A detective tries to get back a child who has been kidnapped by gangsters.A detective tries to get back a child who has been kidnapped by gangsters.A detective tries to get back a child who has been kidnapped by gangsters.
James Mitchum
- Feliciano
- (as Jim Mitchum)
Lincoln Kilpatrick
- Jaguar
- (as Lincoln Kilpatric)
Larry Lawrence
- Joe Fresno
- (as Larry Frio)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
This is definitely the best movie ever made. This movie has really everything to be a classic. A cheap c actor, porn-movie sound, a story line that even my 5 year old niece would be very ashamed if she made that story. It's really so bad, that it's at the same time so funny. You will really enjoy this. This is entertainment!!!
There is no doubt that Amir watched Lethal Weapon and it spawned genius. Hollywood Cop has it's great moments. The scene where the "Arab Man" somehow SLITS the dude's head off made me choke with delight. Especially the comment he makes about "His Laws". There are some decent TnA shots, which is always a plus. The speech that the dead beat dad gives his son is pretty good too. Sadly the gang members are not that ruthless, the kid talks too much, and lets face it: The acting is just TOO GOOD. If you really want a great laugh, watch Samurai Cop (The funniest of Amir's Holy Trinity). It has just about everything better than Hollywood Cop.
Also, the car chase scene at the end is almost worthy of being in a good B movie. Almost.
Also, the car chase scene at the end is almost worthy of being in a good B movie. Almost.
Is it just me, or is this heap of s..t so favorably reviewed, it isn't funny. One thing this (movie-very sarcastic) truly is. This (film) sorry, s..t is so bad, it makes Kill point look good. Kill Point did have class, but I don't know what this film has. This is another write the script as you go movie, honestly. This film features, over washing a dog, a stable of classy broads, plus Cameron Mitchell, a lieutenant, going off at our Mcgyver looking type hero cop, Turk, who earns the title. Great frizzy hairdo by the way. And for script continuity, what we've got are prolonged scenes, some almost unnecessary, cutting away from the meat of the story, that will provide some lengthy snores. Here's as example of write as you go. A woman who's little boy, had been kidnapped, and held for ransom, is walking this L.A street, forlorn, explains her situation to a stranger who points to the Hollywood cop, who's happening by. Dialogue not exact but words to this effect:
FRANTIC WOMAN
Someone's taken my boy, I don't know
what to do.
WOMAN STRANGER
May'be he can help. That's Joe Turk. He's
a cop.
FRANTIC WOMAN
(relieved)
Really.
Yeah, really. That's what to expect from this. Some hot looking classy gals, and ones shirtless in panties is the upside of this trash, if written at a minutes notice. Jim Mitchum who plays a bad guy/uptown pimp, what have you, actually does a fine job here, where I had previously seen him in Trackdown, his character in that, playing at the good end of the scale. Some scenes are so embarrassingly funny, especially in an action sequence, where we cut back and forth a few times to a bedroom scene, of drunken angry sex- our henchman wanted to do it on the floor. So, if you're the undemanding viewer, it's pretty much it's your call. If you're the one with regrets, like me, surely, you know what the hell I'm talking about. This is a film so pathetic, I'd feel solely embarrassed watching it, or moronic. Why not just leaves the broads in, and do away with this rest.
FRANTIC WOMAN
Someone's taken my boy, I don't know
what to do.
WOMAN STRANGER
May'be he can help. That's Joe Turk. He's
a cop.
FRANTIC WOMAN
(relieved)
Really.
Yeah, really. That's what to expect from this. Some hot looking classy gals, and ones shirtless in panties is the upside of this trash, if written at a minutes notice. Jim Mitchum who plays a bad guy/uptown pimp, what have you, actually does a fine job here, where I had previously seen him in Trackdown, his character in that, playing at the good end of the scale. Some scenes are so embarrassingly funny, especially in an action sequence, where we cut back and forth a few times to a bedroom scene, of drunken angry sex- our henchman wanted to do it on the floor. So, if you're the undemanding viewer, it's pretty much it's your call. If you're the one with regrets, like me, surely, you know what the hell I'm talking about. This is a film so pathetic, I'd feel solely embarrassed watching it, or moronic. Why not just leaves the broads in, and do away with this rest.
Satisfying as a generic low budget actionsploitation flick from the time. Amir's direction is as stilted as always, most scenes consist of long shots with the actors a few feet away from the camera, bits of awkward acting, odd dubbing, somewhat disjointed editing and some rather silly writing. However, there are some fun action sequences, enjoyable performances and a rather amusing plot to keep you entertained. Its also kind of a sleazy film.
Not as off-beat or cheap as Samurai Cop but it has its weird moments. Not awful but very flawed and too long for its own good.
Not as off-beat or cheap as Samurai Cop but it has its weird moments. Not awful but very flawed and too long for its own good.
10udar55
Amir Shervan has made two instant 80s trash classic - SAMURAI COP and this one. There is so much funny stuff in here. Like when Hollywood COP Turk confronts a husband holding a rapist hostage and says, "Look, I know the guy just f**ked your wife..." In addition, there are some scary looking stunts like when a guy falls off a roof onto a bail of hay and when another guy falls out of a car and almost gets run over by the tire. There is also one of the funniest dialog scenes ever when the father goes to rescue his son. He son, who is being held hostage, doesn't want to leave because dad didn't show up for Christmas. The father deftly explains that he left the kid and his mom all away by saying he had blood poisoning and is dying (in the scene previous to this he was caught cavorting with topless hussies). Classic!
Did you know
- TriviaFeatured in Red Letter Media's 'Best of the Worst' first episode of their "Spotlight Series"
- GoofsWhen the kid escapes through the back door of the bad guys' safe house, a crewman's head can be seen through the glass pane in the door and moments later, the crewman's hand can be seen holding the door open.
- Quotes
Capt. Bonano: You know what you've done for me? The commissioner's on my ass. I get gas. Every day ends with a Tums festival! Right now, because of you I gotta go to the bathroom.
- Crazy creditsThe names of the credited cast are in stars on the Hollywood Walk of Fame in the opening credits.
- ConnectionsFeatured in FanboyFlicks - Weird Movies with Mark: Hollywood Cop (2016)
- SoundtracksRestless
Composed and Produced by Elton Ahi
- How long is Hollywood Cop?Powered by Alexa
Details
- Release date
- Country of origin
- Language
- Also known as
- California Cops
- Filming locations
- You Are the Star Mural - 1665 Wilcox, Los Angeles, California, USA(Establishing shot)
- Production company
- See more company credits at IMDbPro
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