Cinéma Paradiso

After seeing this special edition DVD which shows the entire 174-minute film (in addition to the 121-minute one that most of us had seen over the years,) my rating of this film was elevated. This review is of the longer "director's cut."

Most of the new footage involved the main's character's romance while he was a young man. The story then is continued years later when that character comes back to his hometown for a funeral and runs into the woman he was in love with but never was able to get for his own. It turns out to be a somewhat tragic love story.

The first part of the film, with Salvatore Cascio as "Toto" a young boy is a love story about two people sharing their love of movies: the kid and an adult "Alfredo" (Phillpe Noiret) who runs the local movie theater. Their love of film bonds them for life.

The word "love" is used repeatedly in this review because that's the dominant theme: the love people had for others and for the world of film, something all of us on this website share.

The second and third parts of the film are the above-mentioned love story of Toto (Marco Leonardi as an adolescent and then Jacques Perrin as an adult) and "Elena" (Agnese Nano/ Brigitte Fossey). The first third of this director;s cut edition is much livelier and interesting, frankly, than the last two-thirds. Although not boring, it does drag in a few spots but the longer version is better in the long run because it makes the whole story much more meaningful.

It's very nicely filmed and you get a real feel for the Italian people and their little town. The director of the movie, Giuseppe Tornatore, went on to make other great visual films, two of which I also like: Malena and The Star Maker.....but Cinema Paradiso, I believe, is considered his "masterpiece."

Whether you are a professional or an amateur it is always wise to avoid superlatives with regard to a movie critique ... but I cannot. 'Cinema Paradiso' is simply the finest movie I have ever seen. Like many who have posted at this site before me I have seen it many many times. It reaches within me to places other movies have never reached and I have often wondered why. Perhaps it is because of it's simplicity. It contains no expensive special effects, it has no gratuitous sex or violence, it has no "multi-millon dollar per performance" actors that I know of, it is arguable whether it even has a story line, and yet it soars far above the nonsense that film makers are producing these days. It's characters are portrayed by each and every actor in award winning style and the music is not only beautiful but absolutely perfect for this film.

It is quite simply the story of a human life and it's tragedies and triumphs within the context of a vocation. A young boy matures and gradually learns the lessons of life, cultivates his passion for the cinema, and is rewarded with professional success; however, he remains unfulfilled for true love has escaped him only to return in the form of a gift of love which transcends time, space, and death to reveal at the closing of the film Toto's one true mistress.

A staggering triumph of both the cinematic art and of story telling and yet there may be found people who do not like this movie .... I tend to keep such people at arms length and maintain a wary eye fixed upon them at all times.

The final scene is probably the best in the history.

The centre of attraction in the town, a screen where everybody gathers round, showing films in black and white, bringing joy, pleasure, delight, as the reels rotate, the story is unwound. Toto's mesmerised by all he sees and hears, the picture house is where he flees and cheers, getting in Alfredo's way, mischievous eyes so full of play, Father Adelfio, still collars him for prayers. As he gets older more distractions then appear, conscription, briefly ends all premieres, a girl captures his young heart, sends his pulse right off the chart, then comes the time, when he moves on, goes overseas.

Toto's growing up in a small town in Sicily, with the joys of cinematic adventure, amongst a group of characters destined to remain as set in their ways as those captured in Pompeii. But there's always someone to help you change direction, point you at the stars and help you on your way, you just need to find them and then listen.

Still as beautiful and as elegant as it ever was.

This movie is very sentimental, so if you are proud of your cynical side, stay away.

If you are scared of foreign movies and start foaming at the mouth at a subtitle, stay away.

For the rest of us, this is a masterpiece! Enjoy the movie and enjoy yourself! The end is so beautiful that it is almost unbelievable.