IMDb RATING
5.9/10
5.4K
YOUR RATING
After she gets pregnant, a teenage girl must decide whether she should keep the baby or not.After she gets pregnant, a teenage girl must decide whether she should keep the baby or not.After she gets pregnant, a teenage girl must decide whether she should keep the baby or not.
- Director
- Writers
- Stars
- Awards
- 1 win & 1 nomination total
Anne E. Curry
- Push Nurse
- (as Anne Curry)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
When I sat down to watch this movie, I expected a version of "She's having a baby" But, instead the film started off like a typical "parents-just-don't-understand" flick. Darcy and Stan are madly in love, she gets pregnant, parents tell her to get abortion, Darcy and Stan run off and elope. It was so wonderful watching them deal with the responsibility of marriage and children. FILM 2: After the baby is born, Darcy encounters severe post pardum depression and Stan falls madly in love. The families turn sweat. Even here, the film excels on teenage pregnancy. FILM 3: they are dead broke and can't afford anything causing a teenage "About last night.." They fight, they breakup, they fight, etc. in a cycle. I recommend this if you have time to kill.
This movie is for keeps! Not only is it insightful and informative about abortion and STDs, but it reminded me of how many movies from the 1980's suffered from Molly Ringwald's absence. Case in point: St. Elmo's Fire. Another example: Little Darlings. She might not have added that mystical Jean Seberg / Bea Arthur element, but she's a fresh reminder that Hollywood's sometimes takes a chance on otherwise ordinary people that have a spark in their soul. Bravo, Molly!
I was expecting an 80s-type young couple comedy. Boy was I wrong. This is some serious stuff, like what happens after you get married to someone you think you're in love with. You don't really know what love is if you haven't known pain.
Ringwald gives a great performance, especially as she's going through post-partum depression. I didn't particularly like the camera work or the laconic script, but I did appreciate the work that went into the direction and the production. I thought the pacing was fantastic - it's not what you would expect and I was pleasantly surprised.
Ringwald gives a great performance, especially as she's going through post-partum depression. I didn't particularly like the camera work or the laconic script, but I did appreciate the work that went into the direction and the production. I thought the pacing was fantastic - it's not what you would expect and I was pleasantly surprised.
The story is a sweet romantic comedy about teen pregnancy. Unfortunately it is a bit uneven. Funny, then drama, then complicated. The characters are well played in each part.
I remember sitting in the theater watching this. During the first half of the movie, it's quite sweet and more than a little humorous, but then, about the time of the baby's birth, the tone takes a drastic and sudden downturn. It seemed to me that someone from some parents league had cornered the director and said something like, "If you make a light-hearted comedy about pregnant teens, then teens all over America are going to think it's fun to have a baby... Why not show some of the problems young couples with children have to face?" The second part of the movie piles on so much trouble, misfortune and drama that it seems like some kind of Lifetime docudrama. So much in their young lives goes wrong that in order to have an acceptable ending, too much has to go right all at once. The ending just doesn't seem believable because it is such a sudden jump from the end of the second act.
I liked the characters, who remained believable throughout the various situations. The plot and direction could have been worked out a bit more carefully.
I remember sitting in the theater watching this. During the first half of the movie, it's quite sweet and more than a little humorous, but then, about the time of the baby's birth, the tone takes a drastic and sudden downturn. It seemed to me that someone from some parents league had cornered the director and said something like, "If you make a light-hearted comedy about pregnant teens, then teens all over America are going to think it's fun to have a baby... Why not show some of the problems young couples with children have to face?" The second part of the movie piles on so much trouble, misfortune and drama that it seems like some kind of Lifetime docudrama. So much in their young lives goes wrong that in order to have an acceptable ending, too much has to go right all at once. The ending just doesn't seem believable because it is such a sudden jump from the end of the second act.
I liked the characters, who remained believable throughout the various situations. The plot and direction could have been worked out a bit more carefully.
Truly one of the best underrated films of the 80s. Molly Ringwald stars in the lead as an honor student who gets pregnant and decides to keep the baby with her boyfriend despite their disapproving parents. The material has been covered before but because of the strong performances all around and the engaging screenplay it's elevated. It's fun and tear jerking and just feels so genuine.
Did you know
- TriviaScreenwriters Tim Kazurinsky and Denise DeClue began work by immersing themselves in the subject of teenage pregnancy, reading articles and speaking directly to teenage mothers. Kazurinsky said: "According to our research about 10,000 U.S. teenagers a week who are pregnant keep their babies. And in every interview we had with young pregnant girls, they all said, 'I never thought it would happen to me.' So we created Darcy Elliot as the kind of smart, with-it girl who would never think it could happen to her".
- GoofsIn the opening scene, the number on the Elliot residence is 1838. However, in another scene - particularly the one where Stan begs for Darcy to forgive him - the address beside the front door reads 1940.
- How long is For Keeps??Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Languages
- Also known as
- La cigüeña no espera
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $17,514,553
- Opening weekend US & Canada
- $4,839,790
- Jan 17, 1988
- Gross worldwide
- $17,514,553
- Runtime1 hour 30 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
Contribute to this page
Suggest an edit or add missing content