Despite knowing that their respective families are bitter enemies, Raj and Rashmi fall in love with each other and decide to elope.Despite knowing that their respective families are bitter enemies, Raj and Rashmi fall in love with each other and decide to elope.Despite knowing that their respective families are bitter enemies, Raj and Rashmi fall in love with each other and decide to elope.
- Awards
- 10 wins & 2 nominations total
Dalip Tahil
- Dhanraj Singh
- (as Dalip Tahhil)
Raj Zutshi
- Shyam
- (as Zutshi)
Shehnaz Kudia
- Kavita
- (as Shehnaz)
Charushila
- Parvati
- (as Charu Shila)
Ahmed Khan
- Bhagwandas
- (as Ahmed)
Feroz Khan
- Ratan Singh
- (as Arjun)
Featured reviews
This movie is the best I have so far seen from the Bollywood (I have seen more than 800 films). I just cannot describe the movie. It is just perfect. Each and every scene, each and every dialog looked perfect. The music, one of the most memorable and the story, just excellent. I have watched the movie more than ten times and so far I have not found even a single mistake or some thing like that which could be said improper. Even the last action scene was so perfect that I have very rarely seen such proper directed scenes. If you have not watched the movie, just watch it now. But remember one thing. There should be complete pin drop silence in the room and no body should talk until the end of the movie.
Indian cinema has offered so many 'young love stories' like 'Bobby', 'Dil', 'Tezaab', 'Ek Duuje Ke Liye' etc. However, 'Qayamat Se Qayamat Tak' remains my favorite of the lot. It is a somewhat dramatized but humble adaptation of Shakespeare's 'Romeo and Juliet'. There have been numerous adaptations but what really makes this film work are the two leads and the music.
I like how the character's were written. Raj isn't the typical macho hero or a romantic, he's just an ordinary young who joined his father's fabric business. Similarly, Laxmi isn't some damsel in distress or a clichéd spoilt brat rebelling against her parents. She's a strong minded young lady who's ready to sacrifice all for her love.
Aamir Khan makes his entry to Indian cinema as leading man. He does nothing short of a brilliant job as the naive young Raj. The fact that he's a newcomer only adds to the character's childlike personality. Juhi Chawla already shows that she's here to stay. Not only is she naturally vivacious but she, in a wonderfully subtle way, displays Laxmi's innocence, childlikeness and determination. It's no surprise that since then Aamir and Juhi have been popular for their on screen chemistry. The supporting cast is adequate where Alok Nath stands out.
Mansoor Khan's direction also deserves mention as he does not waste much time on unnecessary subplots. He stays mainly focused on the story of the two lovers. Only the beginning, where the conflict between the two families begins, appears a little too dramatic and clichéd. But once Raj is introduced, the film takes off towards a better direction. The background score is irritating most of the time.
This was the time when great soundtracks were making a comeback in the commercial Hindi cinema considering that the 80s were infamous for poorest quality in cinema. The songs are soulful, melodious and memorable. After all, who doesn't know 'Papa Kehte Hain', 'Gazab Ka Hai Din' and 'Ae Mere Humsafar'? This is the album that made singer Udit Narayan an overnight star.
To me, 'Qayamat Se Qayamat Tak' is one of the most memorable tragic love stories on the Hindi cinema screen. What makes this film unique is the incredible chemistry between the two leads and their characterization. Simply great!
I like how the character's were written. Raj isn't the typical macho hero or a romantic, he's just an ordinary young who joined his father's fabric business. Similarly, Laxmi isn't some damsel in distress or a clichéd spoilt brat rebelling against her parents. She's a strong minded young lady who's ready to sacrifice all for her love.
Aamir Khan makes his entry to Indian cinema as leading man. He does nothing short of a brilliant job as the naive young Raj. The fact that he's a newcomer only adds to the character's childlike personality. Juhi Chawla already shows that she's here to stay. Not only is she naturally vivacious but she, in a wonderfully subtle way, displays Laxmi's innocence, childlikeness and determination. It's no surprise that since then Aamir and Juhi have been popular for their on screen chemistry. The supporting cast is adequate where Alok Nath stands out.
Mansoor Khan's direction also deserves mention as he does not waste much time on unnecessary subplots. He stays mainly focused on the story of the two lovers. Only the beginning, where the conflict between the two families begins, appears a little too dramatic and clichéd. But once Raj is introduced, the film takes off towards a better direction. The background score is irritating most of the time.
This was the time when great soundtracks were making a comeback in the commercial Hindi cinema considering that the 80s were infamous for poorest quality in cinema. The songs are soulful, melodious and memorable. After all, who doesn't know 'Papa Kehte Hain', 'Gazab Ka Hai Din' and 'Ae Mere Humsafar'? This is the album that made singer Udit Narayan an overnight star.
To me, 'Qayamat Se Qayamat Tak' is one of the most memorable tragic love stories on the Hindi cinema screen. What makes this film unique is the incredible chemistry between the two leads and their characterization. Simply great!
I remember I was 5 years old when I first saw the film, it was the first Hindi film which I watched and I was spell-bounded. It is the most romantic film ever made in bollywood, the best adaptation of Romeo and Juliet. Since this film I have been the biggest fan of Aamir Khan and have watched his each and every film. He was brilliant in the film, looked handsome and acted superbly, the Papa Kehte Hain song made a special place for him in my heart. Juhi Chawla was great too and together they both made a quite cute couple, definitely among one of the best bollywood has seen. All the cast's acting was topnotch be it Raj Zutshi, Dilip Tahil, Alok Nath and the rest. The film scored in ever department like music, cinematography choreography, background score
the works. No one can forget the songs of this film like Aye Mere Humsafar, Ghazab Ka Hai Din, Akele Hain Tu Kia Ghum Hai, the poetic lyrics and haunting tunes of these gems made them timeless. It is one of my most memorable and favorite films. It will not be wrong to say that QSQT is a true classic of Indian Cinema. It came at a time when crass, wild and vulgar action films was order of the day, it brought back romance and melody to bollywood and a whole new wave of romantic films started being made. Eventually the 90's decade was dominated by love stories, in this context it is truly a landmark film in bollywood !
I was in class eighth when I watched this movie. Those were hard times. My father used to stand beside the television on Friday night as Prannoy Roy's "World this week" would come to an end. As the program used to end, my father would switch off the television to make sure I can't even get a glimpse of the following late night Friday night movie.
In such a time me and my sister persuaded my father to go to Durgapur Cinema and watch a children's movie named "Qayamat Se Qayamat tack". 20 years have passed since then. I have watched so many movies of so many languages in the world. But not a single dialog of any of them did influence me as much as this one from QSQT did -> "Hum UN-key Au-lad jar-o-or hay-in, par Jagger Ne-hi". And the last scene hypocrisy of the "majboor Bap" who asks her daughter to pack her bags since "Raj to ate-i hon-gay".
It's unfortunate that our nation hasn't changed much in two decades and still families fight over marriages between different castes, religions etc. In fact it has gone worse in some states like MP where fanatic elements can influence the police to bring kidnapping charges against the groom which finally, as it happened recently, required the intervention of the court to sanction the nuptial bond.
Amir did a real great job.
In such a time me and my sister persuaded my father to go to Durgapur Cinema and watch a children's movie named "Qayamat Se Qayamat tack". 20 years have passed since then. I have watched so many movies of so many languages in the world. But not a single dialog of any of them did influence me as much as this one from QSQT did -> "Hum UN-key Au-lad jar-o-or hay-in, par Jagger Ne-hi". And the last scene hypocrisy of the "majboor Bap" who asks her daughter to pack her bags since "Raj to ate-i hon-gay".
It's unfortunate that our nation hasn't changed much in two decades and still families fight over marriages between different castes, religions etc. In fact it has gone worse in some states like MP where fanatic elements can influence the police to bring kidnapping charges against the groom which finally, as it happened recently, required the intervention of the court to sanction the nuptial bond.
Amir did a real great job.
Just want to say that this movie was a major breakthrough in the 1980's. When I watched this for the first time, I was 9 years of age and I was living in Pakistan at that time. Very soon after it was released in Pakistan, it became a major hype throughout the neighbourhood. Every kid on the block was singing songs from this movie and it soon channeled itself into my heart as well and make its place there. I would recommend this movie to everybody, regardless of taste because it accomodates all possible tastes. This movie has a lot of aesthetic value for me and its definitely a watcher. Don't miss this one if you haven't already seen it.
Ghost Writer
Ghost Writer
Did you know
- TriviaThe film had one of the most innovative ad campaigns in Indian Film history. The most famous one of the hoardings of the film had no photographs, just this line: 'Who is Aamir Khan? ...Ask the girl next door.'
- GoofsWhen the hit-man Brij Gopal is loading his gun, His open bag doesn't show any bullets In It anywhere but in the next his bullets randomly appear in his bag, And he starts loading his gun.
- ConnectionsFeatured in Midhya (1990)
- SoundtracksAkele Hain To Kya Gum Hai
Written by Majrooh Sultanpuri
Composed by Bruce Welch, Brian Bennett, Hank B. Marvin
Performed by Udit Narayan and Alka Yagnik
Courtesy of Super Cassettes Industries Limited (T-Series)
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Details
- Release date
- Country of origin
- Languages
- Also known as
- From Doom Till Doom
- Filming locations
- Ooty, Tamil Nadu, India("Ghazab ka hai din" Song)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 2h 42m(162 min)
- Color
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