Le prince de Pennsylvanie

Do not read the critics reviews because they're just a desperate group of people in need of a colonic. Rotten Tomatoes especially.

Anyway this is a typical 80s movie It fun and full of exactly what the 80s were about. Journeys of self discovery complacted youth mad clothes and cool music. I'm not telling you the plot because you should watch it. Keanu had an most excellent talent and it has developed over time into a unique talent.

Miss placed love a desire to leave and look for a new life Trapped dysfunctional family Poverty Loneliness Dispare Love Friendships

Great watch👍👍👍👍

It is fun from first moment til last. Reeves is in nearly every scene in all his pre belly scar youthfulness. The story is preposterous but we have seen how he is on board for that over the years. It's LOL funny in some scenes. Well cast. Filmed in the writer/directors hometown in, get this...Pennsylvania. Rupert is smart and adorable and the cinematographers were savvy enough to get plenty of closeups. The love story is what dreams are made of as well as the intimate moments, one in particular that involves an erotic, in the moment, and sensually sloppy kiss. Over all it was a wonderful way to tell a story about small town issues, the 80's, teenaged angst, and intimacy problems. Of course, and it is right and good, that Rupert/Keanu solves all the personal problems in the end. I am seeing a lot of Henry's Crime here but that's just me. It made no sense that Bonnie Bedelia & Amy Madigan were nominated for Indie Spirit awards and Keanu was not, as it was clearly his movie. I will say no more. Make every effort to see it. Enjoy the wayback machine for 87 minutes.

I remember seeing this film in my late teens and I just could not get over Keanu's haircut: I think it's brilliant and only K could pull it off (Mike Patton's close second in the Epic days)! Also Fred Ward is quite funny in it and Amy Madigan rocks too (lucky girl...)

High school drop-out Keanu Reeves (as Rupert) gets a weird haircut (long on the left side, short on the right). A biker dude, slash aspiring poet, Mr. Reeves works with conservative father Fred Ward for a coal-mining company. But, Reeves does not want to follow in his father's sooty footsteps. After tailing busty mother Bonnie Bedelia, Reeves confirms she has a sex buddy. Soon, Reeves has one too; it's ex-hippie ice-cream trailer owner Amy Madigan (as Carla). The couple decide to kidnap Mr. Ward, for money…

The potentially interesting father/son dynamic never really amounts to much. Instead of working on its own, you're liable to flesh it out by thinking of how well the theme worked in other films. Writer/director Ron Nyswaner includes the intriguing potential for a one woman/two man familial relationship; not with Reeves' parents, of course, but in the proposition he receives near the film's end. The Pennsylvania locations are refreshing (check out the IGA), and Mr. Nyswaner gets good performances from his cast.

***** The Prince of Pennsylvania (5/15/88) Ron Nyswaner ~ Keanu Reeves, Fred Ward, Amy Madigan, Bonnie Bedelia

This unlikely sleeper poses an essential question for disenchanted teenagers: is quality time with your family better than being chained to the door of a refrigerator? For coal-miner's son Keanu Reeves the answer is a no-brainer: his father is a Vietnam War veteran turned ultra-conservative; his feisty mother is having an affair with dad's best buddy; and his only friend is a socially marginalized, die-hard hippie. Meanwhile everyone thinks Reeves has problems, but he's only trying to avoid conforming to Middle America's messy ideas about normality. And since a rebel in the 1980s needs some sort of cause, he invents one: kidnapping his own father and holding him hostage. There's more than one contrivance in the otherwise original and unpredictable screenplay: the young protagonist's mechanical aptitude and closet intellect (he likens himself to Socrates, who was killed for daring to tell the truth) don't fit his delinquent image, and the kidnapping scheme carries the plot too far into fantasy. But if nothing else the film is an offbeat satire of modern domestic friction, and a refreshing change of pace from the usual condescending screen treatments of adolescent angst.