Toutes folles de lui

Just three years after "The Breakfast Club", this film reunites Michael Anthony Hall and Paul Gleason. It aims to achieve the irreverent humor of a film like "Stripes" combined with the titillation of "Porky's". Almost every character in this film is a caricature. You can tell a lot of people put a lot of work into this film, so where does it go wrong?

First, the film's primary story--about a football phenom who is unscrupulously recruited by every powerhouse program in the country--is a serious drag on the humor. There is nothing funny about the sacrifice of educational values to the football money machine.

Secondly, the film tries to include every standard feature of every youth comedy film--the clueless adults, the topless scenes, the humor centering on sex and alcohol--and in so doing, becomes a parody of itself.

I am deducting one point just for the colossal waste of talent.

Robert Downey Jr. is wasted here, playing the wacky sidekick. Uma Thurman's performance as the hometown girlfriend is lost in the silliness.

The entire film is predictable, sometimes cringe-worthy, and boring.

In a scene near the end of the film Hall, Downey and Thurman drive off in a convertible to begin their post-high school lives and there is a sense of what this film could have been: an interesting exploration of the lives of three kids who have issues to face and things to learn. It might even have been funny, too.

There is one good scene in this movie, and it's pretty good. Anthony Michael Hall has just been on a recruitment tour of private colleges who want to give him football scholarships and he has come back to his hometown to negotiate a deal with the athletic director of a public university. The interplay between the two, especially the unspoken lines, is done beautifully.

Other than that, this is a pretty standard (sub-standard) teen flick posing as a cautionary tale. I think this movie wanted to be a comedic version of "All the Right Moves", but didn't have the guts to tell a real story.

Life lessons are not always the most prevalent in coming of age genre films. Sometimes they're real obvious, while others are more obscure and look to have their viewers find the deeper meaning themselves. It's also hard to say how significant a coming of age film can be when it is a Rated R comedy. Some have worked brilliantly - The 40 Year Old Virgin (2005) is one. This on the other hand is a strange mix of elements that plays its cards right in some respects, while at other moments it's questionable to what the crew was thinking here. This is the story of Johnny Walker (Anthony Michael Hall), a high school athlete who has quite a fan club. After winning the last football game of the season (by cheating no less), Walker is approached by recruiter upon recruiter to play for their college team.

There are also other people who want Johnny to go with their opinion. Wayne Hisler (Paul Gleason), the high school coach wants him to attend a college of his choice so he can acquire special benefits and he'll do anything to make sure it happens. Johnny's mom and grandpa want him to get an education more than a sports scholarship and his girlfriend Georgia (Uma Thurman) wants him to attend State with her. So many opinions, which one will he choose?! Well, Johnny ends up attending mostly all of their open houses. This ends up having him being bribed with things that seem almost unrealistic or things that have nothing to do with getting an education or playing football. Of course fame grants several of these things but at a high school level? The kid and his team didn't even play fairly winning the last game so how does that even qualify? Are the refs that blind?

Plus, what's even more shocking is to how this production was able to gather now famous actors when they were starting off and the chemistry feels almost nonexistent. And, the screenplay was completed by three writers, all of which worked on Revenge of the Nerds (1984). How is that barely any charm are given to these characters? There are only a couple of moments that Johnny goes through that actually develop him as a character. Other than that he's placed in silly events that should trigger his conscience saying he shouldn't be there. The best parts of the film are when Johnny's family is on screen. Somehow they seem to have the best lines and character arcs. My favorite family member was the grandfather (George Hall). Such a nice old man.

Uma Thurman's character has a very typical character arc, loves her boyfriend - finds him as a jerk briefly - then resorts back to him. Possibly the strangest of all is Robert Downey Jr.'s character. Either he tries too hard to be funny or his jokes don't make any sense. It's baffling, I guess Downey Jr. didn't realize how much funnier he is when he says his lines deadpan than actually trying to be comical. Fans might also get a kick out of actor Marshal Bell's performance as Uma Thurman's dad, also the chief of police. He has some funny one liners at times too. All right enough of the characters. Jay Ferguson's music to the film is appropriately set but doesn't have anything to remember about it. Was it a comedy that had laughs galore? Not so much. Does it feel like a coming of age movie? Not really.

The cast contains famous actors of today in their youth and has a moral somewhere in its story but its delivery is overshadowed by hit and miss comedy. Much of the events that take place feel impossible too, decreasing its believability.

This film has two main things going for it - nostalgia and the ability to fantasize about having Uma Thurmann as your girlfriend in 1988. There are many fantastic shots of her in all measure of garb, including a wonderful body-length pajamas. Lots of nice white tops and jeans. Phew and Rowrrrrr.....

Anthony Michael Hall is an actor I decided I liked after all in his later career when he played Bill Gates in Pirates of Silicon Valley. He's got a measured confidence mixed with some menace underneath that all-american blonde facade. Despite what some might some might say about Hall's depth, he is about the only thing saving this movie from absolute disaster.

I actually found Robert Downey Jr to be mostly insufferable in this film, and its very early for him, but he isn't given a lot to work with. He does have a few good lines, though.

Structurally, this movie has a lot of problems. The plot is insanely thin, and it sort of purports to a certain amount of morality, but then it does not a lot to support that assumption. It lays out Hall's character compromise of his character in such an extreme, laughable manner, it's pretty hard to take it seriously. It's a movie that is sort of making fun of itself, or maybe the director and actors are mocking the script. It's got that feel of not being taken super seriously, something that happened quite a bit in the 80s and made for some charming fare, but also made for some not cogent films. The production values and soundtrack are good, however. The music is period, and well curated, but featuring lesser known tracks, not all well-known hits. I also always like seeing the uncluttered life of the 1980s, no cel phones, still a certain amount of neon, nice 1970s and 1980s cars, and the general party atmosphere of the time.

As I said, however, the number one reason to watch this is for Uma Thurmann. The one realistic thing about this movie is that in real life, this guy probably would be stupid enough to lose Uma Thurmann. Of course in real life, he never would have been dating her in the first place.

I'm surprised at the negativity. It's a great dumb comedy with a tiny bit of morality thrown in. The recruitment tactics may not be an exaggeration of reality - trying to schmooze the all-American QB.

How is it possible that Yes Man averages a 7 out of 10 and this movie is a 4.? Yes Man was barely watchable.

The cast was perfect and the movie probably wouldn't have worked without them. Robert Downey Jr.'s character is so disturbed and hilarious. It seems to be a carryover from his role in Back to School. Which is another great 80's comedy. Uma Thurman is so cute in one of her first acting roles. Paul Gleason plays is a-hole character to perfection.

Maybe I am just old enough to still love the John Hughes-style high school comedies of the 1980's. This isn't the best of breed, but definitely worth enjoying.