Prisoners and guards clash in a high-tech security jail where there are no rules.Prisoners and guards clash in a high-tech security jail where there are no rules.Prisoners and guards clash in a high-tech security jail where there are no rules.
- Awards
- 2 wins & 8 nominations total
Freddo Dirk
- Robbins
- (as Freddo Dierck)
Featured reviews
As others have said, this is a disturbing and frightening film. For me, it raised questions about exactly who are the barbarians in our "civil" society and at what point can it be said that we are no better than "them".
Some with no knowledge of conditions in modern prisons dismiss this as a brutal movie out for shock value and nothing else, but it is based on a true story. One previous comment says it was filmed in NT (Australia) and based on events that happened in an outback prison. However it was based on the testimony of David Hale, a warder at USP Marion, Illinois, USA, who spoke out about the management tactics and treatment meted out to both prisoners and staff at the prison - tactics which culminated in a lockdown after two people were murdered in one day. When Hale spoke out he was branded a drunk, a drug user and mentally unstable in order to discredit him. (If the soundtrack is still available, it is worth a listen. It features an extensive interview with Hale.)
The cast features four professional actors and two musicians (Cave and The Reels' Dave Mason). The rest are predominantly ex-cons with about a dozen ex-cops, ex-warders and tough types found hanging around in local Melbourne gyms thrown in. It was workshopped for several months before filming began. You will not see a more realistic picture of life in prison - unless you are unfortunate enough to find yourself in one.
Some with no knowledge of conditions in modern prisons dismiss this as a brutal movie out for shock value and nothing else, but it is based on a true story. One previous comment says it was filmed in NT (Australia) and based on events that happened in an outback prison. However it was based on the testimony of David Hale, a warder at USP Marion, Illinois, USA, who spoke out about the management tactics and treatment meted out to both prisoners and staff at the prison - tactics which culminated in a lockdown after two people were murdered in one day. When Hale spoke out he was branded a drunk, a drug user and mentally unstable in order to discredit him. (If the soundtrack is still available, it is worth a listen. It features an extensive interview with Hale.)
The cast features four professional actors and two musicians (Cave and The Reels' Dave Mason). The rest are predominantly ex-cons with about a dozen ex-cops, ex-warders and tough types found hanging around in local Melbourne gyms thrown in. It was workshopped for several months before filming began. You will not see a more realistic picture of life in prison - unless you are unfortunate enough to find yourself in one.
This is one of those films that come along very infrequently. It's incredibly powerful and profoundly disturbing. It has a clear message, but never preaches. It is very involved, yet oddly distant. And it is the most extreme, unpolished depiction of prison life that you will ever see, should you be lucky enough to find it.
Co-written by acclaimed singer/songwriter/musician/novelist Nick Cave, this film carries his mark. It is every bit as dark, gritty, chaotic, and brutal as his music (or his novel, the cult favorite "And the Ass Saw the Angel"). The story itself is quite loosely plotted, but extremely layered. It's hard to take it all in with one viewing...and each repeat viewing is an experience unto itself.
Cave also plays a pivotal role in "Ghosts" as Maynard, an unconscionable psychotic whose violent raving pushes the already worsening conditions of the prison to full-scale chaos. Cave's performance is searing, bringing every bit of rage and hatred and bile to the surface...and his entrance into the film is truly unforgettable.
The film-making here is top-notch, from a cinematic point of view. It certainly wouldn't meet Hollywood's "standards," but I mean that as an extreme compliment. The cold, distant cinematography sometimes brings to mind Kubrick's film version of "A Clockwork Orange," and the way the brutality is handled visually makes "ACO" look like "Bambi" by comparison.
Certainly, this is one film that you should not miss. It is, unfortunately, quite rare...but it can be found if one looks hard enough. I will stress quite strongly, however, that this film is NOT for everyone...but for those with strong stomachs and an appreciation of challenging cinema, this is a definite must-see.
Co-written by acclaimed singer/songwriter/musician/novelist Nick Cave, this film carries his mark. It is every bit as dark, gritty, chaotic, and brutal as his music (or his novel, the cult favorite "And the Ass Saw the Angel"). The story itself is quite loosely plotted, but extremely layered. It's hard to take it all in with one viewing...and each repeat viewing is an experience unto itself.
Cave also plays a pivotal role in "Ghosts" as Maynard, an unconscionable psychotic whose violent raving pushes the already worsening conditions of the prison to full-scale chaos. Cave's performance is searing, bringing every bit of rage and hatred and bile to the surface...and his entrance into the film is truly unforgettable.
The film-making here is top-notch, from a cinematic point of view. It certainly wouldn't meet Hollywood's "standards," but I mean that as an extreme compliment. The cold, distant cinematography sometimes brings to mind Kubrick's film version of "A Clockwork Orange," and the way the brutality is handled visually makes "ACO" look like "Bambi" by comparison.
Certainly, this is one film that you should not miss. It is, unfortunately, quite rare...but it can be found if one looks hard enough. I will stress quite strongly, however, that this film is NOT for everyone...but for those with strong stomachs and an appreciation of challenging cinema, this is a definite must-see.
I've seen a lot of prison films, ranging from the hopeful and optimistic, all the way to over-the-top shock and awe. "Ghosts of the Civil Dead" is certainly the most brutal prison film I've ever seen, but not in a way that suggests a lack of realism or a desire to shock or exploit. Although this film exists in a world that's not quite representative of actual life, the performances and depictions of a very specific type of human being are completely believable. John Hillcoat opts for a documentary approach here, and is very much successful in achieving a high level of convincing desperation.
The actors constantly feel like they're doing anything but acting. I never felt like I was watching someone who was anything but a prisoner or prison guard. Even with Nick Cave, who I was quite familiar with through his music, seems like he wandered in from another world. It takes a strong commitment to straight reality to ignore this many filmmaking conventions in a single film, and it means all the more when you've got this many brilliant actors behind you. This is a great film.
The actors constantly feel like they're doing anything but acting. I never felt like I was watching someone who was anything but a prisoner or prison guard. Even with Nick Cave, who I was quite familiar with through his music, seems like he wandered in from another world. It takes a strong commitment to straight reality to ignore this many filmmaking conventions in a single film, and it means all the more when you've got this many brilliant actors behind you. This is a great film.
The title says it all. When a person is convicted of a crime, he or she becomes, at least temporarily (and, in certain situations and locations, permanently) dead to civil society. The men we see here are mere shadows.
_Ghosts of the Civil Dead_ is as topical now as it was when first released as a study in the ways that fear of crime may be exploited to justify oppression. Only in two or three scenes is overt violence shown, yet the movie manages to maintain a sense of menace for the full duration. As repression within the prison becomes increasingly harsh and the few remnants of civilian life that the prisoners have retained are stripped away, it becomes increasingly obvious that there can be no resolution.
In the current climate of law and order rhetoric, _Ghosts of the Civil Dead_ remains a powerful reminder as to where this rhetoric may lead.
_Ghosts of the Civil Dead_ is as topical now as it was when first released as a study in the ways that fear of crime may be exploited to justify oppression. Only in two or three scenes is overt violence shown, yet the movie manages to maintain a sense of menace for the full duration. As repression within the prison becomes increasingly harsh and the few remnants of civilian life that the prisoners have retained are stripped away, it becomes increasingly obvious that there can be no resolution.
In the current climate of law and order rhetoric, _Ghosts of the Civil Dead_ remains a powerful reminder as to where this rhetoric may lead.
This film was screened on Australian TV when I was about 15. It's extremelly violent and psychological, a study in deprivation and pain. I mainly remember Nick Cave's performance (he co-wrote it). He plays a lunatic that get's moved to an already tense prison. His ranting and self-mutilation escalate the other prisoners sense of panic and chaos. Incredible acting and a very realistically frightening film. It's not fun, exciting or most things people look for as a distraction in modern day cinema, but if you're looking for something challenging and thought provoking it's well worth trying to find.
Did you know
- TriviaNick Cave used his experience in local lock up to help write the film, he overheard another inmate say to the police guard "Come here so I can spit in your eye!!"
- ConnectionsFeatured in Straight to you: Nick Cave - a portrait (1994)
- How long is Ghosts... of the Civil Dead?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Willkommen in der Hölle
- Filming locations
- Melbourne, Victoria, Australia(in a factory)
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 33m(93 min)
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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