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Jess Franco's "Faceless" is late 80's euro-exploitation with the typical storyline of early 60's euro-exploitation! Namely, a celebrated surgeon who kidnaps and kills beautiful women in order to restore the beauty of his own sister who's face got horribly deformed in a very banal acid-accident. Franco, among other prominent horror directors, already made similar movies in the 60's, like "The Awful Dr. Orloff" which he still refers to whenever he has the opportunity. In fact, "Faceless" is pretty much a remake of that film but, since it's the 80's, our director can now insert a lot more nauseating gore and sexually perverted sub themes. The result is one of the most energetic Franco movies ever, with enough sleaze and sadism to satisfy even the sickest puppies among us! There are extremely graphic facial operations that'll nearly make your stomach turn, random bloody executions and an uncanny sidekick (Gordon) who feasts his lusts on the female corpse-leftovers. In between all the sickness, Franco takes the time to create a stylish and truthful portrait of the Parisian night life and the dialogues are much more adequate that usually in his films. Last but not least, "Faceless" is blessed with one of the greatest ensemble-casts in exploitation cinema ever, with Anton Diffring ("Circus of Horrors"), Brigitte Lahaie ("Island Women", "Fascination"), Helmut Berger ("Salon Kitty", "The Damned") and Caroline Munro ("Maniac", "Captain Kronos: Vampire Hunter"). The biggest names regretfully only appear in cameos, like Telly Savalas and Franco-regular Howard Vernon ("The Sadist Baron Von Klaus", "Miss Muerte", "Zombie Lake"...). My advise: see this film!!

FACELESS (Jesus Franco - France/Spain 1988).

As usual with a Jess Franco film, the background stories from cast and crew are much more interesting than the film itself, which is pretty crappy. But, relatively speaking, it's one of his better films, with an interesting cast consisting of Helmut Berger, Telly Savalas, Chris Mitchum and legendary French porn queen Brigitte Lahaie. Franco had a relatively large budget to spend for this film, around one and a half million francs ($250,000). It all looks very glossy, very eighties, including the soundtrack with the strangely hypnotic song 'Destination nowhere.'

The film itself is good for quite a few laughs; Chris Mitchum's encounter with the muscled bodyguard "Dudu" or "Doodoo". The inexplicable presence of a drag queen in Helmut Berger's clinic, a joke Franco spontaneously made up on the set, even Helmut Berger looked a little disturbed after entering the room (Franco probably didn't tell him who or what was in the room). An electric doll (the stand-in for a body) that runs wild due to some electric failure, with its teeth clappering up and down like wild. Why fix it? Just keep it in the movie. No one will notice. Sure...

The extras are always the most interesting part of Franco-DVD's. Chris Mitchum is a likable and intelligent guy, who tells some amusing anecdotes about the start of his movie career. He also reveals that - due to some misunderstanding - he was in an outrageously expensive hotel suite in Paris, that cost more than $30,000 in total during the whole shoot, more than one-tenth of the total budget. The interview with Jess Franco is strange and he stays clear of saying anything specific about his work, which is a smart thing. He does manage to discuss the work of Alfred Hitchcock, John Ford, Frederico Fellini and Helmut Berger, all within five minutes! The teaming of these names in one interview in such a short time must be a first.

A somewhat atypical entry in Franco's oeuvre with a (relatively speaking) coherent plot, less hanky-panky than usual, but some shocks and gore, and plenty of (unintended) laughs.

Camera Obscura --- 5/10

Spanish exploitation/sleaze/horror king Jess Franco's "Faceless" (Spanish, French, 1988) is one of his more interesting works and has a remarkably bigger budget, too, when compared to some of his older and duller films, like "El Sádico de Notre-Dame" (1974) with its numerous aka titles to name just one. Faceless has a very typical story that is like in his 1962 classic horror film "Gritos en la noche" aka "The Awful dr. Orloff" and like in that film, Howard Vernon plays "Orloff" in Faceless, too. The plot however is very thin but still the film never feels boring or too long thanks to some interesting elements in the film.

A beautiful French female gets her face ruined by some crazy woman who throws acid on her face. Her determined brother is a doctor and promises to restore her beauty and make her look an attractive girl again. This he will achieve by kidnapping young females to his clinic with the help of his nurses and a Morpho-like monster (referring to the Orloff classic from 1962), and it is not too long before they kidnap a model girl whose father starts to worry about his daughter's disappearance and so he sends a one-faced cop to France to search for her. So there's nothing too special or never-seen in the plot but still Franco manages to maintain our interest with pretty good actors, pacing and (of course) graphic gore all of which are not always present in his other, worse, movies.

This is not a typical Franco flick at all as it hasn't got gratuitous nudity and plenty of it. Of course, since this is directed by him, there are lusty characters who crave for sexual pleasure almost all the time and this animality side of human nature is a real theme in some of his classics, most notably his 1981 women-in-prison film "Sadomania - Hölle der Lust" and the 1977 classic "Liebesbriefe einer portugiesischen Nonne" aka "Love Letters of a Portuguese Nun", both of which depict humans as pretty much animals living only to satisfy their instincts for violence and especially sex, the latter film also having some commentary about church and hypocrisy that can be related to it. But these things are not so "deep" in Faceless anymore and the brief scenes of sexual intercourse and playings feel a little forced and unnecessary but fortunately they are as mentioned very brief.

There's one very interesting character here, and that is the nazi doctor who has done some horrifying experiments on living humans back in the war camps, and he is sent to complete the face transplantation for the girl. There are also some interesting issues about superficiality inside modern society in which external beauty is the most important thing for some/most, and this accompanied with the presence of the most wicked of them all, the nazi doctor, gives the film a fair amount of thoughts about rotten and disturbed society and how far its inhabitants may be ready to go in order to reach the selfish goal and save their own skin (not pun) at the expense of others. As the real life atrocity nazi character is there it all becomes more harrowing and haunting, especially when he indeed looks quite scary physically, too.

The ending leaves some things open but still it is pretty effective and crystallizes the theme of the film described above. It is obvious this film is so easy to sit through as it really has something more than just graphic gore and face mutilation, things that would have been the only things in this film if some less ambitious director had made it. And Franco always (well, almost) seems to be very interested to add something deeper in his (exploitation) films which is nice.

The gore and exploitation elements are pretty strong and present throughout the film. A needle gets plunged into the victim's eye in a zooming Franco close-up, a character gets drilled to the head in a pretty outrageous scene, but the most outrageous scenes involve the facial experiments and how good the special effects are here. It is "a little" more graphic than in John Woo's "Face Off" (1997), and Franco this time really is able to concentrate on the details and close-ups as there are nothing to be shamed of in the effects work this time. The gore and amount of it is pretty extreme so no matter what themes they had in mind, exploitation was still the main thing and those scenes pretty much the reason this film was made for in the first place.

Faceless is easily among the easiest to watch and more noteworthy films of film maker Jess Franco. It has not laughable over-acting, it has some professional actors in it, too (like Telly Savalas in a role of the father of the missing girl), it has some genuinely interesting issues which all are presented in a form of a traditional almost plot-free but well paced gore film. One major negative side for me is the awful 80's disco/pop soundtrack that plays throughout the movie and its various night club scenes and sounds like Wham or George Michael and so it is not a great delight to my ears. The plot is also full of holes and things that don't get explained (like what is in fact the status of a murder clinic of that kind?!) but still it could be much worse and ridiculous and Faceless is a respectable 5/10 achievement by the legendary Spaniard.

The renowned plastic surgeon Dr. Frank Flamand (Helmut Berger) owns the Clinique des Mimosas in Saint Cloud. While shopping in Paris during Christmas with his beloved sister Ingrid Flamand (Christiane Jean) and his lover and the head of the clinic Nathalie (Brigitte Lahaie), Dr. Frank is attacked with acid by a client that had her face partially destroyed by him in a unsuccessful operation. However, he sidesteps to the acid attack and the face of his sister Ingrid is totally deformed. Dr. Frank becomes obsessed to restore Ingrid's face and together with Nathalie and their dumb and retarded servant Gordon (Gérard Zalcberg), they kidnap beautiful women and Dr. Frank kills them expecting to prepare a solution to recover the beauty of his sister. When the addicted model Barbara Hallen (Caroline Munro) is kidnapped by Nathalie, her wealthy father Terry Hallen (Telly Savalas) hires the tough private eyes and his friend Sam Morgan (Chris Mitchum) in the United States of America and sends him to France. Meanwhile Dr. Frank summons the Nazi Dr. Karl Heinz Moser (Anton Diffring) that was well succeeded in sadistic experiments implanting faces in scarred pilots. Sam snoops the clinic and discloses the dark secret of the place.

"Faceless" has the same storyline of 1960 "Eyes without a Face" by Georges Franju but revisited by Jesus Franco, with his usual bizarre situations and characters, with kink sex, rape, lesbianism, beautiful actresses and so on. The wooden face of the unconvincing Chris Mitchum is not well cast and the open conclusion is the weakest part of this film. My vote is six.

Title (Brazil): "Sem Face" ("Faceless")

"Faceless" of 1987 is cult director Jess Franco's demented and ultra-gory 80s take on a classic Horror topic. In the heyday of European Gothic Horror some of the greatest genre films dealt with a mad scientist who was murdering young women in order to restore the life or beauty of one particular woman. Some of the most brilliant films with such a theme are Georges Franju's masterpiece "Les Yeux Sans Visage" ("Eyes Without a Face", 1960), Giorgio Ferroni's "Il Mulino Delle Donne Di Pietro" ("Mill of the Stone Women", 1960), or Franco's own "Gritos En La Noche" ("The Awful Dr. Orloff", 1962). With "Faceless", Franco brings this popular Horror-theme back, with less atmosphere, but with tons of more sleaze and demented gore. According to this site, the film is a remake of Franju's film, but it has just as many resemblances to "The Awful Dr. Orloff" (which, then again, was very clearly inspired by "Les Yeux Sans Visage").

I have been a Jess Franco fan for many years now, especially of his earlier films, and my expectations for this one were quite high, simply because it has been recommended to me by fellow Franco-fans on several occasions as the best of his newer films. It must be said that Franco's impressive repertoire of 180+ films includes masterpieces and stinkers alike, and while "Faceless" definitely ranges in the better half of his output, I cannot deny that I was a tiny bit disappointed. As explained earlier, I am a big fan of Gothic Horror from the 60s, and Franco's films about the theme, "The Awful Dr. Orloff" and the sequel "Miss Muerte" ("The Diabolical Dr. Z", 1966) are doubtlessly the best ones he ever made. "Faceless" is a welcome return to this great premise, but while I reckon the difference in styles between the early 60s and the late 80s, I would have loved the film to be a little more atmospheric and in the style of these old films, in short: a little more 'Gothic'. That being said, "Faceless" is definitely a film that Franco-fans should not miss out on.

Helmut Berger plays the ruthless prominent plastic surgeon Dr. Frank Flanard who, after his sister has been deformed by a disaffected former patient, has no scruples whatsoever in his dedication to restore her beauty... The cast includes several cult-actors including Helmut Berger, Telly Salavas, Franco-regular Howard Vernon (once again as a man called Dr. Orloff), Anton Diffring, who plays a demented Nazi-scientist, Christopher Mitchum (Robert's son), Caroline Munro and Pornstar/Exploitation actress Brigitte Lahaie, who plays the Doctor's mistress and ruthless assistant. The most spectacular aspect about "Faceless" is probably its ultra-demented nature and the truly gruesome gore-effects. Several scenes, such as the 'face-removal' sequence are sometimes hard to digest, even for trained Exploitation/Gore fans. Sadly, the film hasn't got the great style and atmosphere of Franco's early 'Mad Scientist' films, which were moody, creepy and accompanied by gloomy, Franco-typical scores. This film's score is its most annoying aspect, the same (TRULY terrible) 80s song is re-played over and over again. While I don't share the enthusiasm that fellow Franco fans seem to have about "Faceless", I will be the last one to deny that it is more than worth watching. Especially the gore-enthusiasts out there should have a blast. Recommended to Jess Franco fans.