Frantic

¨Frantic" is a vibrant and exciting thriller of Polish director Roman Polanski . The story deals with the assistance to a conference in Paris of doctor "Richard Walken" (Harrison Ford) and his wife (Betty Buckley), and reliving their honeymoon. In the hotel room when Richard goes out the bathroom after a shower , he discovers his spouse has disappeared on the first day of their journey . Now , at an unknown metropolis , without speaking a word of French language and agonizingly alone , "Walken" undertakes the search throughout wet streets and under rainy sky . As the only track he has results to be a number of telephone written on a matchbox, and from there the issue will be complicate , becoming for the American doctor in a nightmare . He's only helped by the US Embassy assistant (John Mahoney) and a strange French young Emmanuelle Seigner (Polanski's wife).

The pace of the film is well made and carefully controlled ; as the plot finds its aim , for that reason is a story that entertains and works . The picture is packed with thrills, intrigue, tension , suspense and blending the Hitchcock style with the Polanski's particular narrative . Harrison Ford gives a magnificent interpretation in this picture , perhaps one of his best acting . Harrison Ford makes one of his best roles and believable in his character as doctor drawn into espionage and who launches to rescue his lovely wife , though never really cuts loose . The film has a large number of memorable scenes that are the Polanski's stamp : as the start of the movie, the thrilling scenes on the roof , and the unforgettable dancing that Ford dances Emmanuelle Seigner , among others . In addition , there appears ample support cast as American as French actors in very secondary intervention as David Huddleston , Alexandra Stewart , Yorgo Voyagis ,Gerard Klein , Dominigue Pinon , among them . It has an acceptable photography by Sobozinsky , though is urgent a remastering. Rare and sad musical score by the maestro Ennio Morricone .

"Frantic" is a moving thriller from the beginning to the final in which Polanski carries out one of the basic guidelines of the genre : as he creates thriller from roles of the daily life and well written by the same Polanski and his usual screenwriter Gerard Brach . Furthermore , Polanski maintains its grip thanks to Harrison Ford 's outstanding and credible acting . Rating : 6, passable and well worth watching .

A truly brilliant film, a touch of Hitchcock, The acting from all players is superb in my book, I adore the music which truly complements the atmosphere, Recommended a must watch..

What was truly amazing about Frantic was Polanski's ability to turn ordinary situations (finding and opening a briefcase, climbing on the stairs, grabbing the timing device, even driving from the airport) into extended and memorable scenes where the level of dramatic tension was extended to the point beyond slight interest.

Take the scene in the bedroom when Harrison Ford is originally searching for the briefcase and trying to open it up. Polanski does not end with the briefcase here. Later scenes involving it evoke a remembrance of the detail that went into crafting the first scene. Ford's trip onto the rooftop is treated the same way. The scene does not end with him neatly hiding on the roof. It is wracked with complications. The four sitting at the table about to grab the stolen timing device. Even the dance scene, surrounded with potential spies and unknowns, fills itself with Ford's eroticism and paranoia equally well.

The movie is filled with other examples like these, which make it a slow and delayed series of expectant occurences. The movie flows well from a sequence of dramatic sources of tension. I cannot believe that I had seen it earlier. It is truly a shame that Polanski is effectively banished from this country.

A great suspense movie of Roman Polanski in a Hitchcockian style. One of the beloved theme of great master is already here: looking for a vanished person. I think Frantic is one of the movies more successful through the films with the plot located in Paris. Polanski tells us the story with great suspense involving the city of Paris like a character of the film. All movie spends on the Parisian places and rooftops. The music of Ennio Morricone also is a great element of the film success that gives us a great mood. The characters as Harrison Ford and Emmanuel Seigne are superb in their roles too. I think a must see movie if you love great oeuvres of Hitchcock and you love Paris.

I really don't understand how this movie could have such a low score at this site. Perhaps the European atmosphere doesn't appeal as much to Americans as it does to Europeans.....just like most french top-films never made it to the US.

Nevertheless, Roman Polanski is terribly underrated as a master of suspence. In fact, looking back at Hitchcock's movies (which is unfair, since they've been made in a completely different era) I don't think he ever made movies written this well.

For some reason most of the time film making starts with putting the director together with some of the best or most popular actors of that period. But this one certainly doesn't.... It shows that Polanski wrote this himself, with his close friend and film-writing-partner, because he really knows what this story is about - he knows where to be funny, where to make it tense, where to make things kind of 'sensual'.

The weird thing is, that looking at all the things that happen in this movie, it's still so relatively shot, and doesn't feel at all too paced, or rushed. No, it rather feels like you are watching a 4 hour movie.

Anyway, those who have ever lost track of someone (for a short moment) in a strange, big city or those who have ever tried to find out something in France, will know and recognize exactly what Harrison Ford's character is going through - people not taking you seriously, people who don't care, people who refuse (or aren't able) to help you in your own language. All these things are put in this movie, so well, that -at least for me- it is really very realistic.

Most writers and directors nowadays seem to ruin most great movies/thrillers by not being able to make a good ending to the developing story. At one point our main character has got to find out what is happening....and how to do that, without taking away the suspence is incredibly difficult. Roman Polanski has done this very well, by not making this story too complicated and slowly unraveling a -looking back- simple mistery. There is no need to glue parts of the story together to make it all fit, or just skip parts to make it easier for him/you.

No, this is the first movie I've seen where when someone looses his shoes on a roof, he has to walk barefoot the next day. Most movies just ignore these little facts, but Roman makes it always difficult for himself in order to make it more easy (or, more easy to believe) for us.

There are no things that make me wonder 'how this is possible' - no, if you are a well known surgeon, many other surgeons from all over the world will know you. And if you will go to a convention in Paris, it's not at all unrealistic that you will run into a few of your friends...even when it's such a big city. Having problems with luggage when you're flying, isn't unrealistic too...nor is the story of this movie, the reason why what happened, happened.

Although I've never understood why our friend wanted his own wife back, instead of staying with the beautifull french girl ;) Again, that's what most people would do in real life....

Bart