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"Faceless" of 1987 is cult director Jess Franco's demented and ultra-gory 80s take on a classic Horror topic. In the heyday of European Gothic Horror some of the greatest genre films dealt with a mad scientist who was murdering young women in order to restore the life or beauty of one particular woman. Some of the most brilliant films with such a theme are Georges Franju's masterpiece "Les Yeux Sans Visage" ("Eyes Without a Face", 1960), Giorgio Ferroni's "Il Mulino Delle Donne Di Pietro" ("Mill of the Stone Women", 1960), or Franco's own "Gritos En La Noche" ("The Awful Dr. Orloff", 1962). With "Faceless", Franco brings this popular Horror-theme back, with less atmosphere, but with tons of more sleaze and demented gore. According to this site, the film is a remake of Franju's film, but it has just as many resemblances to "The Awful Dr. Orloff" (which, then again, was very clearly inspired by "Les Yeux Sans Visage").

I have been a Jess Franco fan for many years now, especially of his earlier films, and my expectations for this one were quite high, simply because it has been recommended to me by fellow Franco-fans on several occasions as the best of his newer films. It must be said that Franco's impressive repertoire of 180+ films includes masterpieces and stinkers alike, and while "Faceless" definitely ranges in the better half of his output, I cannot deny that I was a tiny bit disappointed. As explained earlier, I am a big fan of Gothic Horror from the 60s, and Franco's films about the theme, "The Awful Dr. Orloff" and the sequel "Miss Muerte" ("The Diabolical Dr. Z", 1966) are doubtlessly the best ones he ever made. "Faceless" is a welcome return to this great premise, but while I reckon the difference in styles between the early 60s and the late 80s, I would have loved the film to be a little more atmospheric and in the style of these old films, in short: a little more 'Gothic'. That being said, "Faceless" is definitely a film that Franco-fans should not miss out on.

Helmut Berger plays the ruthless prominent plastic surgeon Dr. Frank Flanard who, after his sister has been deformed by a disaffected former patient, has no scruples whatsoever in his dedication to restore her beauty... The cast includes several cult-actors including Helmut Berger, Telly Salavas, Franco-regular Howard Vernon (once again as a man called Dr. Orloff), Anton Diffring, who plays a demented Nazi-scientist, Christopher Mitchum (Robert's son), Caroline Munro and Pornstar/Exploitation actress Brigitte Lahaie, who plays the Doctor's mistress and ruthless assistant. The most spectacular aspect about "Faceless" is probably its ultra-demented nature and the truly gruesome gore-effects. Several scenes, such as the 'face-removal' sequence are sometimes hard to digest, even for trained Exploitation/Gore fans. Sadly, the film hasn't got the great style and atmosphere of Franco's early 'Mad Scientist' films, which were moody, creepy and accompanied by gloomy, Franco-typical scores. This film's score is its most annoying aspect, the same (TRULY terrible) 80s song is re-played over and over again. While I don't share the enthusiasm that fellow Franco fans seem to have about "Faceless", I will be the last one to deny that it is more than worth watching. Especially the gore-enthusiasts out there should have a blast. Recommended to Jess Franco fans.

Prolific director Jess Franco made a lot of crap during his career, but in his filmography there are several hidden gems - and Faceless is definitely one of them! True to Franco's style, the film is trashy and sleazy throughout, but it's the eighties atmosphere that sets this film apart from the majority of Franco's opus, as Faceless takes in trashy eighties pop and themes of vanity, which ensure that the film is always obviously a product of the eighties. The story has been used many times before - mostly in films made in the sixties; films such as Eyes Without a Face, Circus of Horrors and Franco's own The Awful Dr Orloff (which gets a nod in this film), but never before has this sort of been given as much blood, gore and nudity as it gets in Faceless. The film begins with the disappearance of a model named Barbara Hallen. Her father hires a private detective to find her, and while on her trail in Paris; the detective eventually makes his way to a private clinic where strange experiments have been going on. The not so good doctor has a woman whose face he wants to fix - and he's using skin from young women to do it!

The film's biggest plus point has to go to the scenes of gore! Sequences that see things such as a needle in the eye, a drill through the skull, a chainsaw decapitation and numerous surgery sequences are well done, and bound to delight gore fans. The cast is also a standout element of the film, as Franco recasts Howard Vernon in the role of Dr Orloff, and we've also got performances from the likes of Telly Savalas, Anton Diffring and Jean Rollin's beautiful frequent collaborator, Brigitte Lahaie. The story isn't massively strong, but it's not bad either as Franco strings a few different threads together and that, along with the gore and skin going on throughout, tends to ensure that the film is always interesting. The music that Franco has chosen is good in that it suits the style and feel of the film, but Franco uses the central song a bit too often, and it starts to grate after a while. Overall, Faceless might not do much for fans of serious films, or for those that dislike Jess Franco in general; but Faceless is one of the better films that the director has worked on, and comes recommended to the right sort of people.

FACELESS (Jesus Franco - France/Spain 1988).

As usual with a Jess Franco film, the background stories from cast and crew are much more interesting than the film itself, which is pretty crappy. But, relatively speaking, it's one of his better films, with an interesting cast consisting of Helmut Berger, Telly Savalas, Chris Mitchum and legendary French porn queen Brigitte Lahaie. Franco had a relatively large budget to spend for this film, around one and a half million francs ($250,000). It all looks very glossy, very eighties, including the soundtrack with the strangely hypnotic song 'Destination nowhere.'

The film itself is good for quite a few laughs; Chris Mitchum's encounter with the muscled bodyguard "Dudu" or "Doodoo". The inexplicable presence of a drag queen in Helmut Berger's clinic, a joke Franco spontaneously made up on the set, even Helmut Berger looked a little disturbed after entering the room (Franco probably didn't tell him who or what was in the room). An electric doll (the stand-in for a body) that runs wild due to some electric failure, with its teeth clappering up and down like wild. Why fix it? Just keep it in the movie. No one will notice. Sure...

The extras are always the most interesting part of Franco-DVD's. Chris Mitchum is a likable and intelligent guy, who tells some amusing anecdotes about the start of his movie career. He also reveals that - due to some misunderstanding - he was in an outrageously expensive hotel suite in Paris, that cost more than $30,000 in total during the whole shoot, more than one-tenth of the total budget. The interview with Jess Franco is strange and he stays clear of saying anything specific about his work, which is a smart thing. He does manage to discuss the work of Alfred Hitchcock, John Ford, Frederico Fellini and Helmut Berger, all within five minutes! The teaming of these names in one interview in such a short time must be a first.

A somewhat atypical entry in Franco's oeuvre with a (relatively speaking) coherent plot, less hanky-panky than usual, but some shocks and gore, and plenty of (unintended) laughs.

Camera Obscura --- 5/10

A plastic surgeon is hanging out in Paris with his sister and girlfriend when they are cornered in a parking garage by an disgruntled former patient who is angry that her face ended up deformed due to his incompetence. She throws acid in his direction, but he ducks and it ends up landing in his sister's face. He makes a vow to restore his sister's former beauty by capturing beautiful women and slicing off their faces to find the right fit for her.

For a Jess Franco film, Faceless feels a bit more mainstream and big budgeted than many of his previous films. There's still some jarring editing, odd camera placements, and scripting issues, but it's one of his more cohesive movies. For those who revel in Franco's typical trashy elements, there's still more than enough of that with elements of lesbianism, rape, maybe incest, and tons of insanely unconvincing gore.

International b-movie and trash film legends like Brigitte Lahaie (in a cold, creepy performance), Helmut Berger, Caroline Munro, and Telly Savalas star with Chris Mitchum as the lead who's on the hunt for Munro's drug addled model thanks to father, Telly Savalas. Savalas is in, maybe, 5 minutes of the movie and does all his acting from behind the same desk, so you can tell they shot all his scenes in one day.

There are many strange Euro horror film touches such as a patient of Berger's putting on 3 lbs of makeup before he enters and singing to him as he checks up on her and a deliriously weird sequence where one of Munro's gay fashion photographers is approached at his home by Mitchum who threatens to shatter an expensive vase unless he gives him tips on where Munro is. Just when you think it can't get any funnier, the gay photographer calls on his bodyguard/maybe lover named - I kid you not - DooDoo - and a buff, muscle bound guy appears out of nowhere and tries to fight Mitchum only to be turned into a sobbing mess when he's kicking in groin. You can't make this stuff up.

Faceless also has the guts to end on a really downbeat note that I was expecting, especially after all the silliness that came before it. It's a light, but entertaining entry in the Euro horror cannon and it's worth a watch.

Jess Franco's "Faceless" is late 80's euro-exploitation with the typical storyline of early 60's euro-exploitation! Namely, a celebrated surgeon who kidnaps and kills beautiful women in order to restore the beauty of his own sister who's face got horribly deformed in a very banal acid-accident. Franco, among other prominent horror directors, already made similar movies in the 60's, like "The Awful Dr. Orloff" which he still refers to whenever he has the opportunity. In fact, "Faceless" is pretty much a remake of that film but, since it's the 80's, our director can now insert a lot more nauseating gore and sexually perverted sub themes. The result is one of the most energetic Franco movies ever, with enough sleaze and sadism to satisfy even the sickest puppies among us! There are extremely graphic facial operations that'll nearly make your stomach turn, random bloody executions and an uncanny sidekick (Gordon) who feasts his lusts on the female corpse-leftovers. In between all the sickness, Franco takes the time to create a stylish and truthful portrait of the Parisian night life and the dialogues are much more adequate that usually in his films. Last but not least, "Faceless" is blessed with one of the greatest ensemble-casts in exploitation cinema ever, with Anton Diffring ("Circus of Horrors"), Brigitte Lahaie ("Island Women", "Fascination"), Helmut Berger ("Salon Kitty", "The Damned") and Caroline Munro ("Maniac", "Captain Kronos: Vampire Hunter"). The biggest names regretfully only appear in cameos, like Telly Savalas and Franco-regular Howard Vernon ("The Sadist Baron Von Klaus", "Miss Muerte", "Zombie Lake"...). My advise: see this film!!