Héros

This time Chuck Norris confronting an ominous psycho-killer . A sensible but two-fisted cop (Chuck Norris) and his tough helper (Steve James) pit a dangerous series killer who holds a supernatural force . The police named Danny O'Brien is back in action fighting the notorious psychotic Simon Moon (Jack O'Halloran) , also known as ¨The Terror¨ who murders his victims by twisting their necks . The monstrous and virtually indestructible man is a Frankestein-alike , acting similarly to Jason Vorhees and Michael Myers .

This Chuck Norris vehicle contains action-packed , thrills , chills and lots of blood and violence . Chuck Norris demonstrates his qualities as an action hero on the fights against the largest-than-life murderous by means of punches , kicks , bounds and leaps . This is last film that Menahem Golan , from Cannon film company , produced with Chuck Norris . Large support cast formed by usual secondaries of the 80s such as Steve James , Jeffrey Kramer , Billy Drago , Branscome Richmond and Ron O'Neal as the Mayor . David Michael Frank's screeching musical score was composed by means of synthesizer . The motion picture was regularly directed by William Tannen . This horror-fighting-thriller is an inferior Norris film , in spite of it he was on his best period with hits such as ¨The Octagon¨ , ¨An eye for an eye¨ , ¨Forced vengeance¨ , ¨Lone Wolf MacQuade¨ , and ¨Missing in action¨ , among others . Rating : Below average but entertaining . The picture will appeal to Chuck Norris fans though results to be one of his inferior outings .

Out of the ordinary for Norris? In a way it does feel like it, but still those sweaty and muscle-bound elements are still evident but in a lesser tone. Norris does kick some ass, but he plays a scarred, guilt-ridden and unsure character that doesn't see himself as some sort of hero (the media portrays) with the main focus being on the welfare of his girlfriend and their expected baby. Some might say that it's a sombre performance with little emotion, but it's a heartfelt turn that you feel every aching and haunting thought. Complementing that broad complexion is David Michael Frank's score, which is always there and holds a sorrow edge. The story builds upon its material with a humane angle, as Norris battles the demons (spares us some wry relationship humour) while the killer (the terror) is mainly a lumbering shadow that emits terror in the most basic and raw way. It's primal and old-fashion police-killer premise, but stays stimulating throughout. That's not discarding some repetitive and contrived inclusions, and how the killer does feel secondary to Norris. William Tannen's direction gradually forms suspense and moves quick enough (even with some useless spots). The action isn't eye-opening, but it's a sturdy display with moments of atmospheric lashings and the setting in a renovated movie theatre is a nice touch. The violence is quick, with the killer providing a sure cure for neck problems. An above-par cast do a sound job. Brynn Thayer excels as Norris' girlfriend. Jack O'Halloran's animalistic, brute physique is his performance and Steve James is enjoyable too. Rounding the cast off; Ryan O'Neil, Jeffrey Kramer, Murphy Dunne and a short, but important see-in for Billy Drago (this guy has presence) who explains the creepy and unsettling nature of the wanted killer.

WOW! I've heard many negative reviews of this film but holy cow is it a nail biter! Chuck Norris is at his prime in this movie, a performance he was only able to top in Delta Force One and Two. Billy Drago, as Doctor Highwater, leads a solid supporting cast in making this movie a huge success. Every time Chuck and Billy team up they create an explosion of action and emotion. I've watched this movie several times and every time I come away with something new I have learned about the characters or the plot itself. This movie has an awful high babe factor as well. Bottom line: Drago and Norris are an hit on screen!

It has been a year, but even after six months of therapy, Det. Danny O'Brien is still having nightmares about that fight. His therapist, Kay, is more than just his therapist. She's pregnant with his baby and O'Brien wants to marry her.

Simon Moon, who killed 22 women, breaks out of Camden State Hospital three years after O'Brien captured him. But the laundry van he stole ran off the road and into the Snake River (wait, if he was in California ... or does California have a Snake River?). His body is never found.

A dilapidated neighborhood in Los Angeles may be on its way back after the city spent $14 million on the renovation of a legendary theater. The completion of the project is being celebrated with a big movie premiere. What the people inside don't know is that before the event started, two women were killed in the building. Everything points to Simon Moon, but he's dead. Isn't he?

The beginning of the movie made me wonder if this was the sort of thing I could enjoy. But seeing the name of Ben Matlock's gorgeous daughter in the opening credits gave me an incentive to watch. Brynn Thayer isn't that great-looking here, but she is attractive and she has her good moments as an actress. Plus her character is easy to like.

Chuck Norris is tough when he has to be, but also quite kind and tender. He did a good job, and I actually liked him. I could see this movie as the pilot for a series (if it had been made recently), but I don't know that I'd watch week after week. Those looking for Norris to display his martial arts skills get one scene where he teaches Victor a lesson.

The investigation is interesting, though not that complicated.

What I wasn't expecting when I saw the opening was so much comedy. Many of O'Brien's scenes with Kay, the scene where the nervous theater manager tells Betsy she has the job, the scene where Robinson said he would help with the investigation, and part of Robinson's one other scene in the theater. Plus a chase by police that involves O'Brien but has nothing to do with the rest of the plot.

The movie is not that violent, except for the nightmare. The killer (whose face we don't see) breaks people's necks, which isn't pleasant to watch, but it's not bloody.

It was good for a TV-movie. Average for a theatrical production.

"Hero and the Terror" is pretty good as Chuck Norris cinema goes. It's more along the lines of his 1982 vehicle "Silent Rage", as it's really more of a thriller than an action film; therefore, some fans may find it disappointing.

Chuck doesn't do too much ass kicking this time around in this attempt to play a different sort of character, and to his credit he pulls it off, playing Danny O'Brien, a detective who earned the nickname "Hero" when he apprehended vicious serial killer Simon Moon, a.k.a. "The Terror" (boxer turned actor Jack O'Halloran, perfectly cast). Danny's always felt guilty about the subsequent praise as he knows what really happened is that he got lucky. Naturally, by the time this movie is over, he'll have realized that this is one demon he will have to exorcise, in order to deal with his nightmares.

Brynn Thayer is foxy and feisty as his leading lady Kay (who was Danny's psychiatrist!), and the late, great Steve James is his usual charismatic self as Danny's colleague Bill; James simply steals the scenes whenever he's on screen. Also appearing are Ron O'Neal (Superfly is the mayor of L.A. in this thing!), Jeffrey Kramer of "Jaws" 1 and 2, Joe Guzaldo (who acted with Chuck in "Code of Silence"), Murphy Dunne of the Blues Brothers Band as the theatre manager, ravishing Playboy Playmate Karen Witter as Hollywood starlet Ginger, Tony DiBenedetto, and the always delicious Billy Drago, Chuck's nemesis in the second "Delta Force" movie, as a highly unlikely psychiatrist.

The real-life Wiltern theatre makes for an impressive setting, and there is some decently done suspense in this thing. The music by David M. Frank fits the tone of the movie with its somber quality. Any and all action scenes are rather perfunctory. Still, Chuck and the cast & crew deserve some credit for doing something a little different; you don't see him in the position of actually being intimidated by his opponent too often, although, again, this might not sit will with some action fans watching.

In any event, it's enjoyable stuff, with a screenplay co-written by former actor Michael Blodgett ("Beyond the Valley of the Dolls"), who does an uncredited bit in an extended restaurant scene.

Eight out of 10.