Just Ask for Diamond

I read the book, and was also quite curious about the film. Nick is indeed quite miscast, as is Boyle, but the rest of the cast is quite good.

I think the trouble with the film is that they hadn't enough money to do the really cool scene in which the hotel gets blown up, and more things are missing..

But an A+ for the effort, it's really cool if you read the book.

This film is fantastic Colin Dale is excellent as the brains of the Tim Diamond detective agency and noone could better Patricia Hodge's performance as the common charlady turned sleekly seductive Brenda Von Falkenberg.

Of course the film Just Ask For Diamond, directed by Stephen Bayly, is different from the novel by Anthony Horowitz. Time (and budget too) demands the story is edited so as to fit over 200 pages of text into 90 minutes of film. Indeed, the result is that a lot of interesting events are cut from the plot as well as many of the novel's original and charming characteristics. Dialogues are shortened, the narrator is more or less removed, violence is toned down. Where the novel has a tough and very cynical 13-year-old who has not got a good word for anyone or anything he has to deal with -the city of London, for instance, is presented as if it were the capital of Hell, the film presents us with sweet and adorable-looking Colin Dale who seems concerned more with maintaining a Received Pronunciation accent than playing a poor kid on the brink of the precipice. And London has come to look about as menacing as the green pastures where the TeleTubbies live. Still, the man responsible for the screenplay is the same as the one who wrote the book and he leaves us with enough to enjoy Just Ask For Diamond (a.k.a. Diamond's Edge). Dursley McLinden is the perfect cast for clumsy Tim, Susannah York makes a wonderful numbed-by-grief Lauren Bacardi, Patricia Hodge is a hit in two widely differing roles, Jimmy Nail looks exactly like what we have in mind when we think of a fascist London cop, there's a half a dozen of talented actors playing the crooks, and even Colin Dale, despite the posh accent, makes a nice lead and makes you wish you could stay a little boy for all your life. A lot of the humour is still there, but since it's mostly on a verbal level one should not rely on subtitles.

Take a wise cracking thirteen year old kid whose elder brother is an inept gumshoe, a host of classic British Actors (Jimmy Nail, Susannah York, Saeed Jaffrey, Roy Kinnear) amongst others, an intelligent plot and witty script from the pen of Anthony Horowitz (based on his own novel 'The Falcons Malteser'), a cult - and rather obscure - Brit heavy rock band (Mammoth) to play a gang of heavies; film it around North London in a classic film noir style and sprinkle with a cartload of tongue in cheek references to some of the greatest noir thrillers of all time and you have cooked up a rather tasty family friendly film that is a real joy to watch.

This film works on so many levels, it's well paced with so great moments of slap stick (such as the dropping of a grand piano onto a van full of bad guys) and full of crooks cartoony enough to entertain the kiddies, yet at the same time if full of enough references and in jokes to movies such as Kiss Me Deadly, Cassablanca and (of course) The Maltese Falcon to keep the hardened film buff entertained for hours.

This is the kind of left field quirky comedy that the British do best and is well worth 94 minutes of anybodies day to watch.

I have been a great fan of all Anthony Horowitz books and the Falcon Malteaser was the very first one i read. The afternoon after seeing 'Stormbreaker' i was in the supermarket and found this film on sale for 99p.

I brought it home fully prepared to be disappointed but instead found it to be thoroughly entertaining. Nick is absolutely adorable and streetwise. Tim is dopey without being too over the top (which would have been very easy to do).

Often with book-films the screenwriter gets bogged down with what he is 'supposed' to put in and you often feel the story is thin and stretched, more like an assembly of memorable moments - racing to get through the story. The best thing about Horowitz (and you can see this in stormbreaker too) is that he writes a film that can completely stand alone and doesn't need the novelty of having a book behind it. (something that really comes across in the Harry Potter films) He knows the book and the characters inside out and isn't afraid to break from it a little. (not too much, just at those moments that seem to jar when a writer has stayed 'too true') Anyway. The film is based around two brothers, Herbert and Nick. Their parents have moved away and Herbert is looking after his 13 year old brother alone. Herbert has renamed himself 'Tim Diamond' and is working as a private detective. I don't want to give the story away - but it is engaging and satisfyingly intricate with plenty of enjoyable characters and plot twists.

Definitely worth an hour and a half of your time - silly theme tune and all!