A pair of sorcerer brothers from 10th-century England show up in modern-day California and wreak havoc.A pair of sorcerer brothers from 10th-century England show up in modern-day California and wreak havoc.A pair of sorcerer brothers from 10th-century England show up in modern-day California and wreak havoc.
- Director
- Writers
- Stars
Devon Pierce
- Princess Luna
- (as Ruth Zakarian)
Candy Galvane
- Ellen
- (as Candace Galvane)
Clement von Franckenstein
- Edgar
- (as Clement St. George)
Delores Nascar
- Esmerelda
- (as Dolores Nascar)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
We have a weekly session call "hard balls" ("huevos cuadrados" in spanish). In this sessions some of my friends try to get the lamest movie he can rent and the all of us must watch it (violence can be allowed), and I can say this is the most horrible film we've ever seen. Porn frame quality. The next one... C.H.U.D II Bud, the Chud
My review was written in February 1990 after watching the movie on Prism video cassette.
Overly ambitious low-budget feature takes ancient wizards a thousand years into present-day Los Angeles in their battle with an evildoer named Saladin. Poor special effects sink this direct-to-video release.
Jarrett Parker and Mark Gauthier play the two young 10th century magicians charged with necromancy, who travel to the future to retrieve a lovely, kidnapped princess (Ruth Zackarian). The expected culture clash in '80s L. A. is pretty tame, though Gauthier has a sexual encounter with a sassy black prostitute (Rene St. Peter).
Animated special effects are amateurish and the final battle in a warehouse with Saladin (Brendan Dillon Jr.) is poor.
Overly ambitious low-budget feature takes ancient wizards a thousand years into present-day Los Angeles in their battle with an evildoer named Saladin. Poor special effects sink this direct-to-video release.
Jarrett Parker and Mark Gauthier play the two young 10th century magicians charged with necromancy, who travel to the future to retrieve a lovely, kidnapped princess (Ruth Zackarian). The expected culture clash in '80s L. A. is pretty tame, though Gauthier has a sexual encounter with a sassy black prostitute (Rene St. Peter).
Animated special effects are amateurish and the final battle in a warehouse with Saladin (Brendan Dillon Jr.) is poor.
So, this is by far, is the worst movie I have ever had the misfortune of seeing. Whoever designed the set needs to be shot. The set looks like an 8th grade art class designed it. The only way I continued to watch this crap was the fact that it was like a train wreck. I couldn't turn away. I continue to laugh out loud at how sad this `movie' was. It's not even a movie but a joke. This is a film I would use to torture my worst enemy with. This movie is so bad it's almost worth seeing.
I first saw Lords of Magick at Fukumura Video in Kitami, Japan. I was working as an ESL (English as a Second Language) and needed a break. What a treat this was on a snowy evening!
Lords of Magicks is very much an amateur's film: some of the swords were obviously picked up at Cost Plus Imports; the final battle takes place at the director's business; some parts of 10th century England look suspiciously like a California park; the film appears to have been shot on videotape, rather than reel-to-reel film, but the film displays two critical elements: simplicity, and energy.
What Lords of Magick lacks in Hollywood glitz, in makes up in its earnest simplicity: a princess is kidnapped by an evil wizard, and two young wizards (woefully unequal to the task) are railroaded to rescue her. Clichéd? Sure! The movie even makes fun of its own plot, "Another captured princess? How common!"
This kind of humor shows up again and again, which never fails to encourage laughter. When the villain froths at the mouth and makes a threat of doom when the princess is rescued from his clutches, Thomas (Brendan Dillon Jr.) remarks, "Lighten up, dude! You're so intense!"
There aren't very many films that can portray their own energy, but this is one of them. The film attempts (and for the most part succeeds) in attending to every one of the elements of a fantasy adventure. From time travel to sorcery, from gallantry to temptation, Lords of Magick shows that you don't have to have state-of-the-art special effects or an all-star cast, you just have to believe.
Sometimes that belief can lead you astray, however. During the final battle at Marsh Electronics (which I believe is the director's business--it seems just a bit too coincidental if it wasn't the same person) our heroes suddenly find themselves battling the living dead, who come out of the walls. This sequence was never fully explained, nor does the scene add anything to the duel between the two wizards other than confusion.
All the same, I'm glad I paid my 1800 Yen for my copy. It's a film I can go back to again and again just to ejoy it for what it is: a romp through fantasy, a sword and sorcery epic without musclebound goons stumbling over their lines, or excess Hollywood schmaltz!
Nine stars!
Lords of Magicks is very much an amateur's film: some of the swords were obviously picked up at Cost Plus Imports; the final battle takes place at the director's business; some parts of 10th century England look suspiciously like a California park; the film appears to have been shot on videotape, rather than reel-to-reel film, but the film displays two critical elements: simplicity, and energy.
What Lords of Magick lacks in Hollywood glitz, in makes up in its earnest simplicity: a princess is kidnapped by an evil wizard, and two young wizards (woefully unequal to the task) are railroaded to rescue her. Clichéd? Sure! The movie even makes fun of its own plot, "Another captured princess? How common!"
This kind of humor shows up again and again, which never fails to encourage laughter. When the villain froths at the mouth and makes a threat of doom when the princess is rescued from his clutches, Thomas (Brendan Dillon Jr.) remarks, "Lighten up, dude! You're so intense!"
There aren't very many films that can portray their own energy, but this is one of them. The film attempts (and for the most part succeeds) in attending to every one of the elements of a fantasy adventure. From time travel to sorcery, from gallantry to temptation, Lords of Magick shows that you don't have to have state-of-the-art special effects or an all-star cast, you just have to believe.
Sometimes that belief can lead you astray, however. During the final battle at Marsh Electronics (which I believe is the director's business--it seems just a bit too coincidental if it wasn't the same person) our heroes suddenly find themselves battling the living dead, who come out of the walls. This sequence was never fully explained, nor does the scene add anything to the duel between the two wizards other than confusion.
All the same, I'm glad I paid my 1800 Yen for my copy. It's a film I can go back to again and again just to ejoy it for what it is: a romp through fantasy, a sword and sorcery epic without musclebound goons stumbling over their lines, or excess Hollywood schmaltz!
Nine stars!
A lot of people like watching films that are so bad they're good, some people say that a film being bad is not funny at all. I'm usually part of the latter, but this film has changed me. There are so many lines I quote with my friends and family, I feel compelled to show this film to everyone I know. It looks like it was made by college students for a school project, but they don't really care enough to make it good, and that somehow makes it even better! The story is pretty basic, wizards save princess from evil wizard, but the characters, the dialogue and the action are just all so perfectly horrible. If you like watching films that are so bad they're good, you should definitely watch this, and if you don't, then this film might change your mind.
Did you know
- TriviaMembers of the Society for Creative Anachronism were hired as extras for this film, because they could supply their own costumes. They taught the stars to sing "The Ball of Carranmore".
- GoofsIn the opening credits, Devon Pierce is billed as "The Princess". On the end credits, she is billed as "Lina". however, she is referred to as "Luna" in the dialogue with several references to an association with the moon.
- Quotes
Ulric Redglen: [Upon passing a prostitute in the street] No! Ulric, stray not from thy sworn duty! There are many temptations in this land, but thou shalt have time for none of them... until later. Then thou can hump thy ass off!
- ConnectionsEdited into 2 Everything 2 Terrible 2: Tokyo Drift (2010)
Details
- Release date
- Country of origin
- Language
- Also known as
- Los guerreros de la magia
- Production company
- See more company credits at IMDbPro
- Runtime
- 1h 38m(98 min)
- Color
- Sound mix
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