Mississippi Burning

Not saying this isn't an excellent film, it is just bluntly honest. I remember in English class in high school, we were learning about racism in the 60's, and how horrible it was. The worst part was that I am from a very racist town, unfortunately, and watching the beginning of the film terrified me because I felt like this world hadn't changed since I felt like I was living that film. Being one voice sometimes can either be helpful or get you into a lot of trouble.

I didn't want to see this film again because of the awful situations I saw or heard of. Now, I am out on my own, and I had the chance to see the movie once again, and felt that I could see it. It's a terrific and very powerful movie that can get anyone to cry unbearably. It's not just the actors, but Gene and William's characters, I wanted to be just like them, they were able to stand up even though the many times of being knocked down and caring so much just to try to in some way save that town.

I honestly feel that everyone should see this movie, it can change your life or make you look around and want to change things. I know this comment feels more like a lecture than a comment, but that's how much this movie got to me. I think we all can do something right in this world, it's just a matter or standing up. Even if this film isn't historically accurate, it's accurate enough to see how people treat other people. Hopefully, we will have a better future for generations to come.

9/10

A highly charged box of fireworks is the best way to describe "Mississippi Burning". It is 1964 and the Civil Rights Movement is tearing apart many areas in the deep south. Mississippi is definitely the hottest spot of all as the entire state seems to be split between whites and African Americans. After some white Civil Rights activists disappear, the FBI is called in to investigate (Oscar-nominee Gene Hackman and Willem Dafoe). Naturally the sheriff's department is difficult to say the least and it appears that it may have even had a part in the apparent murders. Frances McDormand (Oscar-nominated) proved that she was a truly gifted actress as the wife of one of the local deputies (an evil Brad Dourif). Alan Parker's smart Oscar-nominated direction and the Oscar-winning cinematography give the film a tense feel that leaves its audience visibly shaken during and after its running time. A great achievement. Easily one of the finest films of the 1980s. 5 stars out of 5.

Two FBI agents go to Mississippi in 1964 to investigate the disappearance of three civil rights activists. Based on true events, this is an absorbing drama about one of the most explosive chapters of American history. Hackman is terrific as an agent who doesn't condone the racism, but understands the culture of hatred, having grown up in the South himself. Dafoe is equally good as a young agent who struggles to reconcile his idealistic views about justice with the reality he confronts. McDormand is also fine as the good wife of a redneck sheriff. Parker wisely uses a documentary approach to infuse the events with a sense of authenticity.

Great movies are ones that invoke a strong emotional response that lingers long after the movie is over. Mississippi Burning is that kind of film. You may love it, you may hate it. You may think that it is an accurate depiction of the south in 1964, you may think its pure fiction. No matter what you will respond strongly.

Director Alan Parker has been down this road before with Midnight Express, another crushing, gut-wrenching tale based on a true story. In both cases, a great deal of liberty is taken with the facts, but that doesn't matter. Mississippi Burning is not a docudrama or an A & E special, it is at its heart, a police drama, and a near perfect one at that.

It is criticized by some for its depiction of southerners of the time as a group of brain-dead racists with no moral fiber whatsoever. I don't believe that is the movie's intention, but it spends time showing this side of society to make us understand how hate breeds itself, and how it becomes a way of life and an accepted standard. As one character states, "When we were seven years old, they told us that segregation was in the bible. You hear that long enough, you start to believe it".

Mississippi Burning won a (well-deserved) Oscar for cinematography, but sat and watched Rain Main take home the majors. It was clearly the best film of 1988 and stands as one of the great works of American cinema of the 80's. Hackman and Dafoe are at their best, and Frances McDormand delivers a beautifully understated, powerful performance as the deputy's wife - a woman at war with her sense of right and wrong, struggling with fear and loyalty. Her character is the centerpiece of the movie.

This is not a preachy or melodramatic movie. You won't get a lecture on why racism is wrong. You will get an rich, engaging crime drama depicting a pivotal time in American History, and you will never forget it.

**** out of ****.

Mississippi Burning is set in 1964 when three civil rights activists are murdered in a small town by the Ku Klux Klan… Two of them were white and one of them black…

Based on actual events in Philadelphia, the screenplay centers chiefly on the hostility relationship between the two FBI agents (Gene Hackman and Willem Dafoe) sent down to the small Mississippi town to seek information about the vanishing of the three victims… Immediately upon their arrival, they are greeted with hostility by the local law enforcement and the town in general…

Dafoe's Ward— in charge of the case—comes off as the embodiment of everything those men in the south dislike about the "Yankees" who are coming down there commanding them how to act…

Anderson(Hackman), who was once a Mississippi officer himself, has a special feel for how to settle things with Southerners… He uses his charm to win the confidence of the friendly wife of a Klansman deputy, whom he suspects holds the key to unravel the details of the case…

The scenes between McDormand and Hackman are the best of the film… They dramatize how quickly two lonely people can match...

The film succeeds by being gripping, emotional, and disturbing… Alan parker graphically explores the hatred, motivations and mentality that were once flaming through the American society in the 60's.