying mysteriously. An investigator determines to track down the cause.A psychic finds herself tapping into the "energy" of a deceased phone operator. She also finds that her friends soon begin dying mysteriously. An investigator determines to track down the cause.
Pasquale Africano
- Uomo all'aereoporto
- (uncredited)
Featured reviews
Jenny Cooper (Charlotte Lewis), a beautiful English model living in Italy, dials a wrong number, connecting to a long-unmanned hotline for the lonely and suicidal; in doing so, she unleashes a reservoir of negative energy that follows her via the telephone and kills those around her.
As the above synopsis suggests, Dial: Help is a decidedly silly '80s Italian horror, full of ridiculous death scenes in which victims are choked by telephone cords (one woman is literally hanging on the telephone!), struck by coins ejected from a payphone, electrocuted by switchboard, and killed by exploding pacemaker. Even the fish in Jenny's aquarium aren't safe, the telephone in her apartment emitted a high pitched tone that sends them all floating to the surface.
Director Ruggero Deodato (of Cannibal Holocaust infamy) handles the craziness with style, using wind machines, lots of coloured light, an excess of smoke and plenty of neon (there is even one of those horrible '80s neon phones that tries to zap Jenny in the bath), but realising just how daft and consequently unscary the film's premise is, he resorts to getting Lewis into some sexy lingerie for the final act. Not that I'm complaining, of course: Lewis in black basque, stockings and suspenders just about makes up for her horrible wooden performance.
4.5 out of 10, which I might have rounded up to 5 if the character playing the jazz flute had died.
As the above synopsis suggests, Dial: Help is a decidedly silly '80s Italian horror, full of ridiculous death scenes in which victims are choked by telephone cords (one woman is literally hanging on the telephone!), struck by coins ejected from a payphone, electrocuted by switchboard, and killed by exploding pacemaker. Even the fish in Jenny's aquarium aren't safe, the telephone in her apartment emitted a high pitched tone that sends them all floating to the surface.
Director Ruggero Deodato (of Cannibal Holocaust infamy) handles the craziness with style, using wind machines, lots of coloured light, an excess of smoke and plenty of neon (there is even one of those horrible '80s neon phones that tries to zap Jenny in the bath), but realising just how daft and consequently unscary the film's premise is, he resorts to getting Lewis into some sexy lingerie for the final act. Not that I'm complaining, of course: Lewis in black basque, stockings and suspenders just about makes up for her horrible wooden performance.
4.5 out of 10, which I might have rounded up to 5 if the character playing the jazz flute had died.
A stunningly beautiful Charlotte Lewis stars as a woman who is terrorized by a ghosts who torment her on the phone.Driven to the edge in terror Charlotte is forced to confront this chilling mystery in order to save her sanity and her life.I can't believe that Ruggero Deodato,the director behind "Ultimo Mondo Cannibale","Cannibal Holocaust" and "House on the Edge of the Park" directed this absurd piece of trash.Admittedly the music by Goblin front man Claudio Simonetti is pretty good,but the story is painfully stupid.The script by Franco Ferrini is ridiculous and it makes no sense,the acting is bad and there is absolutely no suspense.The scene in which a prospective rapist of Charlotte Lewis is killed by coins ejected from a subway telephone is more than laughable.Don't waste your time with this piece of crap.There are far better Italian horror movies out there!
I don't get the overwhelming negativity directed at this film. It's quite entertaining and has an unique supernatural premise, with lots of traditional giallo atmosphere thrown in. People die in very giallo like ways. And Charlotte Lewis' energetic performance in lingerie for the last half hour makes up for any disappointment you might feel about the lack of nude scenes.
My review was written in October 1989 after watching the film on Prism video cassette.
Despite its absurd premise, "Dial: Help" emerges as an above-average Italian horror thriller, imported direct to U. S. video stores.
Charlotte Lewis, the mega-voluptuous co-star of "Pirates" and "The Golden Child:, is cast against type as a vulnerable British heroine whose innocent dialing of a wrong number sets off a series of supernatural murders.
It seems (rather preposterously) that she's made contact with a long-gone phone romance service whose pent-up energy ("of love and hate", per psychic expert William Berger) finds a mystical outlet through the phone lines. She's plagued by weird voices; the phone kills her tropical fish and her friends are murdered by an invisible presence. Pic climaxes with Lewis retracing her steps and finding the secret room that unlocks the mystery.
Helmer Ruggero Deodatao again demonstrates he's nar the head of the class in making American-style films in Rome, with an excellent direct English soundtrack. Pic is something of a challenge for fidgety video fans, in that star Lewis doesn't really get down and boogie until the final reel; her prudish performance up until that point is definitely misleading.
Finale, however, is worth waiting for, as Deodato combines voyeurism and bondage motifs memorably in a kinky payoff for which Lewis takes on the idealized look of a John Willie adult cartoon character. Pic definitely is a showcase for the exotic star, whose physical attributes could well win her an extended Italian career parallel to current reigning local star Serena Grandi.
Unidentified supporting cast is good and all tech credits are solid.
Despite its absurd premise, "Dial: Help" emerges as an above-average Italian horror thriller, imported direct to U. S. video stores.
Charlotte Lewis, the mega-voluptuous co-star of "Pirates" and "The Golden Child:, is cast against type as a vulnerable British heroine whose innocent dialing of a wrong number sets off a series of supernatural murders.
It seems (rather preposterously) that she's made contact with a long-gone phone romance service whose pent-up energy ("of love and hate", per psychic expert William Berger) finds a mystical outlet through the phone lines. She's plagued by weird voices; the phone kills her tropical fish and her friends are murdered by an invisible presence. Pic climaxes with Lewis retracing her steps and finding the secret room that unlocks the mystery.
Helmer Ruggero Deodatao again demonstrates he's nar the head of the class in making American-style films in Rome, with an excellent direct English soundtrack. Pic is something of a challenge for fidgety video fans, in that star Lewis doesn't really get down and boogie until the final reel; her prudish performance up until that point is definitely misleading.
Finale, however, is worth waiting for, as Deodato combines voyeurism and bondage motifs memorably in a kinky payoff for which Lewis takes on the idealized look of a John Willie adult cartoon character. Pic definitely is a showcase for the exotic star, whose physical attributes could well win her an extended Italian career parallel to current reigning local star Serena Grandi.
Unidentified supporting cast is good and all tech credits are solid.
What a sales gimmick! This is certainly not an erotic thriller. There is a fraction of a second nipple flash at best, and this is while
.being seduced by
.her possessed TELEPHONE! She spends the entire movie running around screaming and terrified by eerie sounds on possessed telephones around the city. Through the stupid chaos of telephone cords attacking people, fish dying from telephone squeals, and quarters shot out of a pay phone killing a guy, this movie should have been placed in the low budget horror section. It doesn't earn the title thriller or erotic in the least! For a better movie with Charlotte Lewis see Bare Essentials instead.
Did you know
- TriviaRuggero Deodato: Man in phone booth.
- GoofsWhen Jenny tries to explain her situation to the police officer, she says "two of my best friends are dead" even though only one of her friends has died. The only other death she's aware of at that point is that of a man who tried to violently rape her.
- Alternate versionsThe USA English dubbed Prism VHS release is cut by 3 minutes. The Japanese VHS of the film has the full uncut 97 minute version.
- ConnectionsFeatured in Deodato Holocaust (2019)
- SoundtracksBaby Don't Answer
(A. Focolari - C. Simonetti)
Published by BMG Ariola / Drums Ed. Mus.
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