A New York City cop, John McClane, tries to save his estranged wife and several others taken hostage by terrorists during a Christmas Eve party at the Nakatomi Plaza Skyscraper in Los Angele... Read allA New York City cop, John McClane, tries to save his estranged wife and several others taken hostage by terrorists during a Christmas Eve party at the Nakatomi Plaza Skyscraper in Los Angeles, California.A New York City cop, John McClane, tries to save his estranged wife and several others taken hostage by terrorists during a Christmas Eve party at the Nakatomi Plaza Skyscraper in Los Angeles, California.
- Director
- Writers
- Stars
- Nominated for 4 Oscars
- 8 wins & 8 nominations total
- Alexander
- (as Joey Plewa)
- Kristoff
- (as Gerard Bonn)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Summary
Featured reviews
For one thing the action is explosive and consistently exciting, and the cinematography is astounding being very inventive and colourful. John McTiernon(The Hunt for Red October, Last Action Hero) directs briskly and efficiently, and the pacing a vast majority of the time is exhilarating.
Then there is a terrific score by Michael Kamen, some intelligent and witty scripting and a plot that doesn't feel forced or convoluted. Not to mention some excellent acting. As good as Bruce Willis is, yes his character is somewhat two-dimensional, but he is also resourceful and world-weary and Willis handles this really well, it is Alan Rickman who steals the acting honours as Hans Gruber. Gruber is cold, calculating, suave and menacing, in my opinion only Rickman could do justice to such a character. Overall, a superb movie, not only the best of the Die Hard franchise but one of the best of the action genre. 10/10 Bethany Cox
*** (out of 4)
Enjoyable and tense thriller about a group of terrorists (led by Alan Rickman) who overtake a L.A. skyscraper and the only thing keeping them from getting away with their crime is a New York police officer (Bruce Willis) there on vacation. There's a lot of very good things about this movie but I've always thought that the majority of the credit has to go to star Willis. He might not have been a A-list star at the time this was released but it's easy to see why he became one afterwards. I think what's so great about him and the character he plays is that we can believe he's just your typical guy you'd see walking around on the streets with you. That every-day-man quality that Willis has works so well here because of the odds stacked against his character you can't help but just sit back and enjoy this one person taking out a professional organization. The hilarious one-liners, the smart remarks and the way Willis makes himself know to the terrorists is just classic and we get so many great showdowns that you can't help enjoy all of them. It certainly doesn't hurt that you've got a strong supporting cast with Rickman being a villain you just love to hate. The coldness RIckman brings to the part is the perfect contrast to Willis' cop and it works perfectly. Reginald VelJohnson, William Atherton, Bonnie Bedelia and Paul Gleason also add great support for Willis to play off of. The action scenes are certainly some of the best you're going to see and what holds them together so well is the direction by John McTiernan. He perfectly blends the humor, tension and the action but he also gives the film a wonderful pace that keeps it moving at a fast rate. DIE HARD might be far-fetched in what one man is able to do but this really doesn't take away from any of the fun.
This is an action film for future actors and directors to watch and use as a model because it is what an action film should be. I have seen many action films in my life, but this ranks at the top as it has all the right components. Action packed sequences, explosions, special effects and most of all superb performances with excellent dialogue.
"Die Hard" is a movie I will not soon forget because the story is so well crafted. Though there are no twists or curves thrown at the audience, the audience can be assured they will be treated to two hours of non-stop action from beginning to end.
"Die Hard" did not only produce great action and explosions but future stars as well. I am talking about Clarence Gilyard Jr. who starred in Walker, Texas Ranger and Reginald VelJohnson who starred in the series "Family Matters." These two actors were pivotal to this film in their respective roles.
Two other names to keep in mind while thinking of key performers are Bonnie Bedelia and Alan Rickman. I was blown away when I saw the impact they had on this film. It is as if they came in and said 'Okay boys, watch out I'm taking over." They certainly did that; however, nobody could have done better than the impact performer himself Bruce Willis.
On a scale of 1-10; "Die Hard" is given a 100 by yours truly. My only regret would be that the movie ended. I wish there was more to see in this film. I CAN'T WAIT TO SEE "DIE HARD" AGAIN.
Special praise must go out to Alan Rickman too whose performance as chief baddie Hans is to this day one of cinemas finest, moving convincingly from cool, calm and collected to desperate and nervous, never once seeming anything less than utterly ruthless and calculating. Even after we discover that Hans isn't there as a political terrorist but simply as a thief, he loses absolutely no villain credibility when he responds to Holly McClane's criticism by saying "I am an exceptional thief, Mrs. McClane and since I'm moving to kidnapping you should be more polite." Although we know Hans is capable of vile acts, he actually sees those as merely means to a greater and somehow justifiable end. His disposition is almost humanitarian and you would imagine him as quite a gentleman outside of the context of the crimes he commits in Die Hard's arc. In the end though, Hans is a pure sociopath that even the audience is conned into sympathizing with. I would actually argue that Die Hard is the greatest pure action film ever made. Yippie-ki-yay *muddy funster*... and happy holidays.
Overall rating: 9 out of 10.
When watching this film what becomes immediately apparent is how fresh it is. This hasn't been filmed with some cheap cameras for a quick buck, it looks professional and couldn't be less polished. The photography is clear and brings out the best of the surroundings, while the music has obviously been carefully chosen to convey the right mood. And, strangely enough for an action film, the acting is actually very good. Unheard of, as remember this was back in the days where Schwarzenegger and Stallone were the top stars of the action genre. Bruce Willis excels as the wisecracking, sardonic cop, and you can't fail to like him. He's consistently witty and provides a powerful presence when needed - it comes as no surprise as he lived off this image for the next six or seven years.
The supporting cast aren't half bad, either. The reliable Bonnie Bedelia takes a break from her usual highbrow, "moral dilemma", television movie fare as Willis' tough wife, while Reginald Veljohnson is also great as a sympathetic cop - you just want to hug him. But most memorable of all is Alan Rickman for his excellent turn as the cool, calculating terrorist with a carefully-crafted German accent and a fine line in natty suits. Rickman is THE bad guy of modern cinema, watch any subsequent action film with terrorists and you'll see people trying to be him. He's that good. The rest of the cast of terrorists have all been picked for their imposing looks, and they're not bad either. Keep your eyes peeled for fearsome Bond baddie Robert Davi in a minor role as an FBI man.
As well as the tense running around in corridors and stand-offs between Willis and the various creeps, this film really delivers in the action stakes. The guys here really do look like they are trying their hardest to kill each other, and we get people flying down stairs, getting chains wrapped around their necks, getting shot all over the place. Every kill that Willis makes is original and exciting. There are also plenty of ace stunts, like when Willis jumps off an exploding roof with only a fire hose tied around his waist. The gore level is high, graphic in fact, with people being shot apart wherever you look, and it's definitely a film for all cinema fans to enjoy. Consistently entertaining and strong enough to withstand repeated viewings, this is the first and final word on the "one guy versus lots of bad guys" sub-genre of the action flick.
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Did you know
- TriviaThe fictional Nakatomi Plaza is the headquarters of 20th Century Studios, so the studio could use one of its own buildings and didn't have to hold back on stunts and action sequences. While Jeb Stuart was writing the screenplay, he did a tour of the building, and immediately incorporated some of the locations and objects he found there into his script as set pieces (such as the cart that McClane and Karl end up riding during their fight). The company charged itself rent for the use of the then-unfinished building. Some of the middle floors were occupied by legal and administrative departments, so only empty floors were used for filming. Still, the filming of scenes that involved gunfire had to be postponed until after hours because some of the employees from the active floors started to complain about the noise.
- GoofsSeveral times during transmissions with the two-way radios, characters interrupt each other, which would be impossible given the type of radios they were using; if one person is transmitting on his radio, he cannot hear any other radios transmitting back on the same radio-set. Only a third person listening to the conversations on a third radio would be able to hear the two transmitters "stomping on each other".
- Quotes
Dwayne T. Robinson: I've got a hundred people down here, and they're covered with glass.
John McClane: Glass? Who gives a shit about glass? Who the fuck is this?
Dwayne T. Robinson: This is Deputy Chief of Police, Dwayne T. Robinson, and I am in charge of this situation.
John McClane: Oh, you're in charge? Well, I got some bad news for you *Dwayne*, from up here it doesn't look like you're in charge of jack shit.
Dwayne T. Robinson: You listen to me, you little asshole, I'm...
John McClane: Asshole? I'm not the one who just got butt-fucked on national TV, *Dwayne*. Now, you listen to me, jerk-off, if you're not a part of the solution, you're a part of the problem. Quit being a part of the fucking problem and put the other guy back on!
- Crazy creditsIn the widescreen version, the 20th Century Fox logo is stretched.
- Alternate versionsThe Ultimate edition DVD contains the following deleted/extended scenes:
- Extended power shutdown sequence.
- Extended opening flight scene.
- Brief dialogue in the first Hans/McClane confrontation.
- Extended scene where Robinson/Powell brief the FBI on the tower situation.
- Brief dialogue when Hans interrogates Takagi.
- Brief dialogue after Theo says "You didn't bring me along for my charming personality".
- Extended/alternate dialogue in McClane/Powell conversation after McClane uses the plastic explosives.
- Brief scene of FBI agents getting stuck in thorn bushes as they make their way towards the building.
- At the end, McClane says "You got a warranty for this (Holly's watch, a gift from Nakatomi Corporation)?" to which Holly laughs.
- Argyle's dialogue as Powell's police cruiser flies by in the background.
- Brief Ellis dialogue reacting to the terrorist intrusion.
- City engineer briefly coughs before pulling out the power cord.
- Brief dialogue in Hans/Karl argument about "neutralizing" McClane.
- Additional Holly dialogue after seeing Karl's reaction to McClane's escape.
- ConnectionsEdited into Une journée en enfer (1995)
- SoundtracksSingin' in the Rain
Written by Arthur Freed and Nacio Herb Brown
Details
- Release date
- Country of origin
- Official sites
- Languages
- Also known as
- Duro de matar
- Filming locations
- Fox Plaza - 2121 Avenue of the Stars, Century City, Los Angeles, California, USA(Nakatomi building, interiors filmed on the 29th and 35th floors)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $28,000,000 (estimated)
- Gross US & Canada
- $85,892,546
- Opening weekend US & Canada
- $601,851
- Jul 17, 1988
- Gross worldwide
- $143,651,650
- Runtime
- 2h 12m(132 min)
- Color
- Aspect ratio
- 2.39 : 1






